April 25th, West Palm Beach, FL: Panel Discussion on “Everglades: The Art and Science of a Global Treasure”
Norton Museum of Art
Adult Programs / Everglades: The Art and Science of a Global Treasure
Saturday, April 25, 2015 at 2:00 pm
“A panel of scientists and artists join Tim Wride, William and Sarah Ross Soter Curator of Photography, to discuss the environmental issues threatening the Everglades and the preservation of this unique habitat. Panelists include artists Lisa Elmaleh and Bryan Wilson, whose work is included in the Imaging Eden exhibition; Steven Traxler, Senior Biologist, US Fish and Wildlife Service; and Paul N. Gray, Ph.D., Science Coordinator, Audubon Florida.”
This panel is being presented in conjunction with the exhibition Imaging Eden: Photographers Discover the Everglades on view through July 12, 2015.
“The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s concerned photography and dedicated compassion exhibited during his 45-year career as a photographic essayist.
The Smith Grant was established in 1978 following the death of Gene Smith, the legendary American photo essayist. It is today the most prestigious honor in documentary photography. Every year it recognizes a photographer who has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smith’s concerned photography and dedicated compassion.
The W. Eugene Smith Memorial Fund, INC., a not-for-profit corporation qualified under Section 501(c)(3) of the Internal Revenue Code, independently administers the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays. For 2013, the amount of the grant will be $30,000. An additional $5,000 in fellowship money will be dispersed, at the discretion of the jury, to one or more finalists deemed worthy of special recognition. Awards will be presented in a ceremony held in New York City in early October 2015.
The Fund’s Board of Trustees appoints a three-member international jury every year. The jury meets twice. At its first session it reviews all the applications and proposals, and selects finalists primarily on the basis of the substantive (and intellectual) merit of their project. The finalists are only then asked to submit a comprehensive photographic print portfolio, to write (if necessary) a more detailed and focused proposal, and to answer questions about their project.
At its second session, the jury reviews the new materials and proceeds to select the grant recipient and the beneficiaries of the fellowship money.
You must register on this website by clicking the ‘Apply for Grant’ link on the side navigation. There is a $50 fee for grant consideration. No preliminary materials will be returned. Applicants should submit:
- A Bio and/or CV submitted as a PDF not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add CV.
- The Project Proposal submitted as a PDF and not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add PP. This proposal should be titled and lead with a one paragraph executive summary of the project. The proposal following should be concise, journalistically realizable, visually translatable, and humanistically driven. The applicant must affirm that the proposed project is ongoing.
- IMAGES: Applicants can submit up to 40 images total. These should consist of representative images from the project being proposed to the W. Eugene Smith Fund. The applicant can include in his/her submission, past work that represents the candidate’s vision and his or her ability to execute the project being proposed to the fund. The images must conform to the following specifications: JPEG files with 1500 pixels on the long dimension saved at 72 dpi. Name the files with your first and last name and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg.”
For the full prospectus, grant requirements, and to apply visit: http://smithfund.org/eugene-smith-grant.
Philadelphia Art Book Fair
Friday, April 24 & Saturday, April 25, 2015
Free and open to the public.
“Presented by Philadelphia Photo Arts Center and The Print Center, the Philadelphia Art Book Fair is a two-day event featuring new releases from photo and art book publishers, as well as artist books, zines, and publications from art institutions.
“With 50 Exhibitors from 10 States and the Philadelphia Region, the Philadelphia Art Book Fair also features conversations and keynote lectures from experts in the field, and a party on Friday night!”
The Annex on Filbert
830 Filbert Street
Philadelphia, Pennsylvania [map]
Photographic Resource Center
Call for Entries: EXPOSURE: The 19th Annual PRC Juried Exhibition
Deadline: Sunday, April 12, 2015 at 11:59 pm EDT
Fee for a series of 10 images: $40 + current PRC membership
“The PRC invites entries for EXPOSURE: The 19th Annual PRC Juried Exhibition and seeks a broad range work, including both traditional and non-traditional approaches to photography. Since its inception in 1996, over 300 photographers have shown in the PRC Juried Exhibitions—including an array of established photographers and those cited as “ones to watch.”Each year, a respected member of the photographic community—from curators to gallerists to photo editors—is asked to select 10 to 15 artists. The curator then selects between two and five pieces per person, thus offering artists the opportunity to showcase a series at a deeper level and making for an enriching experience for audiences as well.
Juror: Kristen Gresh, Estrellita and Yousuf Karsh Assistant Curator of Photographs, Museum of Fine Arts, Boston.
