Tag: MVS

Deadline May 31st: The 2019 Aaron Siskind Individual Photographer’s Fellowship Grant

Aaron Siskind Foundation
Call for Submissions: The 2019 Individual Photographer’s Fellowship Grant
Deadline: Friday, May 31, 2019 at 11:59 PM EDT
Application fee: $25 USD

“The Aaron Siskind Foundation is offering a limited number of Individual Photographer’s Fellowship grants of up to $15,000 each, for artists working in photography and photo-based art. Recipients will be determined by a panel of distinguished guest judges on the basis of artistic excellence, accomplishment to date, and the promise of future achievement in the medium in its widest sense. The Foundation seeks to support artists/photographers who demonstrate a serious commitment to the field, who are professionally active or employed in the field.

Eligibility: Applicants must be at least 21 years of age. Students enrolled in a college degree program are not eligible to apply. Please note: students who will graduate before the 2019 application deadline are eligible to apply. Previous IPF recipients are not currently being considered for new awards.

Eligible Work: All forms of photographically based work regardless of subject matter, genre, or process are eligible. The submission should consist of a mature, coherent body of work.

Fellowship recipients will be notified after the application review process is complete. Names of recipients and panelists will be announced shortly thereafter. The decisions of the Aaron Siskind Foundation and its designated judging panel as to who receives fellowship support will be final, private, and without appeal. As required by law, award funds must be used to further the artist’s creative endeavors. Recipients will be asked to provide a summary of the uses to which award funds are put. Award funds will be taxable to recipients in Tax Year 2019.

Submission Guidelines

  • Applicant Profile: Name and contact information
  • Work Samples: A portfolio of ten (10) digital images showing representative, recent work. If your work is best communicated visually by showing its physical or installed nature, or aspects of detail, use one or more of the ten images for that purpose. Exactly ten (10) images must be submitted. The files must be:
    • Under 5MB each
    • One of the following file formats: .jpg, .jpeg, .png, .gif, .tif, .tiff, .bmp, or .tga.
    • Slideroom will resize images larger than 1280 x 1280 x 72 ppi to fit the system.
  • Text descriptors for each image: Title, Dimensions, Year, and Description. The “Description” box should be used for a short explanation or background information for each photo.
  • Artist Statement: (250 words maximum) The purpose of the Statement is to give the panel a better understanding of your work while they are viewing it. It should be very clear and concise, and relate to the specific works you are submitting.
  • Career summary, artist resume/CV, or short bio (500 words maximum)
  • Applications must be submitted through the Slideroom application portal at https://siskindfoundation.slideroom.com.”

For the complete prospectus and to apply visit: www.aaronsiskind.org/application.html.

Deadline April 19th: Candela Books + Gallery UNBOUND 8

Candela Books + Gallery
Call for Submissions: UNBOUND8
Deadline: Friday, April 19, 2019

“This annual summer group exhibition is the only open call we hold each year and is dedicated to featuring a wide range of photographic artworks and fine art photography and artists’ books from 40-50 fine art photographers. UnBound! generates opportunities and exposure beyond the traditional group or juried show by providing a collection opportunity for artists. 

During the exhibition, an annual gala event is held to raise funds, which allows Candela to purchase select works from the exhibition. Works acquired by the event proceeds are then added to the gallery’s Candela Collection. The mission of the Candela Collection is to support photographers through the purchase of original photographic work and to actively pursue opportunities to donate said works to notable permanent collections. The Candela Collection currently includes 62 photographic artworks and 11 fine art photography books.

Our hope is that photographers will support our UnBound! exhibition with their active participation just as we hope to support their work and careers in return. All accepted artists will have their artwork featured at Candela Gallery, a gallery space in the downtown arts district of Richmond, Virginia.

THERE ARE NO FEES TO SUBMIT!!

Deadline for Submissions:  April 19th, 2019
Notification of Acceptance:  May 6th, 2019
Accepted work should arrive at Gallery no later than:  June 21st, 2019″

For the complete prospectus and to apply visit: https://candelabooks.com/unbound8-call-for-submissions.

