Tag: Mary Virginia Swanson
April 25th, Los Angeles: ASPP Presents “Understanding Copyright & Building a Copyright Centered Workflow”
American Society of Picture Professionals
Understanding Copyright & Building a Copyright Centered Workflow
Saturday, April 25, 2015, 11:00-1:00
“Should you register your copyrights? What is a copyright anyway? Should you really be worried about people stealing your images on the Internet? How has the legal landscape for photographers changed with the emergence of Internet photo sharing? How do you protect your images while still “getting your work out there?”
In this information-packed seminar, photographer and copyright lawyer Chris Reed will answer these questions and more, helping you build best practices for copyright registration and management into your existing image processing workflows. Part legal tutorial, part software tutorial, this seminar will help you understand essential copyright concepts that apply to you and your business, and teach you how to maximize your rights without sacrificing exposure.
Speaker – Christopher S. Reed
Chris is a lawyer and a photographer based in Los Angeles. On the legal front, Chris specializes in copyright and entertainment law; photographically, he focuses largely on landscape and travel photography.”
General: $18.00 | ASPP Members: Free | ASMP / APA Members: $10.00
For further details and to register click here.
529 S. Broadway, 4th Floor
Los Angeles, CA 90013 [map]
Photographic Resource Center
Call for Entries: EXPOSURE: The 19th Annual PRC Juried Exhibition
Deadline: Sunday, April 12, 2015 at 11:59 pm EDT
Fee for a series of 10 images: $40 + current PRC membership
“The PRC invites entries for EXPOSURE: The 19th Annual PRC Juried Exhibition and seeks a broad range work, including both traditional and non-traditional approaches to photography. Since its inception in 1996, over 300 photographers have shown in the PRC Juried Exhibitions—including an array of established photographers and those cited as “ones to watch.”Each year, a respected member of the photographic community—from curators to gallerists to photo editors—is asked to select 10 to 15 artists. The curator then selects between two and five pieces per person, thus offering artists the opportunity to showcase a series at a deeper level and making for an enriching experience for audiences as well.
Juror: Kristen Gresh, Estrellita and Yousuf Karsh Assistant Curator of Photographs, Museum of Fine Arts, Boston.
EXPOSURE is a great opportunity to view a slice of the best and brightest as selected by a nationally-renowned juror. In celebration of the PRC’s 30th anniversary in the 2006/2007 academic year and to reflect more accurately the mission and function of our annual photography competition, we changed the name of the PRC Members’ Exhibition to EXPOSURE: The Annual PRC Juried Exhibition. Past exhibiting photographers have included Claire Beckett, Victoria Crayhon, Eliot Dudik, Dave Jordano, Benjamin Lowy, Neeta Madahar, Rania Matar, Irina Rozovsky, Tara Sellios, Steve Smith, Martin Stupich, among many others.For details and images from previous Exposure exhibitions visit: www.bu.edu/prc/exposure/juriedexhibition.htm.
for the full prospectus and to apply visit: https://www.callforentry.org/festivals_unique_info.php?ID=2514
“LensCulture Earth Awards 2015 is a worldwide call for photography focused on nature, the environment, wildlife, landscape, conservation, sustainability, and how we live on the planet. We are awarding $25,000 in cash grants as well as many video projections at international photo festivals, visibility with LensCulture Insiders, a Printed Annual and more. These awards are open to a wide range of interpretations and approaches — from fine art celebrations of the beauty and wonders of nature, to hard-hitting in-depth documentary issues-based stories. Photography is a rich visual language that can express diverse perspectives in powerful, memorable ways. What is YOUR view of life on Earth today?
- $25,000 in cash awards plus opportunities for entrants to earn global recognition amongst today’s top photographers working on the subject of Earth.
- Video projections for Winners and Finalists at international photo festivals around the world.
- Direct visibility to our distinguished group of over 500 LensCulture Insiders from the photo industry: curators, gallerists, editors, creative directors and publishers.
- Opportunities for inclusion in the Earth Awards Competition Gallery, curated daily by our editors
Eligibility & Fees
The 2015 LensCulture Earth Awards invites all photographers whose work has a thematic focus on images inspired by our planet. 9 Top Winners plus 25 Finalists will receive significant opportunities to broaden their exposure in the global photography community.
