“The Woodstock Artist-in-Residency Program is designed to support artists of color working in the photographic arts who reside in the United States that would benefit with access to time, facilities, financial, critical, and technical support. This activity is created with an emphasis on supporting artists working in the photographic arts who are at the brink of their careers and promising talent. All of us lead very busy lives – the drive for this program is to free the artist from the busy routines and demands of everyday – and to provide a sanctuary for creativity.
WOODSTOCK A-I-R encourages participants to pursue creative risk-taking in an environment rich in cultural resources. Working without distraction or interruption, participants focus intensely on their own work, continuing works in progress, setting goals for the future, and breaking new ground.
Each year CPW offers 7 residencies for artists of color and 1 “critical studies residency” for a curator/critic of color.
- accommodations at a historic artist residence located .5 miles from CPW and the center of Woodstock’s business district.
- 24/7 access to CPW’s workspace facilities (including black-&-white darkroom, digital imaging stations, and library)
- critical and technical support
- stipend for food and travel, and honorarium
- exhibition and related opportunities
Established in 1999, WOODSTOCK A-I-R has been made possible in part with support from the Phillip & Edith Leonian Foundation, the Milton & Sally Avery Foundation, the National Endowment for the Arts, and the New York State Council on the Arts (NYSCA), a state agency, with support from Governor Andrew Cuomo and the New York State Legislature.
- 10-15 digital images/video on a DVD/CD-ROM of current work. (one copy)
- Format still images as JPEGs with a width dimension no greater than 2400 pixels. Please limit video clips or excerpts to no more than 5 minutes (please indicate length of full video) and submit no more than 3 in total. Acceptable file formats include .mpg, .avi, .mov. Please make sure your three videos combined do not exceed 200MB and test your video files to make sure they play on a Mac and PC.
- Individuals applying to the Critical Studies Residency should submit 2 writing samples of no more than 1,500 words per sample with visuals, including featured artist work samples and installation views if applicable. (four copies of each)
- Residency proposal (four copies of each) – see application form for guidelines to answering this question.
- Preference for time of residency (please list 3 options) *The program runs from June through September, please request your time accordingly. Residencies range from 3-6 weeks.
- Four copies of the following:
- Artist statement (describing your current projects and artistic process) – limited to 500 words.
- Resume (listing past exhibitions, residency, and related experiences) – limited to 3 pages.
- Images script (thumbnails of your work with caption information) – see page 3 of the application form.
WOODSTOCK A-I-R participants are selected by a peer panel comprised of professionals in the field and have included past participants in CPW’s residency and exhibition program, curators, collectors, and art critics.”
Deadline: Friday, March 20, 2015
“TheDocumentaryProjectFund is now accepting applications for Project Support Awards. The Call will run through March 20, 2015. This extended time period allows us to offer early feedback, if photographers desire.
Visit the website for application requirements. Remember that we fund projects in artist’s communities. We believe you shouldn’t have to travel around the world to find important stories that can challenge our assumptions, awe us with beauty and change the way people look at their world.
- Established Artist Award: $5000
- Emerging Vision Award: $3500
For more information and to apply visit: thedocumentaryprojectfund.org.
“Art Intersection presents Light Sensitive, an annual juried exhibition of images created using traditional and alternative photographic processes. Past work has included analog c-prints, platinum, cyanotype, gelatin silver, gum bichromate, wet plate collodion tintypes, chemigrams, and other printing processes.
Juror: Robert Hirsch, artist, curator, and author.
The Art Intersection curatorial staff will select three artists from Light Sensitive to show additional work during an exhibition running from December 12, 2015 to January 9, 2016.”
For the full prospectus view the PDF document Light Sensitive 2015 Submission Guidelines.
To apply go to www.artintersection.com/event/call-for-work-light-sensitive-2015.
“Blue Earth sponsors documentary projects whose goal is to educate the public about critical environmental and social issues. We are primarily interested in work that is educational and informational in nature and will consider proposals of any geographic scope involving the photographic and motion picture mediums. Our standard contract sponsors the project for two years.
Blue Earth offers fiscal accountability to the projects we accept for sponsorship. As a non-profit organization with 501(c)3 status, Blue Earth is eligible to receive grants and tax-deductible contributions from private foundations, individuals, or other entities.
Along with this fiscal accountability, we also offer other services. When you join our community of visual storytellers, we offer mentorship throughout the life of your project sponsorship, publicity on our blog and newsletters, help with PR and marketing, and more depending upon individual needs.
We accept submissions for sponsorship twice each year, January 20th and July 20th. Materials must be received in our offices by the deadline. We announce recipients approximately two months later.”
For further details, previously and currently sponsored projects, and the application process visit: www.blueearth.org/projects/submit.cfm.