EXPOSURE is a great opportunity to view a slice of the best and brightest as selected by a nationally-renowned juror. In celebration of the PRC’s 30th anniversary in the 2006/2007 academic year and to reflect more accurately the mission and function of our annual photography competition, we changed the name of the PRC Members’ Exhibition to EXPOSURE: The Annual PRC Juried Exhibition. Past exhibiting photographers have included Claire Beckett, Victoria Crayhon, Eliot Dudik, Dave Jordano, Benjamin Lowy, Neeta Madahar, Rania Matar, Irina Rozovsky, Tara Sellios, Steve Smith, Martin Stupich, among many others.For details and images from previous Exposure exhibitions visit: www.bu.edu/prc/exposure/juriedexhibition.htm.
for the full prospectus and to apply visit: https://www.callforentry.org/festivals_unique_info.php?ID=2514
“LensCulture Earth Awards 2015 is a worldwide call for photography focused on nature, the environment, wildlife, landscape, conservation, sustainability, and how we live on the planet. We are awarding $25,000 in cash grants as well as many video projections at international photo festivals, visibility with LensCulture Insiders, a Printed Annual and more. These awards are open to a wide range of interpretations and approaches — from fine art celebrations of the beauty and wonders of nature, to hard-hitting in-depth documentary issues-based stories. Photography is a rich visual language that can express diverse perspectives in powerful, memorable ways. What is YOUR view of life on Earth today?
- $25,000 in cash awards plus opportunities for entrants to earn global recognition amongst today’s top photographers working on the subject of Earth.
- Video projections for Winners and Finalists at international photo festivals around the world.
- Direct visibility to our distinguished group of over 500 LensCulture Insiders from the photo industry: curators, gallerists, editors, creative directors and publishers.
- Opportunities for inclusion in the Earth Awards Competition Gallery, curated daily by our editors
Eligibility & Fees
The 2015 LensCulture Earth Awards invites all photographers whose work has a thematic focus on images inspired by our planet. 9 Top Winners plus 25 Finalists will receive significant opportunities to broaden their exposure in the global photography community.
Submit your best series or single images of all genres inspired by the planet — fine art, nature, landscape, documentary, environmental, wildlife, travel or conceptual.
- related series, up to 10 images: $60 USD
- Single image, 2-3 images: $45 USD
- Single image: $20 USD”
To read the full prospectus, see the list of judges and to apply visit: www.lensculture.com/earth-awards-2015.
“The year 2010 marked the twentieth anniversary of the Dorothea Lange-Paul Taylor documentary prize. First announced a year after the Center for Documentary Studies’ founding at Duke University, the prize was created to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.
In 2011, in recognition of the changing environment in which documentary artists conduct their work, we decided to reframe the prize guidelines. The relaunched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work.
The updated guidelines expand on the idea of “writing” by allowing words to be represented by audio or in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.
The new guidelines require that artists have already started their fieldwork and have collected representative samples of the project’s component parts. However, please note, the guidelines no longer stipulate that a writer and a photographer collaborate on a project. Single artists or collaborative teams working with text/audio/photographs/video/graphic novel format may apply.
The winner receives $10,000, a solo exhibition at the Center for Documentary Studies, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.”
For the complete overview and details on how to enter, visit: documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize/how-to-enter.
2015 PDN Curator Fine Art Contest
Deadline: Thursday, April 9, 2015
Fee: $55 for single and series (2 to 6 images)*
* Please note that a series must be visually related and is limited to six images.
“Six winners will be selected to exhibit their fine-art photography in a group show with an opening reception this summer in New York City. The Curator exhibition has previously been hosted by Industria Superstudio, Industrial Color and Milk Studios.
The winners will also be published in a gallery in the July issue of PDN and an extended online gallery and will receive:
- $200 gift card from B&H
- VIP Expo Pass to PDN PhotoPlus Expo Oct 22–24, 2015
- $250 gift card to moabpaper.com
- PHOTO+ Premium Portfolio Membership
- Brian Clamp, Director, ClampArt
- Sam Barzilay, Creative Director, United Photo Industries
- Matthew Leifheit, Photo Editor, Vice Media
- Michelle Dunn Marsh, Executive Director, PCNW, Founder, Minor Matters Books
- Deborah Willis, Professor, Photographer and Curator
For the full prospectus and to submit visit: www.pdncuratorawards.com.
