Tag: New York
“In July 2015, Aperture Foundation will host its second open-submission exhibition for which all photographers are eligible. The theme for this year’s Summer Open is Black Mirror, and it will be curated by Michael Famighetti, editor of Aperture magazine.
Do we live in a world wilder than science fiction? The 2015 Aperture Summer Open borrows its title from the British television series Black Mirror, which imagines a dystopian near-future—a Twilight Zone for the age of the smartphone. The name Black Mirror refers to the omnipresent screens through which our lives are mediated today, and the show depicts a society in which technology ominously defines and shapes our relationships and each facet of daily life.
We’re more than thirty years beyond Orwell’s imagined 1984, and yet we continue to live in a moment of anxiety about what the future holds. Aperture’s Summer Open asks contributors to consider the future and the idea that we inhabit a world that is stranger, and in some ways more frightening, than that predicted by the authors of science fiction. What does it mean when our current reality echoes what were once outlandish fictional narratives? As today becomes tomorrow, what might the future look like in photographs? We seek a wide range of submissions, representing diverse subjects and approaches to photography, that are in some way engaged with questions about what the world has become and is becoming.”
For the full prospectus visit: www.aperture.org/summeropen/entry-details.
“We know how hard it is to be a photographer today and that every break counts. That’s why we are again putting together 150 photographers and 75 of the most influential editors, curators, gallerists and book publishers for two days of private photo critiques on April 11 and 12.
And … wait for it … it’s free.
Applications are now open for the Third Annual New York Portfolio review, sponsored by the New York Times Lens blog and the City University of New York’s Graduate School of Journalism. This will be an opportunity for people in the photographic community to meet, trade ideas, help each other — and have fun.
Saturday, April 11 will be for all photographers 21 and older, each of whom will receive six private critiques. Sunday, April 12 will be solely for photographers 18 to 27 and will consist of four private critiques for each participant, as well as talks by Santiago Lyon, director of photography for The Associated Press, on building an editorial portfolio, and by the photographer Phil Toledano on the creative process, as well as a panel on working with galleries. You can find a list of this year’s reviewers at the bottom of this page.
We will screen all applicants and choose 100 participants for Saturday and 60 for Sunday. All kinds of photographic work — from fine art to photojournalism — are encouraged.
Please note: Photographers who attended last year’s review will not be eligible to apply this year. Photographers who attended two years ago can apply for this year’s review, but they must submit new work and expectations will be higher.
To enter, send us no more than 20 photos total, from one or two projects, using the form here. The files should be jpegs, 1200 pixels across and 72 D.P.I. The deadline is Feb. 11 at 11:59 p.m. Eastern time. We will inform those who are accepted by March 4, 2015.”
View the full prospectus and apply at: http://lens.blogs.nytimes.com/2015/01/20/third-annual-new-york-portfolio-review/?_r=1.
“The purpose of the Aperture Portfolio Prize is to identify trends in contemporary photography and highlight artists whose work deserves greater recognition. When choosing the first-prize winner and runners-up, Aperture’s editorial and curatorial staff look for innovative bodies of work that haven’t been widely seen in major publications or exhibition venues.
Portfolio Prize – Guidelines
First prize is $3,000 and an exhibition at Aperture Gallery. The first-prize winner and up to five runners-up will be featured on Aperture’s website, accompanied by a brief statement written by Aperture staff. All winners are announced in the foundation’s e-newsletter, which reaches fifty thousand subscribers across the globe, including curators, critics, and members of the photography community. Winners will also have the opportunity to participate in the Aperture Foundation limited-edition print program.
How to Enter
- Become an Aperture Member to enter the 2015 Portfolio Prize!
For more information on membership benefits, visit aperture.org/join.
- Get your passcode.
Upon online purchase of an Aperture membership, you will receive an e-receipt containing a unique invitational call passcode to enter the 2015 Aperture Portfolio Prize. If your annual membership is current through December 3, 2014, there is no additional fee to enter the prize. Please check your inbox for an e-mail containing an invitational call passcode.
- Enter via callforentry.org until Tuesday, December 2, 2014 at 12 noon EST.
