Tag: landscape photography
New York Times Lens Blog | CUNY’s Graduate School of Journalism
Call for Submissions: Fourth Annual New York Portfolio Reviews
Deadline: Thursday, February 4, 2016 at 11:59 PM EDT
Submission Fee: NONE
“Applications are now open for the Fourth Annual New York Portfolio Review, sponsored by the New York Times Lens blog and the City University of New York’s Graduate School of Journalism. And it’s free — because we think that it should be the quality of the work that matters, not how much money you have.
This will be an opportunity for people in the photographic community to meet, trade ideas, help each other — and have fun.
Saturday, April 2, will be for all photographers 21 and older. Each participant will receive six private critiques. Sunday, April 3, will be solely for photographers 18 to 27 and will consist of at least four private critiques for each participant, as well as workshops on how to best present, promote and publish your photographs. We will screen all applicants and choose 100 participants for Saturday and 50 for Sunday. All kinds of photographic work — from fine art to photojournalism — are encouraged.
To enter, submit no more than 20 photos total, from one or two projects. The files should be jpegs, 1200 pixels across and 72 D.P.I. We will inform those who are accepted by March 1st.
Please note: Photographers who attended last year’s review are not eligible to apply this year. Photographers who attended two or three years ago can apply for this year’s review, but they must submit new work and expectations will be higher.”
For the complete prospectus and to submit go to: http://lens.blogs.nytimes.com/2016/01/14/fourth-annual-new-york-portfolio-review.
“LensCulture Earth Awards 2015 is a worldwide call for photography focused on nature, the environment, wildlife, landscape, conservation, sustainability, and how we live on the planet. We are awarding $25,000 in cash grants as well as many video projections at international photo festivals, visibility with LensCulture Insiders, a Printed Annual and more. These awards are open to a wide range of interpretations and approaches — from fine art celebrations of the beauty and wonders of nature, to hard-hitting in-depth documentary issues-based stories. Photography is a rich visual language that can express diverse perspectives in powerful, memorable ways. What is YOUR view of life on Earth today?
- $25,000 in cash awards plus opportunities for entrants to earn global recognition amongst today’s top photographers working on the subject of Earth.
- Video projections for Winners and Finalists at international photo festivals around the world.
- Direct visibility to our distinguished group of over 500 LensCulture Insiders from the photo industry: curators, gallerists, editors, creative directors and publishers.
- Opportunities for inclusion in the Earth Awards Competition Gallery, curated daily by our editors
Eligibility & Fees
The 2015 LensCulture Earth Awards invites all photographers whose work has a thematic focus on images inspired by our planet. 9 Top Winners plus 25 Finalists will receive significant opportunities to broaden their exposure in the global photography community.
Submit your best series or single images of all genres inspired by the planet — fine art, nature, landscape, documentary, environmental, wildlife, travel or conceptual.
- related series, up to 10 images: $60 USD
- Single image, 2-3 images: $45 USD
- Single image: $20 USD”
To read the full prospectus, see the list of judges and to apply visit: www.lensculture.com/earth-awards-2015.
“Michael Kenna’s landscapes are unpopulated, simple, serene, and subtle.
Often using very long exposures at night or dawn to soften the hard edge of reality, his minimalist images demand quiet attention from the viewer. Described as elegant, pure, and ephemeral, his work speaks eloquently to the strength of simple beauty.
A public reception will immediately follow the lecture in the Great Hall.”
Cincinnati Art Museum, Fath Auditorium (parking $4 for non-members)
953 Eden Park Drive
Cincinnati, Ohio [map]
“University of Arizona photo professor Frank Gohlke will give a talk about his current project, a study of wild apple forests in Kazakhstan, funded by a Fulbright Scholar Research Grant. Gohlke’s apple passion dates back 40 years to a commencement address delivered by the late John Szarkowski to the graduating class of the Minneapolis College of Art and Design. Gohlke’s fascination grew during a three-year stay in Middlebury, Vermont, where he first experienced apple cider fresh from a press. “Apples” by Frank Browning (North Point Press, 1998), introduced Gohlke to the wild apple forests of Kazakhstan, from which domesticated apples grown across the world are derived.
Gohlke’s lecture will include photographs of earlier projects that presage aspects of the Kazakhstan work, and a group of images made since December 2013 in the first stage of the current project.”
1030 North Olive Road
Tucson, Arizona 85721
Santa Fe University of Art & Design
Artist talk by Martin Stupich and Jamey Stillings, In/Visible Borders: New Mexico Photographers
Thursday, October 24, 2013, 6:00-8:00 pm
Free and open to the public.
“Photographers Martin Stupich and Jamey Stillings speak about industrial landscapes in this special lecture held in conjunction with the Marion Center’s In/Visible Borders: New Mexico Photographers exhibition. Both speakers are exhibiting in the show.
In/Visible Borders examines the contemporary Southwestern landscape in terms of the cultural, political, and economic realities of life in the 21st century along the borderlands between the United States and Mexico. The exhibition also investigates the organic borderlands between cultures and economic status that define the state of New Mexico and the greater Southwest.
The exhibition will be on view until Friday, Dec. 13. The complementary exhibition at the Community Gallery will open on Nov. 22 and run through Feb. 21, 2014.”
Santa Fe University of Art and Design, Tipton Hall
1600 St. Michael’s Drive (just east of Cerrillos Drive) on the University campus
Santa Fe, New Mexico
“Mark Klett is a photographer interested in the intersection of cultures, landscapes and time. His background includes working as a geologist before turning to photography.
Klett has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Japan/US Friendship Commission. Klett’s work has been exhibited and published in the United States and internationally for over thirty years, and his work is held in over eighty museum collections worldwide. He is the author/co-author of fifteen books.”
