Tag: photography

Deadline February 20th: LensCulture 2019 Portrait Awards

LensCulture
Call for Entries: 2019 Portrait Awards

Deadline: Wednesday, February 20, 2019

“For the sixth year, the LensCulture Portrait Awards 2019 are searching the globe for photographers making the most captivating portraits.

We’re eager to see innovative new approaches as well as stunning traditional work — from quirky self-portraits to creative portrayals of family, friends, groups and ordinary people around the world. These Awards are open to all people and all interpretations of portraiture, whether made in a studio with professional lighting or a smart-phone portrait from your travels.

This is the year to share your best portrait with the world and engage with the global photography community! Submit your most compelling portraits or portrait series for the opportunity to be exhibited at Aperture Gallery in New York. Access career-launching exposure and have your work seen by industry experts. Connect with our global online community of photography lovers and thinkers.

Visit https://www.lensculture.com/photo-competitions/portrait-awards-2019 for information about additional benefits, cash prizes and our esteemed jurors. We are proud to offer a free entry option for single image submissions.”

Deadline February 15th: CPW’s Photography Now 2019

“ELIGIBILITY
CPW’s annual Photography Now exhibition celebrates the plurality of photography. All photographic techniques and approaches are welcome, from analog to digital, fine art, directorial, narrative, documentary, political, social justice, identity, portrait, landscape, still life, mixed media incorporating photography, photographic installations, digital imaging and collage! Submissions are accepted from all over the world. Professional, amateur, and student artists are all welcome to apply. Over $2,500 in prizes will be awarded!

PHOTOGRAPHY NOW 2019 JURORS:

  • Maurice Berger is a writer, cultural historian, and curator whose work focuses on the intersection of race and visual culture. He is research professor and chief curator at the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County.
  • Marvin Heiferman, a curator and writer, has organized exhibitions, web-based projects, and publications about photography and visual culture for institutions including the Museum of Modern Art, Smithsonian Institution, International Center of Photography, Whitney Museum of American Art, P.S. 1 Museum, Carnegie Museum of Art, and the New Museum.

PRIZES

  • Director’s Choice Purchase Award: One photograph will be selected by the Executive Director and purchased for CPW’s Permanent Print Collection.
  • Jurors’ Choice Award
  • Visitors’ Choice Award
  • Honorable Mentions [x3]

SUBMISSION REQUIREMENTS
No submissions will be accepted outside of the online submission process. We have lowered our General Entry Fee this year, thereby extending to all applicants the discount that was previously given to students, seniors and members.

  • ENTRY FEE $40: Please submit 5 JPGs, 2000px on longest side.
  • Up to 10 additional images: $5 each
  • Bio (max: 200 words)
  • Artist Statement (max: 250 words)

Exhibition print sizes will not determine eligibility, however they will be considered when selecting the number of framed pieces that will be included in the exhibition. Accepted works must be framed or ready to install for gallery exhibition, and shipped or delivered to CPW by October 1; exhibition takes place November 2019 through January 2020. Round trip shipping is the responsibility of the artist.”

For the full prospectus and to apply visit: https://www.cpw.org/connect/submissions/photography-now/.

DEADLINE January 23rd: 2019 Aperture Portfolio Prize

Aperture Foundation
Call for Submissions: 2019 Aperture Portfolio Prize
Deadline: Wednesday, January 23, 2019 at 11:59 PM EST
There is no fee to enter.

About Aperture Portfolio Prize
“The purpose of the Aperture Portfolio Prize is to identify trends in contemporary photography and highlight artists whose work deserves greater recognition. When choosing the first prize winner and runners up, Aperture’s editorial and curatorial staff look for innovative bodies of work that haven’t been widely seen in major publications or exhibition venues.

