“LensCulture’s Emerging Talent Awards 2015 is our 3rd annual call to discover the world’s best emerging photographers. Our international jury will select 50 outstanding emerging photographers — from all cultures, all points of view, with no age limit.
We invite you to enter one of the best opportunities for career-changing exposure to our global audience of over 1.4 million, worldwide recognition, an exhibition in San Francisco, projections at photo festivals worldwide, $20,000 in grants, and much more.
- Jennifer Blessing, Senior Curator of Photography, Guggenheim
- Jon Jones, Director of Photography, The Sunday Times Magazine
- María García Yelo, Deputy Director, PhotoEspaña
- Ada Takahashi, Principal, Robert Koch Gallery
- Sacha Lecca, Deputy Photo Editor, Rolling Stone Magazine
- Todd Hido, Photographer
- Mary Virginia Swanson, Advisor to Artists and Arts Organizations
- Jim Casper, Editor-in-Chief, LensCulture”
For the full prospectus and to submit, visit: www.lensculture.com/emerging-talent-awards-2015.
“Paris Photo and Aperture Foundation are pleased to announce the 2015 edition of The Paris Photo–Aperture Foundation PhotoBook Awards, celebrating the book’s contribution to the evolving narrative of photography.
The First PhotoBook Prize of $10,000 will be awarded to the photographer(s)/artist(s) whose first photobook is judged to be best of the year. The PhotoBook of the Year Prize will be awarded to the photographer(s)/artist(s), and publisher responsible, for the photobook judged to be the best of the year.
The Photography Catalogue of the Year Prize will be awarded to the publication, publisher, and/or organizing institution(s) responsible for the exhibition catalogue or museum publication judged to be the best of the year.
Thirty-five shortlisted entries in total will be exhibited and the award winners will be announced at Paris Photo, November 12-15, 2015.
- First PhotoBook early bird discount:
$30$20 per book.
- PhotoBook of the Year early bird discount:
$60$50 for first entry from a given publisher, $30$25 for each subsequent entry from the same publisher.
- Photography Catalogue of the Year early bird discount:
$60$50 for first entry from a given publisher, $30$25 for each subsequent entry from the same publisher.”
To see the 2014 Photobook Award winners, click here.
For the full prospectus visit: http://www.aperture.org/photobookawards/entry-details.
To submit visit: http://aperture.awardsengine.com/submitentry.
“We are excited to announce our second Black & White National Juried art show, opening August 1, 2015. And again this year, we are privileged to have another of NY’s art elite as our juror, Christiane Paul, a curator of Media Arts at the Whitney Museum of American Art. With her guidance, we look forward to another spectacular show.
This call for submission is open to all residents of the U.S. and its Territories 18 years of age or older. This is a juried exhibition for artists working in all traditional and non-traditional 2D and 3D media, including film/video when part of an installation.All artwork must be original in concept, design and execution. Note: Crafts, kit work or reproductions of original works in other media (such as giclee), unless used as part of a mixed media work, will not be considered.
- BEST of SHOW GOLD: $1000 – At the Opening Reception, the artist whose work is juried as ‘Best of Show’ by Christiane Paul will receive a $1000 cash prize.
- BEST of SHOW SILVER: $500 – At the Opening Reception, the artist whose work is juried ‘Best of Show Silver’ by Christiane Paul will receive a $500 cash prize.
- PEOPLES’ CHOICE: $250 – The artist whose work is voted ‘Best’ by attendees during the course of the show will receive a $250 cash prize. CURATORS’ CHOICE: $250: – The artist whose work the Show Curators choose for excellence will receive a $250 cash prize.
- CERTIFICATE of RECOGNITION: $1000 – $100 each for ten winners. All selections will be made by the juror, Christiane Paul.
Submissions & Fees
Only original works may be submitted. Works may be submitted in one or multiple media.
Early Bird Submissions (through midnight, May 26, 2015): $45 for up to three (3) images plus $5.00 for each additional image.
Submissions between May 27 and midnight June 10, 2015: $65 for up to three (3) images plus $5.00 for each additional image.”
For the full prospectus visit: http://bwac.org/2015/04/black-white-2015.
“Los Angeles Center for Digital Art (LACDA) announces an open call for our juried competition featuring digital art and photography. Entrants submit three JPEG files of original work. All styles of 2D artwork and photography where digital processes of any kind were integral to the creation of the images are acceptable. This call is international, open to all geographical locations.
Forty artists and photographers will be selected! The selected winners receive one print up to 24×36 on museum quality paper to be shown in an international group exhibition in our gallery. The show will be widely promoted and will include a reception for the artists. Multiple entries are permitted, separate entry fee required for each set of three images submitted.
Juror: Joanna Szupinska-Myers, Curator of Exhibitions, California Museum of Photography.”
For the full prospectus and to submit visit: http://lacda.com/juried/juriedshow.html.
“Photographer Emmet Gowin talks about his creative evolution over five decades, the genesis of the exhibition Hidden Likeness, and his experience integrating his art with the Morgan’s collections.
The exhibition Hidden Likeness: Photographer Emmet Gowin at the Morgan will be open at 5:30 pm for program attendees.” The exhibition will be on view May 22 – September 20, 2015.
The Morgan Museum & Library
225 Madison Avenue at 36th Street
New York, New York 10016 [map]
“You are invited to submit to Photo ‘15, a national juried fine art photography exhibit at Multiple Exposures Gallery at the Torpedo Factory Art Center in Alexandria, VA. All artists 18 years of age or older who work in traditional, digital, or alternative photographic processes are invited to submit.
