Annenberg Space for Photography, Iris Nights Lecture Series
Artist Talk by Nina Berman, Evidence and Fantasy: The War at Home
Thursday, May 30, 2013, 6:30-8:00 pm
Free and open to the public. Tickets are required and will be available May 22 at noon PDT and May 23 at 9:30 PDT here.
“Photographer, author and educator Nina Berman is known for her work photographing wounded American veterans including her 2006 “Marine Wedding” image. Presenting selections from work made since 9/11, she will explain her motivations and approaches to photographing war on the domestic front.”
“Flash Forward Festival Boston programming provides opportunities for all photography enthusiasts, offering insight into an evolving image industry while promoting the self-sufficiency of artists. Set within the Boston cityscape, the four-day festival is based out of the Fairmont Battery Wharf, offering an in-depth experience through organized networking events and educational programming that brings internationally respected industry professionals together to share their knowledge. Programming includes curated indoor and outdoor exhibitions, galleries throughout Boston, a Harborwalk exhibition series featuring work from local galleries, along with lectures, panel discussions, and nightly events. This official program guide contains all the information that you will need to plan your itinerary.”
Click here to view a PDF of the festival catalog to see the great line up of lectures, panel discussions, exhibitions and more.
“The Howard Chapnick Grant was introduced in 1996 to encourage and support leadership in fields ancillary to photojournalism, such as editing research, education and management. The Grant was established to honor the memory of Howard Chapnick, and acknowledge the value of his enormous contribution to photography.
The annual $5,000 grant may be used to finance any of a range of qualified undertakings, which might include a program of further education, research, a special long-term sabbatical project, or an internship to work with a noteworthy group or individual. According to the Fund’s Board of Trustees, special consideration will be given to projects that promote social change and/or serve significant concerns of photojournalism. The grant is not intended to be used for the production of photographs, which will continue to be funded by the main grant of the Smith Fund.
Recipients of the Howard Chapnick Grant will be selected by the Board of Trustees of the W. Eugene Smith Memorial Fund in Humanistic Photography.
The application form for the Howard Chapnick Grant can be downloaded in PDF form here (180 KB). Additional applications may be obtained by writing to:
The Howard Chapnick Grant
W. Eugene Smith Memorial Fund
c/o International Center of Photography
1114 Avenue of the Americas
New York, NY 10036 – USA”
View the full prospectus at: smithfund.org/howard-chapnick-grant.
“The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s concerned photography and dedicated compassion exhibited during his 45-year career as a photographic essayist.
The Smith Grant was established in 1978 following the death of Gene Smith, the legendary American photo essayist. It is today the most prestigious honor in documentary photography. Every year it recognizes a photographer who has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smith’s concerned photography and dedicated compassion.
The W. Eugene Smith Memorial Fund, INC., a not-for-profit corporation qualified under Section 501(c)(3) of the Internal Revenue Code, independently administers the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays. For 2013, the amount of the grant will be $30,000. An additional $5,000 in fellowship money will be dispersed, at the discretion of the jury, to one or more finalists deemed worthy of special recognition. Awards will be presented in a ceremony held in New York City in early October.
Applicants will need to provide:
- Background in Photography: Formal education, workshops, apprenticeships, self-teaching, etc.
- Photographic Experience: Staff positions, freelance work, etc
- Awards, Grants, Other Qualifications and Distinctions
- Photographic Essays Previously Completed: Books (Title & publisher), Exhibitions (Title, location & city)
- Professional References: Include name, address, telephone number
- Title and Brief Summary of Smith Grant Project
- The applicant must affirm that the proposed project is ongoing.
- Applicants should include a written proposal that is concise, journalistically realizable, visually translatable, and humanistically driven. It should be no longer than 2 pages and submitted as a microsoft word document.
- Applicants should provide educational and professional qualifications.
- Up to 40 images, formatted as such:
- At least 1500 pixels on the long dimension
- Resolution: 72 dpi
- Name the files with your first and last names and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg.”
- Submit applications online or by mail.
For the full prospectus visit: smithfund.org/eugene-smith-grant.
Deadline: Saturday, June 15, 2013
The spring call for entries begins May 15 and closes June 15, 2013.