The first prize winner will be published in Aperture magazine and will receive a $3,000 cash prize and exhibition in New York. The winner and up to four runners up will be featured in an online gallery on aperture.org. All finalists are announced in the foundation’s e-newsletter, which reaches fifty thousand subscribers across the globe, including curators, critics, and members of the photography community. The winner and runners up may also be presented the opportunity to participate in the Aperture Foundation limited edition print program.

Juror information
The Aperture Portfolio Prize jury is comprised of Aperture’s experienced editors and curatorial staff. This year, the jury includes Chris Boot, executive director; Annette Booth, director of exhibitions management; Charlotte Chudy, editorial assistant of books; Brendan Embser, managing editor of Aperture magazine; Michael Famighetti, editor of Aperture magazine; Annika Klein, assistant editor of Aperture magazine; Taia Kwinter, managing editor of the book program; Amelia Lang, associate publisher of the book program; Samantha Marlow, associate editor of books; Lesley A. Martin, creative director; Kellie McLaughlin, director of the limited-edition print program; and Denise Wolff, senior editor of books.

Submission Requirements

  • 1 Project with 10 to 15 photos
  • Project description with up to 1500 characters
  • Biography and CV
  • Special Requirements:
    – Entrants must be Aperture Magazine print subscribers.
    – Work must be made within the past 5 years. Ongoing projects will be accepted.”

Visit https://contests.picter.com/aperture/portfolio-prize-2019 for the full prospectus and to apply.

Deadline January 28th: Art+Science

A Smith Gallery
Call for Entries: Art+Science
Deadline: Monday, January 28, 2019
Entry Fee: $38 for the first 5 images, $7 per each additional image.

“Has photography ever really been disconnected from Science? From the invention of the pinhole camera about one thousand and twenty years ago by the Arab mathematician, physicist, and Astronomer, Ibn al-Haytham, up to today’s use of radiology to produce works of art, science and art have been inseparable. Photography is the perfect intersection of Art and Science.

JUROR: Linda Alterwitz
Alterwitz is an interdisciplinary artist with diverse interests in the fields of medical research and the natural environment. Her work encourages an awakening of the senses toward a subtle shift of consciousness, offering people a connection with the unseen.

“The Art and Science movement is not new, yet its reach is currently building momentum. More than producing aesthetic images derived from scientific data, science-inspired artists find connections that reflect a common purpose – one that integrates the authenticity of science and the communicative power of art. The sci-art movement promotes dialogue and offers a platform in hopes of improving the world in which we live.

I am the writer and editor for the Art + Science column on Lenscratch Magazine in which I showcase work by photographers who address a genre of photography that lives at the intersection of art and science.  Up to 33 of the final selections to this call will be featured in a Lenscratch post highlighting this Art + Science exhibition.”  —Linda Alterwitz

Awards
Juror’s Selection – $325.00
Director’s Selection – $250.00
Visitors’ Award – $100.00
Discretionary Honorable Mentions – each receiving an exhibition catalogue
Up to 33 of the final selections will be featured in a LenScratch Art+Science post.

Eligibility
Submissions are open to all photographers both professional and amateur. International entries are welcomed.   Work previously exhibited in the gallery or featured on the blog are not eligible.

Submission Guidelines
Digital images should be:

  • 1000 pixels on the longest side saved in JPEG format at 72 ppi.
  • Each image should be labeled with consecutive numbers followed by your name, i.e. 1FirstName_LastName.jpg. The number should correspond with the number on the application form
  • Each entry should have both diptych images included.  If you are not able to put them in the same digital file, please contact amanda@asmithgallery.com for assistance. 
  • Please do not watermark your images. 
  • If you need help sizing your images, please follow this link https://convert.town/image-dpi
  • Online: Fill out our online application to apply, send images, and make payment with Paypal.
  • You will receive an email confirmation upon receiving the entry and payment. You can also fill and submit the online application, print out your confirmation email, and mail it with a check for your fees to the address below. 

