Tag: documentary photography

Deadline November 18th: Open Society ” Moving Walls 23: Group Exhibition”

Open Society Foundations
Call for Submissions: Moving Walls 23: Group Exhibition
Deadline: Tuesday, November 18, 2014

“The Open Society Documentary Photography Project is soliciting proposals for our next exhibition, Moving Walls 23, opening in June 2015 at Open Society Foundations–New York.

We are seeking photo-based documentary projects that address a social justice or human rights issue in any region where the Open Society Foundations are active.

Since 1998, Moving Walls has showcased over 200 photographers in 22 group exhibitions—at our offices in New York, Washington, D.C., and London—that align with the Open Society Foundations’ mission to advance human rights and social justice.

Eligibility Criteria
  • Any emerging or veteran photographer who is working long-term to document a human rights or social justice issue may apply for Moving Walls.
  • We welcome all applicants, and especially encourage those from underrepresented groups (e.g., applicants from Asia, Africa, Eastern Europe, Latin America and the Caribbean, and the Middle East; people representing marginalized groups; and women). All submissions will be considered. The Open Society Foundations does not discriminate based on any status that may be protected by applicable law.
Purpose and Priorities

We are particularly interested in work that provides a fresh perspective and expands the visual language of documentary photography. Therefore, we invite photographers and artists to submit documentary-based work that uses new or creative visual strategies, investigative/storytelling approaches, or technologies. We seek applicants who reflect a diversity of global perspectives, especially those that are under-represented in mainstream narratives and media. Five to six projects will be selected.

We will cover the cost of: printing/framing; $2,500 participation fee; travel cost reimbursement/coverage to attend the opening reception and related events (attendance required); and return shipment of photographs.”

For the full prospectus visit: www.opensocietyfoundations.org/grants/moving-walls.

Deadline December 3rd: PhotoPhilanthropy Activist Awards

PhotoPhilanthropy
Call for entries: Activist Awards
Wednesday, December 5, 2014, midnight PST

“PhotoPhilanthropy believes in the power of photography to inspire hope and understanding and to connect people around the world. The Activist Awards have been established to emphasize the important role of high quality documentary photography and visual storytelling as a vehicle to create meaningful impact and social change.

Photo essays must be entered into one of two categories:

  • Professional Photographer –  $15,000 Grand Prize: Any individual who earns the majority of their living from photography.
  • Emerging Photographer – $5,000 Grand Prize: Any individual who does not earn the majority of their income from photography.

Submission Guidelines
In order to reflect current issues, photographs in the essay must have been taken within the last three years. Long-term projects will be accepted as long as the majority of the photographs were taken within the last three years.

Each photographer may enter up to two essays, and although they can be completed in collaboration with the same nonprofit, the subject matter must be different. Essays entered in previous years may not be resubmitted.”

For the full prospectus and to apply visit photophilanthropy.org/award/submission-guidelines.

Deadline November 18th: Open Society “Moving Walls 23: Group Exhibition”

Open Society Foundation
Call for Entries: Moving Walls 23: Group Exhibition
Deadline: Tuesday, November 18, 2014 at 5:00 pm EST

“The Open Society Documentary Photography Project is soliciting proposals for our next exhibition, Moving Walls 23, opening in June 2015 at Open Society Foundations–New York.

We are seeking photo-based documentary projects that address a social justice or human rights issue in any region where the Open Society Foundations are active.

Since 1998, Moving Walls has showcased over 200 photographers in 22 group exhibitions—at our offices in New York, Washington, D.C., and London—that align with the Open Society Foundations’ mission to advance human rights and social justice.

Eligibility Criteria

  • Any emerging or veteran photographer who is working long-term to document a human rights or social justice issue may apply for Moving Walls.
  • We welcome all applicants, and especially encourage those from underrepresented groups (e.g., applicants from Asia, Africa, Eastern Europe, Latin America and the Caribbean, and the Middle East; people representing marginalized groups; and women). All submissions will be considered. The Open Society Foundations does not discriminate based on any status that may be protected by applicable law.

Purpose and Priorities
We are particularly interested in work that provides a fresh perspective and expands the visual language of documentary photography. Therefore, we invite photographers and artists to submit documentary-based work that uses new or creative visual strategies, investigative/storytelling approaches, or technologies. We seek applicants who reflect a diversity of global perspectives, especially those that are under-represented in mainstream narratives and media. Five to six projects will be selected.

We will cover the cost of: printing/framing; $2,500 participation fee; travel cost reimbursement/coverage to attend the opening reception and related events (attendance required); and return shipment of photographs.

Guidelines
Download and review the full application instructions at www.opensocietyfoundations.org/grants/moving-walls, and then submit your application online at: apply.movingwalls.org/23.