Deadline May 31st: The Photo Review 35th Annual International Photography Competition

The Photo Review
Call for Entries: 35th Annual International Photography Competition
Deadline: Friday, May 31, 2019

“This year’s Photo Review International Photography Competition will be juried by noted critic, curator, and author Lyle Rexer. The Photo Review Competition enables thousands of people across the country to see the accepted work in our 2019 competition issue and on our website. Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia.

Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines, and have sold their work to collectors throughout the country.

Fees
An entry fee of $35 for up to three images, and $8 for each additional image, entitles all entrants to a copy of the full-color catalogue. In addition, all entrants may subscribe to The Photo Review for $36, a 20% discount. (Higher rates apply for non-US subscribers.)

All entries will be registered through Smarter Entry. Digital images can be uploaded using Smarter Entry here.

View Contest Rules.

Juror
Noted critic, curator, and writer Lyle Rexer will be the juror for the 2019 Photo Review Photography Competition. He is the author of several books on art and photography, including The Edge of Vision: The Rise of Abstraction in Photography (2009) and Photography’s Antiquarian Avant Garde: the New Wave in Old Processes (2002). In addition, he has published numerous catalogue essays and articles on art, architecture, and photography and contributed to such publications as The New York TimesArt in America, Aperture, Parkett, BOMB, and DAMn. As a curator, he has organized exhibitions in the United States and internationally, most recently The Edge of Vision, a selection of contemporary abstract photography. He teaches at the School of Visual Arts in New York and is a columnist for Photograph magazine.

Awards

  • Prizewinners exhibited at the University of the Arts Photography Gallery, Philadelphia
  • Accepted entries reproduced in The Photo Review journal and on our website
  • Editor’s Selections exhibited in several Photo Review web galleries

Prizes

  • A $500 purchase prize from Haverford College
  • A $500 prize from Blue Flower
  • a Wacom Intuos tablet
  • a Lambert 12L camera bag from Cecilia
  • a 20″x24″ silver gelatin fiber print from Digital Silver Imaging
  • camera bags from ThinkTank Photo and Mission Workshop
  • “The Complete Photographer’s Set” from Tog Tees
  • several Kodak Printomatic Instant Print Cameras
  • a $200 gift certificate from Shades of Paper, a leading supplier of inkjet photo paper”

For the full prospectus and to apply visit: http://www.photoreview.org/wordpressindex/2019-competition.

Deadline June 19th: The Print Center 94th Annual International Competition

The Print Center
Call for Entries: 94th Annual International Competition
Deadline: Friday, June 14, 2019
Entry Fee: $45 for 5 images

“The Print Center is very pleased to announce the 94th ANNUAL International Competition juried by Charlotte Cotton and Gretchen Wagner. Cotton is a curator of photography and author, she is Curator-in-Residence at the California Museum of Photography, Riverside and recently published Photography Is Magic (Aperture, 2015). Wagner is the Andrew W. Mellon Fellow for Prints, Drawings, and Photographs at the Saint Louis Art Museum and co-curator/co-author of Graphic Revolution: American Prints 1960 to Now (Saint Louis Art Museum, 2018).

The ANNUAL is one of the oldest and most prestigious competitions in the United States. The Print Center is particularly interested in highlighting local, national and international artists who utilize photography and printmaking in new and intriguing ways, both in content and process.

Any artist using Photography and/or Printmaking as critical components in their work can enter. Artists whose work pushes the boundaries of traditional photographic and printmaking practices are encouraged to enter.

Jurors

  • Charlotte Cotton is a Los Angeles-based curator of photography and writer. She is Curator-in-Residence at the California Museum of Photography, Riverside and the author of Photography Is Magic (Aperture, 2015).
  • Gretchen Wagner is the Andrew W. Mellon Fellow for Prints, Drawings, and Photographs at the Saint Louis Art Museum.”

For the full prospectus and to apply visit http://printcenter.org/100/94th-competition.