Book & Job Gallery
Exhibition & Book Signing for McNair Evans, Confessions
Thursday, December 4, 2014, 5:00-10:00 pm
“Heralded as a feminist and denounced as misogynist, Robert Heinecken is a complex figure whose art raises urgent questions about the representation of women in a media saturated world. His use of found pornographic materials and images of female bodies taken from magazines, newspapers, and other found sources was, and still is, hotly debated among artists, scholars, and curators. This panel, held in conjunction with the exhibition Robert Heinecken: Object Matter, will explore the various ways in which Heinecken’s work has been read, and continues to be relevant, in the dialogue about representations of women and gender in art.
Eva Respini, curator, Department of Photography, MoMA, moderates the panel discussion with A. L. Steiner, artist and visiting assistant professor and MFA program director at USC; Luke Batten, director, Robert Heinecken Trust; Richard Meyer, Robert and Ruth Halperin Professor in Art History, Stanford University; and Rebecca Morse, associate curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art.”
This event is being presented in conjunction with the exhibition Robert Heinecken: Object Matter, on view until January 18, 2015.
10899 Wilshire Blvd.
Los Angeles, California
“The Open Society Documentary Photography Project is soliciting proposals for our next exhibition, Moving Walls 23, opening in June 2015 at Open Society Foundations–New York.
We are seeking photo-based documentary projects that address a social justice or human rights issue in any region where the Open Society Foundations are active.
Since 1998, Moving Walls has showcased over 200 photographers in 22 group exhibitions—at our offices in New York, Washington, D.C., and London—that align with the Open Society Foundations’ mission to advance human rights and social justice.
- Any emerging or veteran photographer who is working long-term to document a human rights or social justice issue may apply for Moving Walls.
- We welcome all applicants, and especially encourage those from underrepresented groups (e.g., applicants from Asia, Africa, Eastern Europe, Latin America and the Caribbean, and the Middle East; people representing marginalized groups; and women). All submissions will be considered. The Open Society Foundations does not discriminate based on any status that may be protected by applicable law.
We are particularly interested in work that provides a fresh perspective and expands the visual language of documentary photography. Therefore, we invite photographers and artists to submit documentary-based work that uses new or creative visual strategies, investigative/storytelling approaches, or technologies. We seek applicants who reflect a diversity of global perspectives, especially those that are under-represented in mainstream narratives and media. Five to six projects will be selected.
We will cover the cost of: printing/framing; $2,500 participation fee; travel cost reimbursement/coverage to attend the opening reception and related events (attendance required); and return shipment of photographs.”
For the full prospectus visit: www.opensocietyfoundations.org/grants/moving-walls.
New Orleans Photo Alliance
Lecture by Mary Virginia Swanson:
YOUR EXHIBITION, THE VENUE and ITS AUDIENCE: Considerations for Planning a Successful Exhibition
Saturday, November 15, 2014, 2:00-4:00 pm
“Exhibiting your work is an exciting experience for all artists. But until you have the opportunity to present your work to the public, how can you understand the strategic and practical steps towards mounting a successful exhibition?
Whether your exhibition is being hosted at a public space or private venue, all artists should consider the audience that venue engages and work strategically to ensure a strong collaboration with its community.
In this illustrated seminar, Mary Virginia Swanson helps artists understand the issues of presentation, publicity, audience engagement through educational offerings, the value of producing an accompanying online/print publication and much more.
Artists attending this presentation will gain a broad awareness of the exhibition experience.”
Cathedral Creative Studios
527 Julia Street
New Orleans, Louisiana
“PhotoPhilanthropy believes in the power of photography to inspire hope and understanding and to connect people around the world. The Activist Awards have been established to emphasize the important role of high quality documentary photography and visual storytelling as a vehicle to create meaningful impact and social change.
Photo essays must be entered into one of two categories:
- Professional Photographer – $15,000 Grand Prize: Any individual who earns the majority of their living from photography.
- Emerging Photographer – $5,000 Grand Prize: Any individual who does not earn the majority of their income from photography.
In order to reflect current issues, photographs in the essay must have been taken within the last three years. Long-term projects will be accepted as long as the majority of the photographs were taken within the last three years.
Each photographer may enter up to two essays, and although they can be completed in collaboration with the same nonprofit, the subject matter must be different. Essays entered in previous years may not be resubmitted.”
For the full prospectus and to apply visit photophilanthropy.org/award/submission-guidelines.
Opening Reception: John Chervinsky “Studio Physics + An Experiment in Perspective”
Friday, November 7, 2014, 5:00-8:00 pm
“John Chervinsky is a photographer and Harvard engineer in applied physics. His images create a world where the two subjects playfully intermingle. Chervinsky says, “I am fascinated by the concept of time. I can measure it, account for it in an experiment in the lab, and live my life in it, but I still don’t know what it is, exactly.” His photographs mix elements of optics and perspective as a means to explore human knowledge and perception.”
The exhibition will be on view November 7 – December 27, 2014.
122 W 6th St
Bloomington, Indiana [map]