Submit your best series or single images of all genres inspired by the planet — fine art, nature, landscape, documentary, environmental, wildlife, travel or conceptual.
- related series, up to 10 images: $60 USD
- Single image, 2-3 images: $45 USD
- Single image: $20 USD”
To read the full prospectus, see the list of judges and to apply visit: www.lensculture.com/earth-awards-2015.
“The year 2010 marked the twentieth anniversary of the Dorothea Lange-Paul Taylor documentary prize. First announced a year after the Center for Documentary Studies’ founding at Duke University, the prize was created to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.
In 2011, in recognition of the changing environment in which documentary artists conduct their work, we decided to reframe the prize guidelines. The relaunched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work.
The updated guidelines expand on the idea of “writing” by allowing words to be represented by audio or in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.
The new guidelines require that artists have already started their fieldwork and have collected representative samples of the project’s component parts. However, please note, the guidelines no longer stipulate that a writer and a photographer collaborate on a project. Single artists or collaborative teams working with text/audio/photographs/video/graphic novel format may apply.
The winner receives $10,000, a solo exhibition at the Center for Documentary Studies, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.”
For the complete overview and details on how to enter, visit: documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize/how-to-enter.
2015 PDN Curator Fine Art Contest
Deadline: Thursday, April 9, 2015
Fee: $55 for single and series (2 to 6 images)*
* Please note that a series must be visually related and is limited to six images.
“Six winners will be selected to exhibit their fine-art photography in a group show with an opening reception this summer in New York City. The Curator exhibition has previously been hosted by Industria Superstudio, Industrial Color and Milk Studios.
The winners will also be published in a gallery in the July issue of PDN and an extended online gallery and will receive:
- $200 gift card from B&H
- VIP Expo Pass to PDN PhotoPlus Expo Oct 22–24, 2015
- $250 gift card to moabpaper.com
- PHOTO+ Premium Portfolio Membership
- Brian Clamp, Director, ClampArt
- Sam Barzilay, Creative Director, United Photo Industries
- Matthew Leifheit, Photo Editor, Vice Media
- Michelle Dunn Marsh, Executive Director, PCNW, Founder, Minor Matters Books
- Deborah Willis, Professor, Photographer and Curator
For the full prospectus and to submit visit: www.pdncuratorawards.com.
“Candela Books + Gallery announces our fourth annual invitational and juried exhibition: UnBound4! The summer group exhibition will feature work from a wide range of fine art photographers. An UnBound4! gala (as in good times) event, will raise funds to purchase select works from the exhibition. Works purchased by Candela through this event will subsequently be included in the Candela Collection.
The Candela Collection mission is to support photographers through the purchase of their original photographic work and to actively pursue future opportunities to donate said works to notable permanent collections.
All artwork accepted for exhibition will be selected by the Candela founder, Gordon Stettinius, and Associate Director, Ashby Nickerson.
UnBound! generates opportunities and exposure beyond the traditional group or juried show. Our hope is that photographers will support us with their active participation just as we hope to support their work and careers in return. All accepted photographers will have their artwork featured at Candela Books + Gallery, a gallery space in the downtown arts district of Richmond, Virginia.”
For the full prospectus and to apply visit: https://candelabooks.com/call-for-submissions-unbound4.
To download a PDF of the prospectus, click here.
“In July 2015, Aperture Foundation will host its second open-submission exhibition for which all photographers are eligible. The theme for this year’s Summer Open is Black Mirror, and it will be curated by Michael Famighetti, editor of Aperture magazine.
Do we live in a world wilder than science fiction? The 2015 Aperture Summer Open borrows its title from the British television series Black Mirror, which imagines a dystopian near-future—a Twilight Zone for the age of the smartphone. The name Black Mirror refers to the omnipresent screens through which our lives are mediated today, and the show depicts a society in which technology ominously defines and shapes our relationships and each facet of daily life.
We’re more than thirty years beyond Orwell’s imagined 1984, and yet we continue to live in a moment of anxiety about what the future holds. Aperture’s Summer Open asks contributors to consider the future and the idea that we inhabit a world that is stranger, and in some ways more frightening, than that predicted by the authors of science fiction. What does it mean when our current reality echoes what were once outlandish fictional narratives? As today becomes tomorrow, what might the future look like in photographs? We seek a wide range of submissions, representing diverse subjects and approaches to photography, that are in some way engaged with questions about what the world has become and is becoming.”