Deadline April 1st: Diane Dammeyer Fellowship in Photographic Arts & Social Issues

Columbia College | Heartland Alliance
Call for Submissions: Diane Dammeyer Fellowship in Photographic Arts and Social Issues
Deadline: Monday, April 1, 2019
Application Fee: $25

“The Diane Dammeyer Fellowship in Photographic Arts and Social Issues creates a space for a socially engaged photographer to produce a compelling and dynamic body of work highlighting human rights and social issues.

Columbia College Chicago and Heartland Alliance, two internationally recognized institutions with Chicago roots dating back more than 120 years, partner in hosting the Diane Dammeyer Fellowship in Photographic Arts and Social Issues. The fellowship is a unique public commitment to socially engaged art, combining Columbia’s dedication to academic excellence and developing authentic, creative voices with Heartland Alliance’s bold history of advocating for the rights of the world’s most vulnerable populations.

This postgraduate fellowship creates an opportunity for a socially engaged photographer to immerse themselves in the community of Heartland Alliance and to produce a new, original, and compelling body of photographic work that speaks to the human rights and social issues revealed through these experiences. By engaging with the Heartland Alliance community of participants and practitioners, the fellowship allows the artist to create a true connection between subject, audience, and community. This serves the larger goal of the fellowship, which is to use photographic practice to elevate our collective awareness of social, economic, and cultural issues and to inspire positive social change.

In addition to their work with the Heartland Alliance community in the greater Chicago area, the fellow will also spend significant time at Columbia College Chicago, where they will be mentored by a Photography Department faculty member and will work with Columbia students. The fellow will also have a Heartland Alliance project sponsor dedicated to aid their immersion in the Heartland community and to provide valuable feedback during the nine-month project. The fellowship will culminate with a public presentation, exhibition and/or publication of the fellow’s newly created body of work at the completion of the fellowship period.

Because of the dynamic nature of the fellowship, a full-time commitment is required during the academic year (September to May). Fellowship hours will vary, as will the activities in which the fellow will be immersed. It is expected that the fellow will reside in Chicago during the term of the award.

A $25,000 stipend will be awarded for the 2019-20 academic year to support the fellow’s work. Talented individuals who have completed an MFA in photography or in another related creative field and who are committed to active immersion and participation with Heartland Alliance and Columbia College Chicago are encouraged to apply.”

For the full prospectus and to apply visit: https://www.colum.edu/academics/fine-and-performing-arts/initiatives/diane-dammeyer-fellowship.html.

Deadline February 8th: 2019 Allegany National Photography Competition & Exhibition

Allegany County Arts Council
Call for Entries: 2019 Allegany National Photography Competition & Exhibition
Deadline: Friday, February 8, 2019

“This 5th Annual Allegany National Photography Competition & Exhibition will meld the region’s rich concentration of photographic artists with an influx of national photographers in a juried competition for over $5000 in cash prizes. In previous years, artists from more than 35 states have submitted work to be juried. Typically, between 60-70 works are selected for exhibit in the exhibition. The 2019 juror is Dan Leers, Curator of Photography, Carnegie Museum of Art in Pittsburgh, PA. The Public Opening & Awards Ceremony will take place Saturday, April 6, 2019,  from 6-8 pm. The exhibition will run from April 6 through Saturday, April 27.

Juror: Dan Leers, Curator of Photography, Carnegie Museum of Art, Pittsburgh. PA.

Application Requirements and Restrictions
Maximum 6 entries per photographer. (No maximum per category.)
All artwork must be for sale, have been created by the submitting artist within the past three (3) years, and may not have been previously exhibited at the Allegany Arts Council’s Galleries.