Sarah Greenough, Senior Curator and Head, Department of Photographs, National Gallery of Art, Washington, D.C.
$500 (Juror’s Selection) and $250 (Gallery Selection)
Entries must be completed online here. Artists may submit up to three images, and are encouraged to include an artist bio of 200 words or less. There is no theme.”
For the full prospectus and to apply visit: www.multipleexposuresgallery.com/photo15.
The Phillips Collection
Artist Talk – Hiroshi Sugimoto: Conceptual Forms and Mathematical Models
Thursday, April 30, 2015 at 6:30 pm
“In conjunction with Hiroshi Sugimoto: Conceptual Forms and Mathematical Models (on view until May 10, 2015), Japanese artist Hiroshi Sugimoto will discuss how mathematical principles influence his work. He will also speak about the Odawara Art Foundation, his soon-to-open art and culture space in Japan.
Copies of the exhibition catalogue will be for sale. Book signing to follow.”
The Phillips Collection Auditorium
1600 21st Street NW
Washington, DC 20009
“The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s concerned photography and dedicated compassion exhibited during his 45-year career as a photographic essayist.
The Smith Grant was established in 1978 following the death of Gene Smith, the legendary American photo essayist. It is today the most prestigious honor in documentary photography. Every year it recognizes a photographer who has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smith’s concerned photography and dedicated compassion.
The W. Eugene Smith Memorial Fund, INC., a not-for-profit corporation qualified under Section 501(c)(3) of the Internal Revenue Code, independently administers the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays. For 2013, the amount of the grant will be $30,000. An additional $5,000 in fellowship money will be dispersed, at the discretion of the jury, to one or more finalists deemed worthy of special recognition. Awards will be presented in a ceremony held in New York City in early October 2015.
The Fund’s Board of Trustees appoints a three-member international jury every year. The jury meets twice. At its first session it reviews all the applications and proposals, and selects finalists primarily on the basis of the substantive (and intellectual) merit of their project. The finalists are only then asked to submit a comprehensive photographic print portfolio, to write (if necessary) a more detailed and focused proposal, and to answer questions about their project.
At its second session, the jury reviews the new materials and proceeds to select the grant recipient and the beneficiaries of the fellowship money.
You must register on this website by clicking the ‘Apply for Grant’ link on the side navigation. There is a $50 fee for grant consideration. No preliminary materials will be returned. Applicants should submit:
- A Bio and/or CV submitted as a PDF not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add CV.
- The Project Proposal submitted as a PDF and not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add PP. This proposal should be titled and lead with a one paragraph executive summary of the project. The proposal following should be concise, journalistically realizable, visually translatable, and humanistically driven. The applicant must affirm that the proposed project is ongoing.
- IMAGES: Applicants can submit up to 40 images total. These should consist of representative images from the project being proposed to the W. Eugene Smith Fund. The applicant can include in his/her submission, past work that represents the candidate’s vision and his or her ability to execute the project being proposed to the fund. The images must conform to the following specifications: JPEG files with 1500 pixels on the long dimension saved at 72 dpi. Name the files with your first and last name and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg.”
For the full prospectus, grant requirements, and to apply visit: http://smithfund.org/eugene-smith-grant.
“A former professor of photography at the University of Texas at Austin, native Australian Kate Breakey now lives and works in Tucson, Arizona. She first received international recognition for her large-scale, hand-colored photographs then adds layers of transparent oil paint and pencil.
Small Deaths, on view at the Michener Art Museum from March 14 – July 12, 2015 in the Fred Beans Gallery, features thirty extraordinary, hand-colored, oversized images of the birds, flowers, and insects that photographer Kate Breakey has memorialized through her work. The brilliance of her palette draws viewers to a close-up and unexpected confrontation with mortality. The images are life-size silver gelatin contact prints toned by hand with a golden wash. Breakey’s work has appeared in over 30 one-woman exhibitions and numerous group exhibitions in the U.S. and abroad. She received the Photographer of the Year Award in 2004 from the Houston Center for Photography.
Online registration is closed. Please call 215-340-9800 for ticket availability.”
The James A. Michener Art Museum
138 South Pine Street
April 25th, Los Angeles: ASPP Presents “Understanding Copyright & Building a Copyright Centered Workflow”
American Society of Picture Professionals
Understanding Copyright & Building a Copyright Centered Workflow
Saturday, April 25, 2015, 11:00-1:00
“Should you register your copyrights? What is a copyright anyway? Should you really be worried about people stealing your images on the Internet? How has the legal landscape for photographers changed with the emergence of Internet photo sharing? How do you protect your images while still “getting your work out there?”
In this information-packed seminar, photographer and copyright lawyer Chris Reed will answer these questions and more, helping you build best practices for copyright registration and management into your existing image processing workflows. Part legal tutorial, part software tutorial, this seminar will help you understand essential copyright concepts that apply to you and your business, and teach you how to maximize your rights without sacrificing exposure.
Speaker – Christopher S. Reed
Chris is a lawyer and a photographer based in Los Angeles. On the legal front, Chris specializes in copyright and entertainment law; photographically, he focuses largely on landscape and travel photography.”
General: $18.00 | ASPP Members: Free | ASMP / APA Members: $10.00
For further details and to register click here.
529 S. Broadway, 4th Floor
Los Angeles, CA 90013 [map]