Tag: exhibition

Deadline February 20th: LensCulture 2019 Portrait Awards

LensCulture
Call for Entries: 2019 Portrait Awards

Deadline: Wednesday, February 20, 2019

“For the sixth year, the LensCulture Portrait Awards 2019 are searching the globe for photographers making the most captivating portraits.

We’re eager to see innovative new approaches as well as stunning traditional work — from quirky self-portraits to creative portrayals of family, friends, groups and ordinary people around the world. These Awards are open to all people and all interpretations of portraiture, whether made in a studio with professional lighting or a smart-phone portrait from your travels.

This is the year to share your best portrait with the world and engage with the global photography community! Submit your most compelling portraits or portrait series for the opportunity to be exhibited at Aperture Gallery in New York. Access career-launching exposure and have your work seen by industry experts. Connect with our global online community of photography lovers and thinkers.

Visit https://www.lensculture.com/photo-competitions/portrait-awards-2019 for information about additional benefits, cash prizes and our esteemed jurors. We are proud to offer a free entry option for single image submissions.”

Deadline February 8th: 2019 Allegany National Photography Competition & Exhibition

Allegany County Arts Council
Call for Entries: 2019 Allegany National Photography Competition & Exhibition
Deadline: Friday, February 8, 2019

“This 5th Annual Allegany National Photography Competition & Exhibition will meld the region’s rich concentration of photographic artists with an influx of national photographers in a juried competition for over $5000 in cash prizes. In previous years, artists from more than 35 states have submitted work to be juried. Typically, between 60-70 works are selected for exhibit in the exhibition. The 2019 juror is Dan Leers, Curator of Photography, Carnegie Museum of Art in Pittsburgh, PA. The Public Opening & Awards Ceremony will take place Saturday, April 6, 2019,  from 6-8 pm. The exhibition will run from April 6 through Saturday, April 27.

Juror: Dan Leers, Curator of Photography, Carnegie Museum of Art, Pittsburgh. PA.

Application Requirements and Restrictions
Maximum 6 entries per photographer. (No maximum per category.)
All artwork must be for sale, have been created by the submitting artist within the past three (3) years, and may not have been previously exhibited at the Allegany Arts Council’s Galleries.

Categories and Descriptions

  • Category 1: Color
    Two-dimensional photographic works of art printed in color on any medium/substrate (paper, canvas, metal, etc.) and using any process (wet darkroom, computer, etc), max 48” in width, professionally presented and wired for hanging.
  • Category 2: Monochrome/Black and White
    Two-dimensional photographic works of art printed in black and white or monochrome on any medium/substrate (paper, canvas, metal, etc.) and using any process (wet darkroom, computer, etc), max 48” in width, professionally presented and wired for hanging.
  • Category 3: Experimental
    Three-dimensional artwork comprised of one or more of the artist’s photographic images. Texture on the surface of a two-dimensional image is not enough to include it in this category. The artwork can combine other media, but must be fundamentally photography-based. The work must be ready for display; free-standing, placed on a pedestal, or wired for hanging. Overall size may not exceed 48 inches in any dimension and weight may not exceed 30lbs. If needed, standard electrical AC power (60Hz, 120V) is available. To best represent the work, we encourage the artist to submit a short video under 5MB or a single image incorporating multiple views of the artwork. This category is about presenting photography in a non-traditional way.

Entry Fee
(Allegany National Photographic Competition and Exhibition – Cumberland 2019 (up to two entries)): $30.00
Media Fee (per sample over minimum): $15.00″

Allegany National Photography Competition and Exhibition – Cumberland 2019
9 N. Centre St.
Cumberland, MD 21502

For the full prospectus and to apply visit: https://artist.callforentry.org/festivals_unique_info.php?ID=6079.

Deadline February 15th: CPW’s Photography Now 2019

“ELIGIBILITY
CPW’s annual Photography Now exhibition celebrates the plurality of photography. All photographic techniques and approaches are welcome, from analog to digital, fine art, directorial, narrative, documentary, political, social justice, identity, portrait, landscape, still life, mixed media incorporating photography, photographic installations, digital imaging and collage! Submissions are accepted from all over the world. Professional, amateur, and student artists are all welcome to apply. Over $2,500 in prizes will be awarded!