Categories and Descriptions

  • Category 1: Color
    Two-dimensional photographic works of art printed in color on any medium/substrate (paper, canvas, metal, etc.) and using any process (wet darkroom, computer, etc), max 48” in width, professionally presented and wired for hanging.
  • Category 2: Monochrome/Black and White
    Two-dimensional photographic works of art printed in black and white or monochrome on any medium/substrate (paper, canvas, metal, etc.) and using any process (wet darkroom, computer, etc), max 48” in width, professionally presented and wired for hanging.
  • Category 3: Experimental
    Three-dimensional artwork comprised of one or more of the artist’s photographic images. Texture on the surface of a two-dimensional image is not enough to include it in this category. The artwork can combine other media, but must be fundamentally photography-based. The work must be ready for display; free-standing, placed on a pedestal, or wired for hanging. Overall size may not exceed 48 inches in any dimension and weight may not exceed 30lbs. If needed, standard electrical AC power (60Hz, 120V) is available. To best represent the work, we encourage the artist to submit a short video under 5MB or a single image incorporating multiple views of the artwork. This category is about presenting photography in a non-traditional way.

Entry Fee
(Allegany National Photographic Competition and Exhibition – Cumberland 2019 (up to two entries)): $30.00
Media Fee (per sample over minimum): $15.00″

Allegany National Photography Competition and Exhibition – Cumberland 2019
9 N. Centre St.
Cumberland, MD 21502

For the full prospectus and to apply visit: https://artist.callforentry.org/festivals_unique_info.php?ID=6079.

DEADLINE January 23rd: 2019 Aperture Portfolio Prize

Aperture Foundation
Call for Submissions: 2019 Aperture Portfolio Prize
Deadline: Wednesday, January 23, 2019 at 11:59 PM EST
There is no fee to enter.

About Aperture Portfolio Prize
“The purpose of the Aperture Portfolio Prize is to identify trends in contemporary photography and highlight artists whose work deserves greater recognition. When choosing the first prize winner and runners up, Aperture’s editorial and curatorial staff look for innovative bodies of work that haven’t been widely seen in major publications or exhibition venues.

The first prize winner will be published in Aperture magazine and will receive a $3,000 cash prize and exhibition in New York. The winner and up to four runners up will be featured in an online gallery on aperture.org. All finalists are announced in the foundation’s e-newsletter, which reaches fifty thousand subscribers across the globe, including curators, critics, and members of the photography community. The winner and runners up may also be presented the opportunity to participate in the Aperture Foundation limited edition print program.

Juror information
The Aperture Portfolio Prize jury is comprised of Aperture’s experienced editors and curatorial staff. This year, the jury includes Chris Boot, executive director; Annette Booth, director of exhibitions management; Charlotte Chudy, editorial assistant of books; Brendan Embser, managing editor of Aperture magazine; Michael Famighetti, editor of Aperture magazine; Annika Klein, assistant editor of Aperture magazine; Taia Kwinter, managing editor of the book program; Amelia Lang, associate publisher of the book program; Samantha Marlow, associate editor of books; Lesley A. Martin, creative director; Kellie McLaughlin, director of the limited-edition print program; and Denise Wolff, senior editor of books.

Submission Requirements

  • 1 Project with 10 to 15 photos
  • Project description with up to 1500 characters
  • Biography and CV
  • Special Requirements:
    – Entrants must be Aperture Magazine print subscribers.
    – Work must be made within the past 5 years. Ongoing projects will be accepted.”

Visit https://contests.picter.com/aperture/portfolio-prize-2019 for the full prospectus and to apply.

Deadline: January 21st: MACK First Book Award 2019

MACK
Call for Submissions: First Book Award 2019
Deadline: Received by 21 January 2019

“The First Book Award is a photography publishing prize open to photographers who have not previously had a book published by a third party publishing house (this does not include self-published print on demand projects).

The award was established in 2012 to support emerging photographers. The call for submissions emphasises a predilection for projects conceived in book form: works that find a voice through the book.

From 2012 to 2018, the award was not an open submission; each year, a diverse array of international nominators were asked to recommend suitable projects.

Submissions for the First Book Award 2019 are not limited to nominated projects and the award is open to all emerging artists who wish to submit a coherent book project. Please see the Submission Guidelines page for further details.

Previous winners include: Anne Sophie Merryman (2012), Paul Salveson (2013), Joanna Piotrowska (2014), Ciarán Óg Arnold (2015), Sofia Borges (2016) and Emmanuelle Andrianjafy (2017).