Submission by mail: Please prepare a submission form with your name, address, email address and phone number along with a list of the titles and printing process of each entry.  The number of each title should correspond to the image number on the CD.  CD’s and submission form should be mailed to:

A Smith Gallery
P O Box 175
Johnson City, TX 78636

The gallery will send an email confirmation upon receiving the entry and payment.

For the full prospectus and to apply visit: https://asmithgallery.com/salon-call-for-entry.

October 18th, Richmond, VA: Candela Gallery “AN EVENING WITH DENISE BETHEL”

Candela Books + Gallery
An Evening with Denise Bethel
Thursday, October 18th, 5:30-7:30 PM, Talk at 6:00 PM

“RESURRECTING THE IMPORTANT | The Nineteenth Century and Contemporary Photography

Recent years have seen a number of contemporary photographers turn to 19th-century photographic processes, from the daguerreotype, ambrotype, and tintype to the wet plate and the camera obscura. What things do these anachronistic methods bring to the field of contemporary photography? Is it possible to re-direct a medium now accustomed to the speed and ease of a cell phone camera? This talk will explore what might be learned from the photographers of the 19th century and how these lessons are being used by some of the most adventurous artists of today.

Denise Bethel, formerly Chairman of the Photographs Department at Sotheby’s, Inc., spent over three decades in the photographs auction business in New York, where she set world records for artists ranging from Southworth & Hawes and Alfred Stieglitz to Edward Weston and Diane Arbus. A Richmond native, she holds a B. A. from Hollins College, Virginia, and an M. A. from London’s Courtauld Institute of Art, where her second year was funded by a Virginia Museum of Fine Arts graduate fellowship. She is now an independent advisor, writer, and lecturer based in New York City.”

Candela Books + Gallery
214 West Broad Street
Richmond, Virginia 23220

CLICK! Upcoming opportunities in Durham NC during Click!120

CLICK!120 Photography Festival
October 3-7, 2018

Click!120 in Durham, NC is quickly approaching.  There are some great opportunities to sign up for before the festival begins on October 3rd.

Visit their website for other lectures, exhibitions and more during Click!120. https://clickphotofest.org


Click!’s Last Call for Entries:  Photo Book Exhibition 
Deadlines: Online entry due September 28th | Book Delivery due October 1st
Entry fee: $35 per book entered

“The Click! Photography Festival is pleased to announce our first Click! Photo Book Exhibition. Winners will be exhibited at Horse & Buggy Press during the Click! Photography Festival on October 6th between 11 and 1. Entries will be eligible for one of three purchase awards given by the Joseph C. Sloane Art Library at the University of North Carolina at Chapel Hill.

Books should be self-published or hand made and primarily photographic in nature, though other mediums are allowed. Submissions should be books of your own work or a collaboration.

Online entry forms with payment should be completed by September 26th. Please indicate the sales price of the book, or if it is not for sale. 20% of book sales will go to Horse & Buggy Press. Books should be shipped to Horse & Buggy press in order to arrive by October 1.”

Full prospectus: https://clickphotofest.org/call-for-entries/photo-book-exhibition/


Click! Academy – Few spaces remain:

Projects in Progress: A Group Session with Mary Virginia Swanson
October 4, 9:30 – 11:45 am
Registration Fee: $65

“10 photographers in succession will share their project-in-progress in print form (not digital) during a 10 – minute open discussion with MVS.

In this group format, each photographer will tell MVS briefly and succinctly:

  • What the project is about.
  • Who the target audience is.
  • What the status of production is – early phase? in progress? Nearing completion?
  • What your preferred final format is for the project (i.e. exhibition, publication, dedicated website etc.).
  • MVS will share her response to the work and ideas for moving your project forward.
  • When not presenting their work all participants are invited to observe the discussions she has with each of the with other participants.
  • All 10 accepted participants will receive an email from MVS on how to best prepare for their session.
  • Register here.