200 East Martin Luther King Junior Boulevard
“Flash Forward Festival Boston programming provides opportunities for all photography enthusiasts, offering insight into an evolving image industry while promoting the self-sufficiency of artists. Set within the Boston cityscape, the four-day festival is based out of the Fairmont Battery Wharf, offering an in-depth experience through organized networking events and educational programming that brings internationally respected industry professionals together to share their knowledge. Programming includes curated indoor and outdoor exhibitions, galleries throughout Boston, a Harborwalk exhibition series featuring work from local galleries, along with lectures, panel discussions, and nightly events. This official program guide contains all the information that you will need to plan your itinerary.”
Click here to view a PDF of the festival catalog to see the great line up of lectures, panel discussions, exhibitions and more.
“The Foundation’s Individual Photographer’s Fellowship (IPF) program encourages and celebrates artistic achievement in contemporary photography by supporting the creative endeavors of artists working in photography and photo-based art media.
The Aaron Siskind Foundation is offering a limited number of IPF grants of up to $10,000 each, for artists working in photography and photo-based art. Recipients will be determined by a panel of distinguished guest judges on the basis of artistic excellence, accomplishment to date, and the promise of future achievement in the medium in its widest sense. The Foundation seeks to support artists/photographers who demonstrate a serious commitment to the field, who are professionally active or employed in the field.
Who May Apply: U.S. Citizens and Legal Permanent Residents of the United States, who reside in the U.S., and who are at least 21 years of age. Recipients must provide legal proof of eligibility and a verifiable social security number.
Who May Not Apply: Students enrolled in a college degree program. Students who graduate before the 2013 application deadline are eligible to apply. Previous IPF recipients are not currently being considered for new awards. At this time, artists on temporary visas such as the O-1 visa are not eligible to apply.
Eligible Work: Still photography regardless of subject matter, genre, or process. Works submitted may be traditional photography projects or experimental works, but photographic techniques must be pivotal to the works submitted. The submission should consist of a mature, coherent body of work. Examples of Non-Eligible Work: Film, video, interactive multimedia.
- Applicant Profile: Name and contact information
- Work Samples: A portfolio of ten (10) digital images showing representative, recent work. If your work is best communicated visually by showing its physical or installed nature, or aspects of detail, use one or more of the ten images for that purpose.
- Exactly ten (10) images must be submitted. They will be projected for the panelists via high-definition digital projectors and viewed at roughly 30 x 40 inches per image. Images must be standard baseline JPEG files with the .jpg extension. The recommended color profile is sRGB. Maximum file size is 1.8 MB. Image size can be no larger than 1920 x 1920 pixels (smaller images will be shown against a 1920 x 1920 black background). Images should be 72 PPI; any higher will unnecessarily increase your file size.
- Text descriptors for each image: Title, Year Completed, Medium, Dimensions
Note: There are also fields for image “Value” and “Description” in the application. We don’t include this information in our review process. “Description” can be left blank. $0.00 can be entered for image “Value”. Whatever you enter in these fields — it will not be seen by jurors.
- Work Statement: (500 words maximum) The purpose of the Statement is to give the panel a better understanding of your work while they are viewing it. It should be very clear and concise, and relate to the specific works you are submitting.
- Career summary, artist resume/CV, or short bio (500 words maximum).”
Further details and to apply visit www.callforentry.org.
“Los Jardines de México presents three related bodies of work, La Fosa Común, Akna and El Jardín de Juegos by Janelle Lynch. Images of overlooked or obscure urban and rural landscapes, they explore aspects of the life cycle—loss, death, regeneration—while simultaneously celebrating life and its intricate beauty.”
The exhibition will be on view until April 14, 2013.
February 20th, NYC: Lecture by Andrea Stillman “Looking at Ansel Adams: The Photographs and the Man”
B&H Event Space
Lecture by Andrea Stillman
Looking at Ansel Adams: The Photographs and the Man
Wednesday, February 20, 2013, 1:00-3:00 pm
Registration is closed, arrive early to get on the waiting list.
“Few photographers have had more impact on America than Ansel Adams, and we are very excited to be able to celebrate his birthday with his former assistant, Andrea Stillman. Andrea’s talk will be an intimate look at the photographer and the man. Said an attendee at one of her museum lectures, ‘You made Ansel come to life for all of us.’
Here is what Andrea has to say about working with Ansel: “I first met Ansel in 1972 when he came to New York to discuss an exhibition of his photographs at the Metropolitan Museum of Art where I worked. I was immediately impressed by his open friendly demeanor, his sense of humor and his modesty. We worked together for two years on his retrospective, and after it opened in the spring of 1974 he asked me to move to Carmel and become his assistant. I leapt at the chance, and for the next six years I worked for Ansel in his home studio. He always had a photographic assistant to help in the darkroom, so I did everything else. This included managing the sale of hundreds of his photographs – everything from telling Ansel which negative to print to approving the final mounted photograph and writing the title on the back. I also edited his writing and lectures and worked with him on innumerable books of his photographs – selecting the images, assisting with the production, and working on press to assure the best reproductions. I also accompanied him on many trips to open exhibitions and promote new books. One of my last tasks was to organize his extensive archive. It included an enormous correspondence with artists like Alfred Stieglitz, Georgia O’Keeffe, and Edward Weston and hundreds of his photographs made over more than fifty years–ranging from a unique 3 1⁄4×4 1⁄4inch contact print of lodgepole pines in the High Sierra made when he was nineteen years old to an enormous 40 x 60 inch mural size print of Mount McKinley made in the 1960s. In addition I produced a one-hour documentary on his life for public television.”
Andrea’s talk will be followed by a book signing of her highly acclaimed book, Looking at Ansel Adams: The Photographs and the Man.”
B&H SuperStore, 2nd floor
420 9th Ave
New York, NY [map]