GUIDELINES

The First Book Award is a photography prize for photographers and artists who have not previously had their work published by a third party publishing house. This does not include self-published books or print-on-demand projects.

  • Submissions must consist of coherent book projects and not portfolios of images in book form.
  • Any text within the book must be supplied with an English translation.
  • All submissions must be received as paper book dummies. Digital submissions in the form of PDFs, ebooks or apps will not be considered.
  • All submissions must either be unpublished or self-published book projects. Books that have already been published by a third party publishing house will not be considered.
  • Submissions received after January 21, 2019 will not be considered for the prize.

Please include your current email address, contact details and address as part of your submission.

Book dummies will only be returned if packaging and prepaid postage is included. Books will be returned in April 2019, after the shortlist has been announced. Neither MACK nor any of the sponsors will be held responsible for loss or damage to books submitted.

Please send submissions to: First Book Award, MACK, Studio E, Ground Floor, Emperor House, Dragonfly Place, London SE4 2FL

For all enquiries: fba@mackbooks.co.uk.

AWARD

  • A panel of judges will together assess all submitted dummies, shortlisting ten. From the shortlist, a single project will be chosen as the winner to be published by MACK.
  • The winning project will be announced at the opening of Photo London at Somerset House, London, in May 2019 and the book will be published in time for that announcement.
  • The winning artist will exhibit their work in a special display devoted to their work at Photo London 2019, in an exhibition to coincide with the award announcement.

JUDGES

  • Sarah Allen
    Sarah Allen is a photography specialist. She is Assistant Curator at Tate Modern where she curates displays and exhibitions as well as researching acquisitions for the international collection. Her most recent project was Shape of Light: 100 Years of Photography and Abstract Art. She has also curated the Deutsche Börse Photography Prize nominated presentation of Mark Ruwedel at Tate (2018) as well as Martin Parr (2018), Workers Photography (2018), Daido Moriyama (2017), Kaveh Golestan (2017) and Gyorgy Kepes (2017). She has a specialist focus on photobooks and is curator of the Martin Parr photobook collection.
  • Emma Bowkett
    Emma Bowkett is Director of Photography at the Financial Times FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine for the 2010 re-launch. Emma has curated exhibitions for the Triennale der Photographie Hamburg, Peckham 24 in London and in 2018 co-curated PhotoEast festival. She is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs and awards.
  • Stanley Wolukau-Wanambwa
    Stanley Wolukau-Wanambwa is a photographer and a writer who has contriubted essays to publications by Vanessa Winship, George Georgiou, Rosalind Fox Solomon, Marton Perlaki and Paul Graham. He has been an artist-in residence at Light Work, guest edited the Aperturn Photobook Review, and written for Aperture, FOAM, the Barbican, The Photographer’s Gallery and Rutgers University Press. His debut monograph, One Wall a Web, was published by ROMA Publications in 2018. He has lectured at Yale, Cornell, New York University and The New School.
  • Polly Fleury
    Polly Fleury is Director of Special Projects at the Wilson Centre for Photography where she works closely with museums, artists, galleries and publishers bringing historical and contemporary photography to public view.
  • Michael Mack
    Michael Mack is the publisher of MACK.”

For the full prospectus and to view past winners visit: www.firstbookaward.com

Deadline January 28th: Art+Science

A Smith Gallery
Call for Entries: Art+Science
Deadline: Monday, January 28, 2019
Entry Fee: $38 for the first 5 images, $7 per each additional image.

“Has photography ever really been disconnected from Science? From the invention of the pinhole camera about one thousand and twenty years ago by the Arab mathematician, physicist, and Astronomer, Ibn al-Haytham, up to today’s use of radiology to produce works of art, science and art have been inseparable. Photography is the perfect intersection of Art and Science.

JUROR: Linda Alterwitz
Alterwitz is an interdisciplinary artist with diverse interests in the fields of medical research and the natural environment. Her work encourages an awakening of the senses toward a subtle shift of consciousness, offering people a connection with the unseen.