“TheDocumentaryProjectFund was founded to help make sure that photographers who want to tell the stories of their communities will be able to do so. We are here to encourage, through project support, photographers who have a community focus and a good story to tell. We believe that still photography, especially the documentary form, can be an incredibly powerful art. We can admire the beauty of each image, be challenged to think about the issues raised and come away with our biases tested.
TheDocumentaryProjectFund call-for-entry is open to emerging and established still photographers. All applicants must have the appropriate skill level necessary to plan and execute a documentary project. Selected artists will have six months to complete the photographic work.
Each call-for-entry is intended to fund one project and will award up to $5000. That project should be a future project and not one in progress. The fund may grant project support to photographers working in conjunction with another nonprofit, provided that group will match our funding.
Submission deadlines are December 15 and June 15. Each application must include:
Submit applications in PDF or Microsoft Word format. Your name(s), mailing address, email, phone number(s) and a web site (optional) should appear at the top of each page. All entries will be submitted electronically via email, in English, as an attachment to: email@example.com.
- Project Statement: 1 page maximum
- Budget: 1 page maximum
- Personal Statement: 1 page maximum
Think of this as your mission statement. In one page tell why your work is important. Detail your beliefs about community, the arts and education. Explain how you plan to complete the work in the time frame allowed by discussing how you’ve managed past projects. Page two will be your current resume. Include references.
- Images: 10-15 total
Provide a cohesive set of images that illustrate your photographic skills and your experience with the documentary form. You can use a previous project or you can put together a group of images that work well with each other and feel like a project. We want a sample of work that gives us a sense of your photographic and project management skills as well as your vision. Don’t send us an unrelated group of single images. Don’t send us your vacation snapshots.
There are two acceptable ways to submit your photographic work:
- Use an online email service such as YouSendIt or DropSend. This will allow you to email large, zipped files. The images should be:
- JPEG format and sized to 1024 pixels in width for horizontals, 768 pixels in height for verticals.
- Titled as such: Lastname_firstname_projecctimagenumber (ex: smith_john_barbershop1)
- Use your own professional website or a cloud service such as MediaFire, Windows Live, SkyDrive or Box. Do not send us a link to your Facebook page, your Flickr, Shutterfly or other similar accounts. Be sure we are linked directly to the image gallery you want us to evaluate. Include this link with the written portion of your submission.”
“The Foundation’s Individual Photographer’s Fellowship (IPF) program encourages and celebrates artistic achievement in contemporary photography by supporting the creative endeavors of artists working in photography and photo-based art media.
The Aaron Siskind Foundation is offering a limited number of IPF grants of up to $10,000 each, for artists working in photography and photo-based art. Recipients will be determined by a panel of distinguished guest judges on the basis of artistic excellence, accomplishment to date, and the promise of future achievement in the medium in its widest sense. The Foundation seeks to support artists/photographers who demonstrate a serious commitment to the field, who are professionally active or employed in the field.
Who May Apply: U.S. Citizens and Legal Permanent Residents of the United States, who reside in the U.S., and who are at least 21 years of age. Recipients must provide legal proof of eligibility and a verifiable social security number.
Who May Not Apply: Students enrolled in a college degree program. Students who graduate before the 2013 application deadline are eligible to apply. Previous IPF recipients are not currently being considered for new awards. At this time, artists on temporary visas such as the O-1 visa are not eligible to apply.
Eligible Work: Still photography regardless of subject matter, genre, or process. Works submitted may be traditional photography projects or experimental works, but photographic techniques must be pivotal to the works submitted. The submission should consist of a mature, coherent body of work. Examples of Non-Eligible Work: Film, video, interactive multimedia.
- Applicant Profile: Name and contact information
- Work Samples: A portfolio of ten (10) digital images showing representative, recent work. If your work is best communicated visually by showing its physical or installed nature, or aspects of detail, use one or more of the ten images for that purpose.
- Exactly ten (10) images must be submitted. They will be projected for the panelists via high-definition digital projectors and viewed at roughly 30 x 40 inches per image. Images must be standard baseline JPEG files with the .jpg extension. The recommended color profile is sRGB. Maximum file size is 1.8 MB. Image size can be no larger than 1920 x 1920 pixels (smaller images will be shown against a 1920 x 1920 black background). Images should be 72 PPI; any higher will unnecessarily increase your file size.