REMINDER Deadline September 15th: CDS/Honickman First Book Prize in Photography

Center for Documentary Studies at Duke University | The Honickman Foundation
Call for Entries: CDS/Honickman First Book Prize in Photography

Deadline: Monday, September 15, 2014, 11:59 pm EDT
Entry Fee: $70

Center for Documentary Studies (CDS) at Duke University and The Honickman Foundation (THF), based in Philadelphia, co-sponsor this prestigious biennial prize for American photographers. The only prize of its kind, the CDS/Honickman First Book Prize in Photography competition is open to North American and Canadian photographers of any age who have never published a book-length work and who use their cameras for creative exploration, whether it be of places, people, or communities; of the natural or social world; of beauty at large or the lack of it; of objective or subjective realities. The prize honors work that is visually compelling, that bears witness, and that has integrity of purpose.

Winners of the CDS/Honickman First Book Prize in Photography receive a grant of $3,000, publication of a book of photography, and inclusion in a website devoted to presenting the work of the prizewinners. The winner will also be given a solo exhibit at the Center for Documentary Studies and the photographs will then be placed in the Archive of Documentary Arts in Duke University’s Rubenstein Library.

Judges
Sandra S. Phillips
, senior curator of photography at SFMOMA, will judge the seventh biennial CDS/Honickman First Book Prize in Photography competition in 2014.

Joshua Chuang, Chief Curator of the Center for Creative Photography at the University of Arizona, will serve as panel judge for the selection committee that chooses the semifinalists and finalists for the prize.

For the full prospectus and to learn more about the prize visit: firstbookprizephoto.com.

June 21st, Woodstock, NY: Artist Talk by Ron Haviv

RonHaviv

© 2014 Ron Haviv

Center for Photography at Woodstock
Artist Talk by Ron Haviv
Saturday, June 21, 2014 at 8:00 pm
Admission: $7 | $5 members, seniors, students

“Award-winning photojournalist Ron Haviv has produced images of some of the most important conflict and humanitarian crises that have made headlines around the world. Numerous museums and galleries have featured his work, including The Louvre, United Nations, and The Council on Foreign Relations. Co-founder of the photo agency VII, his work is published by magazines worldwide.

He has published three critically acclaimed collections of his photography: Blood and Honey: A Balkan War Journal, Afghanistan: On the Road to Kabul and Haiti:12 January 2010. Haviv has been the central character in three films including National Geographic Explorer’s Freelance in a World of Risk that explores the hazards inherent in combat photography. In addition, Haviv regularly speaks about his work on television and radio such as ABC World News Tonight, NBC Nightly News, The Charlie Rose Show, Good Morning America, BBC, CNN and NPR.

Presented in conjunction with with Ron Haviv’s workshop Finding Your Visual Voice in Photojournalism. To learn more click here.

CPW
59 Tinker Street
Woodstock, New York 12498  [map]
Phone: 845-679-9957

Deadline September 15th: CDS/Honickman First Book Prize in Photography

Center for Documentary Studies at Duke University | The Honickman Foundation
Call for Entries: CDS/Honickman First Book Prize in Photography

Deadline: Monday, September 15, 2014, 11:59 pm EDT
Entry Fee: $70

Center for Documentary Studies (CDS) at Duke University and The Honickman Foundation (THF), based in Philadelphia, co-sponsor this prestigious biennial prize for American photographers. The only prize of its kind, the CDS/Honickman First Book Prize in Photography competition is open to North American and Canadian photographers of any age who have never published a book-length work and who use their cameras for creative exploration, whether it be of places, people, or communities; of the natural or social world; of beauty at large or the lack of it; of objective or subjective realities. The prize honors work that is visually compelling, that bears witness, and that has integrity of purpose.

Winners of the CDS/Honickman First Book Prize in Photography receive a grant of $3,000, publication of a book of photography, and inclusion in a website devoted to presenting the work of the prizewinners. The winner will also be given a solo exhibit at the Center for Documentary Studies and the photographs will then be placed in the Archive of Documentary Arts in Duke University’s Rubenstein Library.

Judges
Sandra S. Phillips
, senior curator of photography at SFMOMA, will judge the seventh biennial CDS/Honickman First Book Prize in Photography competition in 2014.

Joshua Chuang, Chief Curator of the Center for Creative Photography at the University of Arizona, will serve as panel judge for the selection committee that chooses the semifinalists and finalists for the prize.

Eligibility
The CDS/Honickman First Book Prize in Photography is open to North American citizens of any age who have yet to publish a book-length work, defined as a publication that focuses on the photographer’s work, contains more than 30 of the photographer’s images, and is sold through conventional book distribution channels.

The prize’s focus is on creating an opportunity for photographers who are engaged in the creation of a continued, active, and vital body of work to publish a first book. To this end, photographers who have a self-published, print-on-demand, or limited-edition book (with a print run of 100 copies or more) that is currently being promoted and sold on the Internet are not eligible for the award.

If you have self-published or been published in a limited edition, we require that you disclose this information in your artist’s statement and biography and send a copy of the publication. We additionally request that you submit an entirely new body of work for consideration or that no more than 5 images from the originally published body of work are included in the 40 images you submit.

Submission Guidelines
Submit applications and payment online to fbp.slideroom.com:

  • 40 photographs drawn from an ongoing or recently completed project, which represent a coherent body of work suitable for publication. At least twenty-five of these images must have been made within the last three years (from 2010 on). Those who have submitted work in a previous competition should be sure to include at least twenty new images in their application.
  • 1-page document with all 40 captions. Please include a separate caption list for all 40 images that provides information on where and when the picture was made.
  • 1-page artist’s statement. Provide context for the forty images, describe the larger body of work, including how long the project has been in progress, and how the photographs constitute a potential book.
  • 1-page biography or CV.”