You will be prompted for free registration with CaFÉ. Once you are registered, click “Apply to Calls” and enter your invitational call passcode to enter the Aperture Portfolio Prize. You will be asked to provide the following:
- 15 images with title/caption information (see FAQ for guidelines on how to submit fewer images)
- Statement of up to 250 words about your work
If you would like to submit more than one portfolio, contact firstname.lastname@example.org.
When examining competition entries, Aperture’s editors and curatorial staff will consider the following criteria:
- Is the work new, i.e., created in the last five years?
- Is a theme or topic carried throughout the portfolio in a consistent manner?
- Do the individual images have strong composition and strong use of color or tone?
- What technical and presentation choices has the photographer made, and are they appropriate for the work? For example, is there a clear reason for using sepia-toned black-and-white versus a digitally enhanced palette?
- Does the body of work take an innovative or unique approach to the subject matter?”
For the full prospectus and to see previous winners visit: www.aperture.org/portfolio-prize.
Desert Days and Nights: A Conversation with Kate Breakey
Tuesday, October 7, 2014, 7:30-9:00 pm
“Please join Tucson-based photographer Kate Breakey and Harper’s Magazine Art Director Stacey D. Clarkson for an evening of lively conversation about Breakey’s expansive, poetic bodies of work about light, place, and the marvelous complexities of the desert. Topics on the agenda for discussion are perseverance, triumph, rattlesnakes, jackrabbits, javelinas, clouds and coyotes in the moonlight.
email@example.com to reserve your seat.”
36 E 30th Street
New York, New York 10016 [map]
“Photography, Expanded is an initiative that inspires documentary photographers to expand their storytelling beyond the image, and catalyzes collaboration across disciplines.”
In this full day event, we’ll dive into the new and innovative ideas emerging in digital media and journalism on social justice issues. Presentations, panel discussions, and a design challenge will feature leading media makers, designers, and communications strategists such as Elaine McMillion Sheldon (Hollow), Gabriel Dance (The Marshall Project), and Ivan Sigal (Global Voices), as well as representatives from global media companies and design agencies including Instagram and Purpose. Gain new critical insights and connect with potential collaborators to respond to the changing demands of the field.”
The New School
65 Fifth Avenue
New York, New York [map]
“Since 1980, The Center for Photography at Woodstock has provided regional photographers with significant recognition and support through the Photographers’ Fellowship Fund award. As of 2009, one $2,500 grant is awarded annually to a regional artist working in photography and related media.
To date, CPW has awarded over $74,500 in Photographers’ Fund Fellowships to 86 artists. Past recipients include Kenro Izu, Andrea Modica, Lucinda Devlin, Craig J. Barber, Tanya Marcuse, Isaac Diggs, among others.
Sasha Wolf, Founder & Director of Sasha Wolf Gallery, NYC.
Only artists working in photography who live in the following New York State Counties are eligible to apply to the Photographers’ Fellowship Fund: Albany, Clinton, Columbia, Delaware, Dutchess, Essex, Franklin, Fulton, Greene, Hamilton, Montgomery, Orange, Otsego, Putnam, Rensselaer, Saratoga, Schenectady, Schoharie, Sullivan, Ulster, Warren, and Washington. Proof of residency is required.
Artists working in photography, digital imagery, mixed media and or artwork which incorporate photography are welcome to apply.
To enter, please send:
- a portfolio of 10 prints OR a CD-ROM formatted with ten JPEGs*
- the application form (click here to download)
- image list detailing titles, medium, year, and size (page 2 of the application form)
- an artist statement and bio
- proof of residency (i.e. drivers license, mail, utility bill)
- a self-addressed stamped envelope (SASE) for the return of your work**
- Submission must be received by September 20th. Send to:
attn: Photographers’ Fellowship Fund
Center for Photography at Woodstock
59 Tinker Street
Woodstock, NY 12498
*For print portfolio entries, please do not submit print portfolios larger than 20×30”. If your work is larger than 20×30 you may submit a smaller portfolio along with one sample print and the intended exhibition/display size.
For entries submitted on a CD-ROM, please send JPEGS with a maximum pixel dimension of 2400 pixels wide and/or 1800 pixels high. All work samples must be labeled with your name, phone #, image title, date, size, and media. You may submit one sample print at intended exhibition/display size.”