PHOTOGRAPHY NOW 2019 JURORS:

  • Maurice Berger is a writer, cultural historian, and curator whose work focuses on the intersection of race and visual culture. He is research professor and chief curator at the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County.
  • Marvin Heiferman, a curator and writer, has organized exhibitions, web-based projects, and publications about photography and visual culture for institutions including the Museum of Modern Art, Smithsonian Institution, International Center of Photography, Whitney Museum of American Art, P.S. 1 Museum, Carnegie Museum of Art, and the New Museum.

PRIZES

  • Director’s Choice Purchase Award: One photograph will be selected by the Executive Director and purchased for CPW’s Permanent Print Collection.
  • Jurors’ Choice Award
  • Visitors’ Choice Award
  • Honorable Mentions [x3]

SUBMISSION REQUIREMENTS
No submissions will be accepted outside of the online submission process. We have lowered our General Entry Fee this year, thereby extending to all applicants the discount that was previously given to students, seniors and members.

  • ENTRY FEE $40: Please submit 5 JPGs, 2000px on longest side.
  • Up to 10 additional images: $5 each
  • Bio (max: 200 words)
  • Artist Statement (max: 250 words)

Exhibition print sizes will not determine eligibility, however they will be considered when selecting the number of framed pieces that will be included in the exhibition. Accepted works must be framed or ready to install for gallery exhibition, and shipped or delivered to CPW by October 1; exhibition takes place November 2019 through January 2020. Round trip shipping is the responsibility of the artist.”

For the full prospectus and to apply visit: https://www.cpw.org/connect/submissions/photography-now/.

DEADLINE January 23rd: 2019 Aperture Portfolio Prize

Aperture Foundation
Call for Submissions: 2019 Aperture Portfolio Prize
Deadline: Wednesday, January 23, 2019 at 11:59 PM EST
There is no fee to enter.

About Aperture Portfolio Prize
“The purpose of the Aperture Portfolio Prize is to identify trends in contemporary photography and highlight artists whose work deserves greater recognition. When choosing the first prize winner and runners up, Aperture’s editorial and curatorial staff look for innovative bodies of work that haven’t been widely seen in major publications or exhibition venues.

The first prize winner will be published in Aperture magazine and will receive a $3,000 cash prize and exhibition in New York. The winner and up to four runners up will be featured in an online gallery on aperture.org. All finalists are announced in the foundation’s e-newsletter, which reaches fifty thousand subscribers across the globe, including curators, critics, and members of the photography community. The winner and runners up may also be presented the opportunity to participate in the Aperture Foundation limited edition print program.

Juror information
The Aperture Portfolio Prize jury is comprised of Aperture’s experienced editors and curatorial staff. This year, the jury includes Chris Boot, executive director; Annette Booth, director of exhibitions management; Charlotte Chudy, editorial assistant of books; Brendan Embser, managing editor of Aperture magazine; Michael Famighetti, editor of Aperture magazine; Annika Klein, assistant editor of Aperture magazine; Taia Kwinter, managing editor of the book program; Amelia Lang, associate publisher of the book program; Samantha Marlow, associate editor of books; Lesley A. Martin, creative director; Kellie McLaughlin, director of the limited-edition print program; and Denise Wolff, senior editor of books.

Submission Requirements

  • 1 Project with 10 to 15 photos
  • Project description with up to 1500 characters
  • Biography and CV
  • Special Requirements:
    – Entrants must be Aperture Magazine print subscribers.
    – Work must be made within the past 5 years. Ongoing projects will be accepted.”

Visit https://contests.picter.com/aperture/portfolio-prize-2019 for the full prospectus and to apply.

Deadline: January 21st: MACK First Book Award 2019

MACK
Call for Submissions: First Book Award 2019
Deadline: Received by 21 January 2019

“The First Book Award is a photography publishing prize open to photographers who have not previously had a book published by a third party publishing house (this does not include self-published print on demand projects).

The award was established in 2012 to support emerging photographers. The call for submissions emphasises a predilection for projects conceived in book form: works that find a voice through the book.

From 2012 to 2018, the award was not an open submission; each year, a diverse array of international nominators were asked to recommend suitable projects.

Submissions for the First Book Award 2019 are not limited to nominated projects and the award is open to all emerging artists who wish to submit a coherent book project. Please see the Submission Guidelines page for further details.

Previous winners include: Anne Sophie Merryman (2012), Paul Salveson (2013), Joanna Piotrowska (2014), Ciarán Óg Arnold (2015), Sofia Borges (2016) and Emmanuelle Andrianjafy (2017).

GUIDELINES

The First Book Award is a photography prize for photographers and artists who have not previously had their work published by a third party publishing house. This does not include self-published books or print-on-demand projects.