“Candela Books + Gallery announces our fourth annual invitational and juried exhibition: UnBound4! The summer group exhibition will feature work from a wide range of fine art photographers. An UnBound4! gala (as in good times) event, will raise funds to purchase select works from the exhibition. Works purchased by Candela through this event will subsequently be included in the Candela Collection.
The Candela Collection mission is to support photographers through the purchase of their original photographic work and to actively pursue future opportunities to donate said works to notable permanent collections.
All artwork accepted for exhibition will be selected by the Candela founder, Gordon Stettinius, and Associate Director, Ashby Nickerson.
UnBound! generates opportunities and exposure beyond the traditional group or juried show. Our hope is that photographers will support us with their active participation just as we hope to support their work and careers in return. All accepted photographers will have their artwork featured at Candela Books + Gallery, a gallery space in the downtown arts district of Richmond, Virginia.”
For the full prospectus and to apply visit: https://candelabooks.com/call-for-submissions-unbound4.
To download a PDF of the prospectus, click here.
“In July 2015, Aperture Foundation will host its second open-submission exhibition for which all photographers are eligible. The theme for this year’s Summer Open is Black Mirror, and it will be curated by Michael Famighetti, editor of Aperture magazine.
Do we live in a world wilder than science fiction? The 2015 Aperture Summer Open borrows its title from the British television series Black Mirror, which imagines a dystopian near-future—a Twilight Zone for the age of the smartphone. The name Black Mirror refers to the omnipresent screens through which our lives are mediated today, and the show depicts a society in which technology ominously defines and shapes our relationships and each facet of daily life.
We’re more than thirty years beyond Orwell’s imagined 1984, and yet we continue to live in a moment of anxiety about what the future holds. Aperture’s Summer Open asks contributors to consider the future and the idea that we inhabit a world that is stranger, and in some ways more frightening, than that predicted by the authors of science fiction. What does it mean when our current reality echoes what were once outlandish fictional narratives? As today becomes tomorrow, what might the future look like in photographs? We seek a wide range of submissions, representing diverse subjects and approaches to photography, that are in some way engaged with questions about what the world has become and is becoming.”
For the full prospectus visit: www.aperture.org/summeropen/entry-details.
Tuesday, February 17, 2015
4:00-5:00 pm: Guest Lecture with April Watson
5:30-8:00 pm: Opening Reception
“Established in 2001 and organized by the graduate photography students at Texas Woman’s University and the Photographic Artists’ Coalition (a student-run photography organization), the annual Joyce Elaine Grant Photography Exhibition provides a national venue for the exhibition of artistic expression as seen through the eye of the camera. Photographers from throughout the United States are invited to submit entries for the exhibition. The exhibition and endowment was established by Christine Shank and a small group of graduate students and named in memory of the mother of Professor Susan kae Grant. Exhibition proceeds fund the Joyce Elaine Grant Photography Exhibition Endowment, which supports photography scholarships for future graduate students in the Department of Visual Arts.
About the 2015 Juried Exhibition
April Watson, Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, MO, served as juror for the 14th Annual Joyce Elaine Grant Photography Exhibition. Twenty- eight artists from throughout the United States and China were selected to exhibit their work. Artists include, Beverly Ahern, Ben Altman, Linda Alterwitz, Bennie Flores Ansell, Sarah Austin, Christine Carr, Bryon Darby, Marcus DeSieno, Garrett Hansen, Sharon Lee Hart, Abbey Hepner, John Holmgren, Paul Hooven, Allison Jarek, Priya Kambli, Janna Langholz, Holly Lay, Andy Mattern, Katie Newton, Ashley Raasch, Heather Ross, Jiehao Su, Jennifer Tremblay, Marydorsey Wanless, Angela Franks Wells, Linda Wilson, and Christine Zuercher.
2015 JEG Solo Exhibition Award
Selected by Elizabeth Siegel, Associate Curator of Photography, Art Institute of Chicago
Clare Benson, The Shepherd’s Daughter
My work is deeply rooted in my family history. After the death of my mother when I was eleven years old, I became increasingly curious about notions of family, memory, and mortality. I was raised by my father: an avid hunter, archery champion, and former hunting guide in the Alaskan wilderness. Growing up amidst the hunting culture of northern Michigan, I learned to see hunting as a tradition that ties humans to the natural world; a ritual that speaks to notions of mortality and the interconnectedness of life within a larger system. Before my father, my grandmother was a hunter and before that my great-grandmother, and long before that the stars made up constellations that told stories of the greatest hunts. In my work, the nuances of hunting and the rugged northern landscape of my childhood are woven with narratives of genealogy and gender, memory and mythology, time and space.”