For the full prospectus visit: www.cpw.org/create/photo-fellowship/how-to-apply.
School of Visual Arts
Rosalind Solomon in Conversation with Charlotte Cotton
Tuesday, September 9, 2014 at 7:00 pm
Q & A and book signing to follow. Free and open to the public.
“Photographer Rosalind Solomon presents a dramatic interpretation of the work in her her latest book, THEM (Mack, 2014), accompanied by cellist Sam Im, and discusses her new work, which documents life in Israel and the West Bank in 2010 – 2011, with curator and writer Charlotte Cotton. Followed by a book signing and presented by BFA Photography.”
333 W 23rd Street
New York, New York [map]
“Award-winning photojournalist Ron Haviv has produced images of some of the most important conflict and humanitarian crises that have made headlines around the world. Numerous museums and galleries have featured his work, including The Louvre, United Nations, and The Council on Foreign Relations. Co-founder of the photo agency VII, his work is published by magazines worldwide.
He has published three critically acclaimed collections of his photography: Blood and Honey: A Balkan War Journal, Afghanistan: On the Road to Kabul and Haiti:12 January 2010. Haviv has been the central character in three films including National Geographic Explorer’s Freelance in a World of Risk that explores the hazards inherent in combat photography. In addition, Haviv regularly speaks about his work on television and radio such as ABC World News Tonight, NBC Nightly News, The Charlie Rose Show, Good Morning America, BBC, CNN and NPR.
Presented in conjunction with with Ron Haviv’s workshop Finding Your Visual Voice in Photojournalism. To learn more click here. ”
“En Foco, Inc. invites U.S. based photographers of Latino, African and Asian heritage, and Native Peoples of the Americas and Pacific, to submit work to the New Works Photography Fellowship Awards #18. The program encourages artists to create or continue an in-depth photographic series, in any photo-based fine art or documentary style/genre.
Our aim is to identify and promote talented emerging and mid-career artists, creating a cross-cultural dialogue and providing artists with exposure and growth opportunities. There is no fee to apply.
Danielle Jackson, Bronx Documentary Center
- Your work should address issues that are relevant to your personal experience. Photographic imagery should contain a cultural consciousness that is grounded in identity and the search for a personal statement. This is completely open to your interpretation. Visit www.enfoco.org to view works by prior winners.
- You may propose a new project idea, or propose to continue an existing body of work. Decisions will be based upon quality of images submitted.
- If selected, your new work must consist of 15-20 exhibition-quality images. En Foco’s staff will curate the group exhibition in 2015, at which time the honorarium is paid.
- Although not required, applicants are encouraged to become En Foco members. Basic membership includes a subscription to Nueva Luz photographic journal, a 1/2 hour in-house Portfolio Review, free admission at photo museums, discounts to En Foco workshops, and invitations to all En Foco events. Additional membership levels include more extensive benefits and substantial discounts.
- Register at CallforEntry.org, and follow the directions for sizing and uploading your images.
- A written project proposal/description (no more than 500 words). Describe specific aspects of your work such as subject matter, context, content, location, and personal relevance.
- A one-page biography and/or resume.
- A statement about your work as an artist.
- Fifteen tightly edited images from the same series. CaFÉ image preparation tips can be found at: https://www.callforentry.org/image_prep.phtml
- For more submission tips, go to: www.enfoco.org/index.php/programs/submissions/ (scroll down for New Works FAQs).“
Eddie Adams Workshop: Barnstorm XXVII
Applications due: Saturday, May 31, 2014
Application fee: $50
“The Eddie Adams Workshop is an intense four-day gathering of the top professionals in photojournalism, along with 100 carefully selected students. The Workshop’s purpose is to create a forum in which an exchange of ideas, techniques, and philosophies can be shared between both established members and newcomers of the profession of picture journalism. The Workshop is tuition-free, and 100 students are accepted based on the merit of their portfolios from a pool of college students, professionals with 3 years or less experience, and U.S. military photographers.”
This year’s workshop will be October 10-13, 2014 in Jeffersonville, New York.