  • Submissions must consist of coherent book projects and not portfolios of images in book form.
  • Any text within the book must be supplied with an English translation.
  • All submissions must be received as paper book dummies. Digital submissions in the form of PDFs, ebooks or apps will not be considered.
  • All submissions must either be unpublished or self-published book projects. Books that have already been published by a third party publishing house will not be considered.
  • Submissions received after January 21, 2019 will not be considered for the prize.

Please include your current email address, contact details and address as part of your submission.

Book dummies will only be returned if packaging and prepaid postage is included. Books will be returned in April 2019, after the shortlist has been announced. Neither MACK nor any of the sponsors will be held responsible for loss or damage to books submitted.

Please send submissions to: First Book Award, MACK, Studio E, Ground Floor, Emperor House, Dragonfly Place, London SE4 2FL

For all enquiries: fba@mackbooks.co.uk.

AWARD

  • A panel of judges will together assess all submitted dummies, shortlisting ten. From the shortlist, a single project will be chosen as the winner to be published by MACK.
  • The winning project will be announced at the opening of Photo London at Somerset House, London, in May 2019 and the book will be published in time for that announcement.
  • The winning artist will exhibit their work in a special display devoted to their work at Photo London 2019, in an exhibition to coincide with the award announcement.

JUDGES

  • Sarah Allen
    Sarah Allen is a photography specialist. She is Assistant Curator at Tate Modern where she curates displays and exhibitions as well as researching acquisitions for the international collection. Her most recent project was Shape of Light: 100 Years of Photography and Abstract Art. She has also curated the Deutsche Börse Photography Prize nominated presentation of Mark Ruwedel at Tate (2018) as well as Martin Parr (2018), Workers Photography (2018), Daido Moriyama (2017), Kaveh Golestan (2017) and Gyorgy Kepes (2017). She has a specialist focus on photobooks and is curator of the Martin Parr photobook collection.
  • Emma Bowkett
    Emma Bowkett is Director of Photography at the Financial Times FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine for the 2010 re-launch. Emma has curated exhibitions for the Triennale der Photographie Hamburg, Peckham 24 in London and in 2018 co-curated PhotoEast festival. She is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs and awards.
  • Stanley Wolukau-Wanambwa
    Stanley Wolukau-Wanambwa is a photographer and a writer who has contriubted essays to publications by Vanessa Winship, George Georgiou, Rosalind Fox Solomon, Marton Perlaki and Paul Graham. He has been an artist-in residence at Light Work, guest edited the Aperturn Photobook Review, and written for Aperture, FOAM, the Barbican, The Photographer’s Gallery and Rutgers University Press. His debut monograph, One Wall a Web, was published by ROMA Publications in 2018. He has lectured at Yale, Cornell, New York University and The New School.
  • Polly Fleury
    Polly Fleury is Director of Special Projects at the Wilson Centre for Photography where she works closely with museums, artists, galleries and publishers bringing historical and contemporary photography to public view.
  • Michael Mack
    Michael Mack is the publisher of MACK.”

For the full prospectus and to view past winners visit: www.firstbookaward.com

Deadline Extended to June 29th: Critical Mass

Photolucida
Call for Entries: Critical Mass
Deadline Extended: Friday, June 29, 2018 at noon PST
Fee: $75

“Critical Mass began as a way to help photographers get their work into the conversation. In-person portfolio review events are a bigger expense and time commitment. We wanted to create an online platform that would make it easier and more efficient for photographers to promote their work to a wide selection of professionals in the field.

Critical Mass gets photographers’ work in front of 200 top museum curators, gallerists, publishers, editors, and media producers. That’s a lot of eyes. As an individual photographer, it’s difficult to make connections with professionals at this level – much less with 200 of them. In Critical Mass, photographers (from anywhere) submit a 10-image portfolio. The 200 finalists who proceed past the first, pre-screening round then have their work reviewed and voted on by the full panel of 200 jurors. It’s an unprecedented way to get your work in front of the right people!

We are again extending merit-based scholarships to MFA program students, after receiving suggestions from Photography program faculty. The work of these students will be in the finalist category of Critical Mass. (Deadline to send nominations June 7th!)

Critical Mass works.

The professionals chosen for the Critical Mass jury are continually looking for new work. Every year, we hear a flurry of success stories. Curators report back with lists of photographers they’ve given exhibitions to. Photographers email us about photo editors who have highlighted their work in the media. Museum professionals tell us about artists they’ve added to their collections. Career-building connections happen in Critical Mass.