- Text descriptors for each image: Title, Year Completed, Medium, Dimensions
Note: There are also fields for image “Value” and “Description” in the application. We don’t include this information in our review process. “Description” can be left blank. $0.00 can be entered for image “Value”. Whatever you enter in these fields — it will not be seen by jurors.
- Work Statement: (500 words maximum) The purpose of the Statement is to give the panel a better understanding of your work while they are viewing it. It should be very clear and concise, and relate to the specific works you are submitting.
- Career summary, artist resume/CV, or short bio (500 words maximum).”
Further details and to apply visit www.callforentry.org.
Opening Reception for Life’s a Beach by Martin Parr
Wednesday, May 15, 2013, 7:00-9:00 pm
“Join Aperture and Martin Parr for the opening reception for Life’s a Beach, featuring the best selections from Parr’s beach photography, presented in conjunction with the May release of the beach-bag-size edition of Life’s a Beach. Parr has been photographing beaches for thirty years, documenting all aspects of them, including close-ups of sunbathers, rambunctious swimmers caught mid-plunge, and the eternal sandy picnic underway. This selection brings to the fore Parr’s engagement with a cherished subject matter—that rare public space in which general absurdities and local quirks seamlessly fuse together.”
Aperture Gallery and Bookstore
547 West 27th Street
New York, New York [map]
Call for Entries: Art of Photography Show
Deadline: Saturday, May 18, 2013 at 11:59 pm PDT
Fee: $25 for 1st entry, $10 for each additional. Previous entrants receive a $15 discount.
“Now in its 9th year, the Art of Photography Show is an established and critical force in the world of contemporary photography. The show provides tangible benefits to artists trying to break into the public eye. This well thought out international exhibition provides value to artists at every turn, from first-rate viewing in the judging process to exhibition and publication opportunities, photo industry connections and monetary awards.
Julia Dolan, Curator of Photography at the Portland Art Museum.
$2,000 1st Place Award
$1,600 2nd Place Award
$1,200 3rd Place Award
$800 4th Place Award
$400 (11) Honorable Mention Awards
Any person in the world may submit images for consideration. Art must be original, created by the person who enters that work. Entries previously submitted to the Art of Photography Show are eligible for consideration if: A) They were not selected for exhibition, and B) The digital criteria defined above is met. Art which has been exhibited within a previous Art of Photography Show is not eligible.
Images created via any form of photography will be accepted for consideration (i.e. shot on film, shot digitally, unaltered shots, alternative process, mixed media, digital manipulations, montages, photograms, etc.), so long as part of the image is photographically created.
Begin by filling out the Registration form.
Entries must be submitted as digital files in the JPEG format. Image size must be at least 1500 pixels on the longest side (but no larger than 3000 pixels), and must be sent via one of these means:
- Upload via this website (preferred method)
- Email to: firstname.lastname@example.org
- Mail a CD to the address listed on our Contact page.”
Eddie Adams Workshop: Barnstorm XXVI
Applications due: Friday, May 31, 2013
Application fee: $45
“The Eddie Adams Workshop is an intense four-day gathering of the top professionals in photojournalism, along with 100 carefully selected students. The Workshop’s purpose is to create a forum in which an exchange of ideas, techniques, and philosophies can be shared between both established members and newcomers of the profession of picture journalism. The Workshop is tuition-free, and 100 students are accepted based on the merit of their portfolios from a pool of college students, professionals with 3 years or less experience, and U.S. military photographers.”
This year’s workshop will be October 11-14, 2013 in Jeffersonville, New York.
“Join Alex Webb and Rebecca Norris Webb for a slideshow and discussion of their work. Between the two of them, these creative partners have published some dozen books and exhibited work internationally.
This joint public slide talk will feature a selection of photographs from their monographs, including Alex’s most recent book, The Suffering of Light: Thirty Years of Photographs, and Rebecca’s new book, My Dakota, which interweaves her spare text and lyrical photographs from her home state of South Dakota. In addition, Alex and Rebecca will also discuss the process of making collaborative books and exhibitions, including Violet Isle: A Duet of Photographs from Cuba (a Radius book and exhibition at the Museum of Fine Arts, Boston), and their upcoming Radius book, Memory City.
There will be a question and answer session following the presentation led by David Chickey, noted designer and creative director of Radius Books, who’s worked with the Webbs on four books.”
Santa Fe University of Art and Design, Tipton Hall
1600 Saint Michael’s Drive
Santa Fe, New Mexico [map]