“The Art and Science movement is not new, yet its reach is currently building momentum. More than producing aesthetic images derived from scientific data, science-inspired artists find connections that reflect a common purpose – one that integrates the authenticity of science and the communicative power of art. The sci-art movement promotes dialogue and offers a platform in hopes of improving the world in which we live.

I am the writer and editor for the Art + Science column on Lenscratch Magazine in which I showcase work by photographers who address a genre of photography that lives at the intersection of art and science.  Up to 33 of the final selections to this call will be featured in a Lenscratch post highlighting this Art + Science exhibition.”  —Linda Alterwitz

Awards
Juror’s Selection – $325.00
Director’s Selection – $250.00
Visitors’ Award – $100.00
Discretionary Honorable Mentions – each receiving an exhibition catalogue
Up to 33 of the final selections will be featured in a LenScratch Art+Science post.

Eligibility
Submissions are open to all photographers both professional and amateur. International entries are welcomed.   Work previously exhibited in the gallery or featured on the blog are not eligible.

Submission Guidelines
Digital images should be:

  • 1000 pixels on the longest side saved in JPEG format at 72 ppi.
  • Each image should be labeled with consecutive numbers followed by your name, i.e. 1FirstName_LastName.jpg. The number should correspond with the number on the application form
  • Each entry should have both diptych images included.  If you are not able to put them in the same digital file, please contact amanda@asmithgallery.com for assistance. 
  • Please do not watermark your images. 
  • If you need help sizing your images, please follow this link https://convert.town/image-dpi
  • Online: Fill out our online application to apply, send images, and make payment with Paypal.
  • You will receive an email confirmation upon receiving the entry and payment. You can also fill and submit the online application, print out your confirmation email, and mail it with a check for your fees to the address below. 

Submission by mail: Please prepare a submission form with your name, address, email address and phone number along with a list of the titles and printing process of each entry.  The number of each title should correspond to the image number on the CD.  CD’s and submission form should be mailed to:

A Smith Gallery
P O Box 175
Johnson City, TX 78636

The gallery will send an email confirmation upon receiving the entry and payment.

For the full prospectus and to apply visit: https://asmithgallery.com/salon-call-for-entry.

Application Deadline EXTENDED to January 28th: “Your Work & Its Audience: Making the Match” with MVS & Special Guests in NYC

YOUR WORK & ITS AUDIENCE: MAKING THE MATCH

With Mary Virginia Swanson & Special Guests
New York City, May 5 – 11, 2019
Hosted by La Luz Workshops

Application Deadline EXTENDED to Monday, January, 28, 2019

There are only a few spots left for this workshop. If you are interested in joining us, please apply as soon as possible.

This workshop is for photographers who wish to increase their awareness about today’s diverse markets for imagery and gain a broader understanding of how to reach their target audiences.

Through a series of illustrated lectures, individual sessions, and conversations with some of the leading industry professionals today, you will learn about the nuances of editing your work for multiple presentations, fine art print sales, exhibition opportunities, securing commissions to make new work, as well as other essential topics.

Together, we will look at where your work is now and where it can be.

If you are interested in joining us, please APPLY TODAY.

OUR SPECIAL GUESTS ARE…
Elizabeth Krist – Photo Editor, Reviewer, Independent Curator (Monday & Tuesday)

Joan Liftin – Photographer, Photo Book Editor, Educator (Tuesday)

Esa Epstein – Executive Director and Curator at sepiaEYE Gallery (Wednesday)

Jane Yeomans – Photo Editor at Bloomberg Businessweek Magazine  (Thursday)

Taia Kwinter – Managing Editor at Aperture Foundation (Friday)

To learn more about this workshop and what YOU will learn from Mary Virginia and her line-up of industry experts, check out La Luz’s YouTube channel here.

WHO SHOULD ATTEND
Photographers who are serious about their work, whether they are working professionals or one day aspire to be, those who wish to increase their awareness about today’s diverse markets for imagery and those who wish to gain a broader understanding of how to reach their target audiences.

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