Finalists’ Round
Photographers selected for the finalists round pay an additional $200. Their work is then sent on to the full panel of 200 jurors. All finalists receive a print of their choice offered through the Critical Mass Print Collecting Initiative!

Before you register, please read the Entry Guidelines to learn how to prepare your submission. Then, visit the Critical Mass registration page to submit your work!”

For the full prospectus with list of prizes, past Top 50 finalists and winners, and to apply visit: www.photolucida.org/critical-mass.

Deadline TODAY, June 5th: The Michael P. Smith Fund for Documentary Photography

New Orleans Photo Alliance
Call for Entries: The Michael P. Smith Fund for Documentary Photography
Deadline: Tuesday, June 5, 2018

2018 GRANT GUIDELINES
The Michael P. Smith Fund for Documentary Photography (MPS Fund) was created by the New Orleans Photo Alliance (NOPA) to honor the life and work of Michael P. Smith, one of New Orleans’ most legendary and beloved documentary photographers. The MPS Fund awards cash prizes and exhibition opportunities to Gulf Coast photographers whose work combines artistic excellence and a sustained commitment to a cultural documentary project.

JUROR: Gregory Harris, Assistant Curator of Photography, High Museum of Art

MPS 2018 Award Details: $5,000 cash award | Featured exhibition in the NOPA Gallery | online exhibition permanently archived on the NOPA website.

ELIGIBILITY
Both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida are eligible to apply for the MPS Fund’s annual grants. The subject matter for the proposed project is not limited to the Gulf Coast geographic region but the photographers main residence must be within these 5 states.”

For the full prospectus and to see previous MPS winners visit: http://neworleansphotoalliance.org/photography-grants-new-orleans/.

Deadline June 12th: The Print Center 93rd Annual International Competition

The Print Center
Call for Entries: 93rd Annual International Competition
Deadline: Tuesday, June 12, 2018
Entry Fee: $45 for 5 images

“The Print Center is very pleased to announce the 93rd ANNUAL International Competition juried by José Diaz and Lisa Sutcliffe. Diaz is the Chief Curator at The Andy Warhol Museum, Pittsburgh. Lisa Sutcliffe is the Curator of Photography and Media Arts, Milwaukee Art Museum.

The ANNUAL is one of the oldest and most prestigious competitions in the United States. The Print Center is particularly interested in highlighting local, national and international artists who utilize photography and printmaking in new and intriguing ways, both in content and process.

Any artist using Photography and/or Printmaking as critical components in their work can enter. Artists whose work pushes the boundaries of traditional photographic and printmaking practices are encouraged to enter.

Jurors:

  • José Diaz is the Chief Curator at The Andy Warhol Museum, Pittsburgh.
  • Lisa Sutcliffe is Curator of Photography and Media Arts at the Milwaukee Art Museum.”

To view the full prospectus or submit visit: http://printcenter.org/100/93rd-competition.

Deadline June 1st: Philadelphia Photo Arts Center Contemporary Photography Competition

Philadelphia Photo Arts Center
Call for Entries: Contemporary Photography Competition
Deadline: Friday, June 1, 2018
Entry Fee: $30 for a maximum of 10 images

“Two artists will win $5,000 each and concurrent solo exhibitions from April 11, 2019 – May 25, 2019. PPAC understands that contemporary photography takes many forms, and we are open to all photography, digital imaging, film/video, and lens-based installation work.

Juror: Lucy Gallun, Assistant Curator, Department of Photography, The Museum of Modern Art”

For the full prospectus and to submit visit: philadelphiaphotoartscenter.submittable.com/submit.

Deadline May 31st: The Photo Review 34th Annual International Photography Competition

The Photo Review
Call for Entries: 34th Annual International Photography Competition
Deadline: Thursday, May 31, 2018

“This year’s Photo Review International Photography Competition will be juried by Sarah Meister, Photography Curator, Museum of Modern Art, New York. The Photo Review Competition enables thousands of people across the country to see the accepted work in our 2018 competition issue and on our website. Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. And Forrest Old, director of the Red Filter Gallery, will select a photographer for a one-person show at the online gallery.

Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines, and have sold their work to collectors throughout the country.

An entry fee of $35 for up to three images and $8 for each additional image, entitles all entrants to a copy of the full-color catalogue. In addition, all entrants will be able to subscribe to The Photo Review for $36, a 20% discount. (Higher rates apply for non-US subscribers.)”

For the full prospectus and to apply visit: www.photoreview.org/wordpressindex/2018-competition.

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