Note: This session limited to a total of 10 participants is a companion to the public seminar: From Concept to Audience: THE LIFE OF A PHOTOGRAPHIC PROJECT also at the Durham Arts Council from 12:30pm – 2:30pm on Oct. 3rd. RSVP required for From Concept to Audience.

August 5th, New Orleans: Artist Talk by Binh Danh “Landscape and Memory”

©2018 Binh Danh

PhotoNOLA
Artist Talk by Binh Danh: Landscape and Memory
Sunday, August 5th, 3:00 pm
Free and open to the public, RSVP required

“In his presentation, “Landscape and Memory“, Binh Danh will show work from his community-inspired installations and discuss his photographic processes with an emphasis on his daguerrotype printing and work with indigenous botanicals. Danh is currently collaborating with Louisiana Master gardeners, creating new work in preparation for an installation at the Arsenal during PhotoNOLA 2018.

This event is co-hosted by LSM and PhotoNOLA.

Louisiana State Museum Arsenal, 3rd Floor (in the Cabildo)
701 Chartres St., New Orleans, LA 70116

Deadline EXTENDED June 8th: The W. Eugene Smith Grant for Student Photographers

W. Eugene Smith Memorial Fund
Call for Entries: The W. Eugene Smith Grant for Student Photographers
Deadline: Thursday, May 31, 2018 Friday, June 8, 2018
Fee: $1

“In 2018 the W. Eugene Smith Memorial Fund announced a new grant, the W. Eugene Smith Grant for Student Photographers to encourage and support students whose photographic work renews the tradition of W. Eugene Smith’s humanistic and compassionate photography. Special consideration will be given to work that promotes social change and that embraces new technologies and image distribution, and that seeks to integrate the tradition of photography and social change with contemporary practice.

The annual $4,000 grant may be used to complete a work-in-progress. Recipient of the Grant will be selected by a jury appointed by the the Board of Trustees of the W. Eugene Smith Memorial Fund in Humanistic Photography.

To apply for the Grant, a fee of $1 is required. The submissions must include a scan of a current student identification card. Please enter below and select Student Photographer Grand during the registration process. The deadline for submissions is May 31, 2018.

The grant will be presented in a ceremony held in New York City on October 17, 2018.

The Jury
The Fund’s Board of Trustees will appoint a three-member jury consisting of two board members and an outside expert. The jury reviews all the photographs (submitted electronically), applications and statements of intention, and selects eight finalists on the basis of the substance and merit of their project, and the written supporting material. The finalists are then contacted by telephone for additional material. The jury reviews the materials again and proceeds to select the grant recipient and the recipient is asked to deliver a 1-3 minute video with audio describing their work which will be shown at the Smith Grant Ceremony in October.

Submission Guidelines
You must register on this website by clicking the ‘Apply for Student Grant’ link on the side navigation or at the bottom of this page. There is a $1 fee for student grant consideration. No submitted materials will be returned. The Smith Fund accepts applications only through our online portal only. No physical submissions will be accepted.

Applicants should submit:

  1. A Bio and/or CV submitted as a PDF not to exceed 2 pages. A scan of a current student ID card is required. (Please note submissions exceeding one page may not be reviewed). Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add CV. Example: John_SmithCV.jpg
  2. The Project Statement submitted as a PDF and not to exceed 2 pages. (Please note submissions exceeding two pages may not be reviewed) 1. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add PP. This Statement should address the topic and themes of the work, its motivation and aspirations—the work’s intended result. The statement should situate the work in the tradition of photography guided by social change, and address the present. The statement should be concise, and the applicant must affirm the work-in-progress project will be ongoing.
  3. IMAGES: Applicants can submit up to 40 images total. These should consist of representative images from the project being proposed to the W. Eugene Smith Fund. The applicant can include in his/her submission, past work that represents the candidate’s vision and his or her ability to execute the project being proposed to the fund. The images must conform to the following specifications: JPEG files with 2000 pixels on the long dimension saved at 72 dpi. Name the files with your first and last name and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg

In the event the applicant is the recipient of the Student Smith Grant applicant hereby agrees to donate to the W. Eugene Smith Memorial Fund, as an unrestricted gift, four (4) digital images and four (4) prints of work completed as part of the project proposed herein. Applicant agrees to deliver said images within eighteen (18) months after receiving the Grant.