For the full prospectus and to learn more about the prize visit: firstbookprizephoto.com.

Deadline May 31st: The Eddie Adams Workshop

Eddie Adams Workshop: Barnstorm XXVII
Applications due: Saturday, May 31, 2014

Application fee: $50

“The Eddie Adams Workshop is an intense four-day gathering of the top professionals in photojournalism, along with 100 carefully selected students. The Workshop’s purpose is to create a forum in which an exchange of ideas, techniques, and philosophies can be shared between both established members and newcomers of the profession of picture journalism. The Workshop is tuition-free, and 100 students are accepted based on the merit of their portfolios from a pool of college students, professionals with 3 years or less experience, and U.S. military photographers.”

This year’s workshop will be October 10-13, 2014 in Jeffersonville, New York.

Click here for the application.

May 31st, NYC: Artist Talk & Opening Reception: Ruben Natal-San Miguel “NYC: Concrete Jungle”

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© 2014 Ruben Natal-San Miguel

En Foco
Artist Talk & Opening Reception by Ruben Natal-San Miguel,
NYC: Concrete Jungle
Saturday, May 31, 2014, 2:00-3:00
Reception: 3:00-4:00

Ruben Natal–San Miguel work has been widely exhibited and published. His work is mostly focused on the ongoing gentrification throughout the five boroughs of New York City and the documentation of the eminent loss of street life and traditions that were part of the various city neighborhoods.”

The exhibition will be on view until June 20, 2014.

Washington Heights Branch/NYPL
1000 St. Nicholas Avenue @ 160th Street
New York, NY 10033
tel: 212-923-6054

Deadline July 20th: Blue Earth Alliance Sponsorship

Blue Earth Alliance
Call for Submissions: Photographic Project Sponsorship
Deadline: Sunday, July 20, 2014

“Blue Earth sponsors documentary projects whose goal is to educate the public about critical environmental and social issues. We are primarily interested in work that is educational and informational in nature and will consider proposals of any geographic scope involving the photographic and motion picture mediums. Our standard contract sponsors the project for two years.

Blue Earth offers fiscal accountability to the projects we accept for sponsorship. As a non-profit organization with 501(c)3 status, Blue Earth is eligible to receive grants and tax-deductible contributions from private foundations, individuals, or other entities.

Along with this fiscal accountability, we also offer other services. When you join our community of visual storytellers, we offer mentorship throughout the life of your project sponsorship, publicity on our blog and newsletters, help with PR and marketing, and more depending upon individual needs.

We accept submissions for sponsorship twice each year, January 20th and July 20th. Materials must be received in our offices by the deadline. We announce recipients approximately two months later.”

For further details, previously and currently sponsored projects, and the application process visit: www.blueearth.org/projects/submit.cfm.

Deadline July 8th: Open Society Engagement Grant

Open Society Foundation
Call for Submissions: Audience Engagement Grant

Deadline: Tuesday, July 8, 2014 at 5:00 pm EDT

“The Open Society Documentary Photography Project invites proposals for the 2014 Audience Engagement Grant Program, revised and updated this year to include two tracks of support for project development and project implementation.

We are seeking documentary photographers, photo-based artists, and socially engaged practitioners who use their work to go beyond representing a human rights or justice issue to creating change.

Track One: Project Development
Grantees will receive funding to attend an Open Society–organized retreat in December of 2014. This event will be designed in collaboration with Creative Capital’s Professional Development Program, whose nationally recognized workshops provide participants with essential practical tools and strategies to help them move their project and career goals forward. Attendees will become part of a larger Audience Engagement Grant cohort, with opportunities to connect both during the conference and after.  Track One Guidelines PDF.

Track Two: Project Implementation
Grantees will receive funding to execute (or continue executing) their projects as well as attend December’s retreat. Track Two Guidelines PDF.

Eligibility Criteria

  • Documentary photographers, photo-based artists, and socially engaged practitioners who use their work to move target audiences beyond the act of looking, to directly participate in activities or processes that lead to change around an issue.
  • Individuals who establish meaningful partnerships with others committed to realizing change and who bring a complementary set of skills and expertise.
  • Projects that use photography or photo-based art creatively and innovatively to reach a project’s unique audience.
  • Projects with goals that are ambitious, yet realistic and achievable.

Guidelines
Download and carefully review each track’s guidelines here for more detailed information on eligibility and criteria. Submit your applications online at: osf.submittable.com/submit.

If you have questions about which track you should apply for, or if your project is eligible, please contact Anna Overstrom-Coleman at: anna.overstrom-coleman@opensocietyfoundations.org (include the subject line: “Audience Engagement Grant”).

We will hold a webinar information session on Monday, May 19, 2014. Please check our Facebook page in early May for more details on this event.”

View the full prospectus at www.opensocietyfoundations.org/grants/audience-engagement-grant.

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