For the full prospectus visit: www.aperture.org/summeropen/entry-details.
“The LensCulture Portrait Awards is the 2nd annual call for international portrait photography. The importance of portraiture is present in cultures across the world, illustrating the power and endurance of human connection. With over 145 countries represented on LensCulture, in over 15 languages, we’re seeking new global perspectives on the modern day portrait.
This is an open call for portrait photography from around the world. 6 Winners, 8 Juror’s Picks and 25 Finalists will be chosen.
- 1 image: $20 USD
- 2-3 images: $45 USD
- Series Competition, up to 10 images: $60 USD”
For the full prospectus (with details on cash awards, exposure and the jurors) and to apply visit: www.lensculture.com/portrait-awards-2015.
Tuesday, February 17, 2015
4:00-5:00 pm: Guest Lecture with April Watson
5:30-8:00 pm: Opening Reception
“Established in 2001 and organized by the graduate photography students at Texas Woman’s University and the Photographic Artists’ Coalition (a student-run photography organization), the annual Joyce Elaine Grant Photography Exhibition provides a national venue for the exhibition of artistic expression as seen through the eye of the camera. Photographers from throughout the United States are invited to submit entries for the exhibition. The exhibition and endowment was established by Christine Shank and a small group of graduate students and named in memory of the mother of Professor Susan kae Grant. Exhibition proceeds fund the Joyce Elaine Grant Photography Exhibition Endowment, which supports photography scholarships for future graduate students in the Department of Visual Arts.
About the 2015 Juried Exhibition
April Watson, Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, MO, served as juror for the 14th Annual Joyce Elaine Grant Photography Exhibition. Twenty- eight artists from throughout the United States and China were selected to exhibit their work. Artists include, Beverly Ahern, Ben Altman, Linda Alterwitz, Bennie Flores Ansell, Sarah Austin, Christine Carr, Bryon Darby, Marcus DeSieno, Garrett Hansen, Sharon Lee Hart, Abbey Hepner, John Holmgren, Paul Hooven, Allison Jarek, Priya Kambli, Janna Langholz, Holly Lay, Andy Mattern, Katie Newton, Ashley Raasch, Heather Ross, Jiehao Su, Jennifer Tremblay, Marydorsey Wanless, Angela Franks Wells, Linda Wilson, and Christine Zuercher.
2015 JEG Solo Exhibition Award
Selected by Elizabeth Siegel, Associate Curator of Photography, Art Institute of Chicago
Clare Benson, The Shepherd’s Daughter
My work is deeply rooted in my family history. After the death of my mother when I was eleven years old, I became increasingly curious about notions of family, memory, and mortality. I was raised by my father: an avid hunter, archery champion, and former hunting guide in the Alaskan wilderness. Growing up amidst the hunting culture of northern Michigan, I learned to see hunting as a tradition that ties humans to the natural world; a ritual that speaks to notions of mortality and the interconnectedness of life within a larger system. Before my father, my grandmother was a hunter and before that my great-grandmother, and long before that the stars made up constellations that told stories of the greatest hunts. In my work, the nuances of hunting and the rugged northern landscape of my childhood are woven with narratives of genealogy and gender, memory and mythology, time and space.”
“The Michael P. Smith Fund for Documentary Photography (MPS Fund) was created by the New Orleans Photo Alliance (NOPA) to honor the life and work of Michael P. Smith, one of New Orleans’ most legendary and beloved documentary photographers. The MPS Fund awards one $5,000.00 grant annually to a Gulf Coast photographer whose work combines artistic excellence and a sustained commitment to a long-term cultural documentary project.
Both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida are eligible to apply for the MPS Fund’s annual $5,000.00 grant. The subject matter for the proposed project is not limited to the Gulf Coast geographic region.
Emma Reynes, Director of Programs at the Magnum Foundation.
The main criteria for selection will be the strength of the applicant’s portfolio and a written project statement (maximum of 530 words). The portfolio and statement should demonstrate the applicant’s commitment to a cultural documentary project.”
For the full prospectus and past award recipients visit: www.neworleansphotoalliance.org/grants/MPS_Fund/index.php.
For a PDF of the Submission Guidelines click here.