The images shall become part of the W. Eugene Smith Legacy Collection at the International Center of Photography in New York. Applicant also agrees that as part of the unrestricted gift, the Smith Fund may exhibit the images and may use them to promote the activities of the Fund. These Images will be used on the Smith Fund Website and for promoting the Smith Grant Ceremony.

Applicant also understands and agrees that, if applicant is the recipient of the Grant, three thousand dollars ($3,000) will be paid upon acceptance of the Grant, and the balance of one thousand ($1,000) upon Smith Fund’s receipt of the final prints.”

To apply for the grant visit: http://smithfund.org/the-w-eugene-smith-grant-for-student-photographers.

Deadline TODAY, June 5th: The Michael P. Smith Fund for Documentary Photography

New Orleans Photo Alliance
Call for Entries: The Michael P. Smith Fund for Documentary Photography
Deadline: Tuesday, June 5, 2018

2018 GRANT GUIDELINES
The Michael P. Smith Fund for Documentary Photography (MPS Fund) was created by the New Orleans Photo Alliance (NOPA) to honor the life and work of Michael P. Smith, one of New Orleans’ most legendary and beloved documentary photographers. The MPS Fund awards cash prizes and exhibition opportunities to Gulf Coast photographers whose work combines artistic excellence and a sustained commitment to a cultural documentary project.

JUROR: Gregory Harris, Assistant Curator of Photography, High Museum of Art

MPS 2018 Award Details: $5,000 cash award | Featured exhibition in the NOPA Gallery | online exhibition permanently archived on the NOPA website.

ELIGIBILITY
Both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida are eligible to apply for the MPS Fund’s annual grants. The subject matter for the proposed project is not limited to the Gulf Coast geographic region but the photographers main residence must be within these 5 states.”

For the full prospectus and to see previous MPS winners visit: http://neworleansphotoalliance.org/photography-grants-new-orleans/.

Deadline April 17th: Candela Books + Gallery UNBOUND7

Candela Books + Gallery
Call for Submissions: UNBOUND7
Deadline: Tuesday, April 17, 2018

“Candela Books + Gallery announces our seventh annual invitational and juried exhibition: UnBound7! The summer group exhibition will feature work from a wide range of fine art photographers. An UnBound7! gala event, will raise funds to purchase select works from the exhibition. Works purchased by Candela through this event will subsequently be included in the Candela Collection.

The mission of the Candela Collection is to support photographers through the purchase of original photographic work and to actively pursue opportunities to donate said works to notable permanent collections.

UnBound! generates opportunities and exposure beyond the traditional group or juried show. Our hope is that photographers will support us with their active participation just as we hope to support their work and careers in return. All accepted photographers will have their artwork featured at Candela Gallery, a gallery space in the downtown arts district of Richmond, Virginia.

For a look at last year’s exhibition, go here: UnBound6! Exhibition

To celebrate the 7th UnBound! exhibition, Candela will host it’s annual UnBound! event on Saturday, July 28th. The gala will include food & drink, live music, curious entertainment… along with incredible photography. The ticket and raffle sales from this event will be used exclusively to purchase work from the exhibition for the Candela collection.

All work for the exhibition will be selected by Candela’s founder, Gordon Stettinius, and Associate Director, Ashby Nickerson.

Deadline for Submissions:  April 27th, 2018
Notification of Acceptance will go out:  May 11th, 2018
Accepted work should arrive at Gallery no later than:  June 22nd, 2018″

For the full prospectus and to apply visit: https://candelabooks.com/unbound7-call-for-submissions.

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