Tag: documentary photography
New York Times Lens Blog | CUNY’s Graduate School of Journalism
Call for Submissions: Fourth Annual New York Portfolio Reviews
Deadline: Thursday, February 4, 2016 at 11:59 PM EDT
Submission Fee: NONE
“Applications are now open for the Fourth Annual New York Portfolio Review, sponsored by the New York Times Lens blog and the City University of New York’s Graduate School of Journalism. And it’s free — because we think that it should be the quality of the work that matters, not how much money you have.
This will be an opportunity for people in the photographic community to meet, trade ideas, help each other — and have fun.
Saturday, April 2, will be for all photographers 21 and older. Each participant will receive six private critiques. Sunday, April 3, will be solely for photographers 18 to 27 and will consist of at least four private critiques for each participant, as well as workshops on how to best present, promote and publish your photographs. We will screen all applicants and choose 100 participants for Saturday and 50 for Sunday. All kinds of photographic work — from fine art to photojournalism — are encouraged.
To enter, submit no more than 20 photos total, from one or two projects. The files should be jpegs, 1200 pixels across and 72 D.P.I. We will inform those who are accepted by March 1st.
Please note: Photographers who attended last year’s review are not eligible to apply this year. Photographers who attended two or three years ago can apply for this year’s review, but they must submit new work and expectations will be higher.”
For the complete prospectus and to submit go to: http://lens.blogs.nytimes.com/2016/01/14/fourth-annual-new-york-portfolio-review.
“The CDS Documentary Essay Prize honors the best in documentary photography and writing in alternating years: one year, photos; one year, writing. The focus is on current or recently completed work (within the last two years) from a long-term project—fifteen images; fifteen to twenty pages of writing.
The upcoming prize competition will be for photography. The winner of the competition will receive $3,000 and will have his or her work featured in Document, a periodical published by the Center for Documentary Studies, as well as on the Center’s website. The winner’s work will also be placed in the Archive of Documentary Arts at the Rubenstein Library, Duke University.
The 2014 prize, for photography, was given to Iveta Vaivode for “Somewhere on a Disappearing Path,” in which she explores the rural landscape and, perhaps, the last inhabitants, of Pilcene, Latvia, to create a new family album, one full of images of memories she’s imagined.
You will be asked to provide the following:
- 15 film or digital photographs in original format (for example, 35mm, 4×5, or 8×10.)
Please label scans with title, year, and format.
- 1-page statement in pdf format
Please provide context for the photographic essay you are submitting, including the duration of your project and whether it is completed or ongoing. Describe your intentions for the work. Also, if some of your images have been published together in essay form, please include information about where and when they appeared, and how the essay as submitted for the competition is different (or not).
- 1-page biography or C.V. in pdf format
- $35 entry fee
Applicants upload work and submit payment online to http://dukearts.slideroom.com from November 2, 2015, to February 16, 2016. We do not accept submissions through postal services or email.
For the full prospectus, previous award recipients, and FAQs visit: http://documentarystudies.duke.edu/awards/cds-documentary-essay-prize.
Deadline: Sunday, November 15, 2015
“TheDocumentaryProjectFund, a 501(c)(3) dedicated to improving communities through photography, would like to announce its Fall 2015 Fall Call for Entries. Applications will be accepted from October 1, 2015 through November 15, 2015. Two awards will be given:
- A $5000 award to an established photographer
- A $3500 Emerging Vision Award will go to a photographer who is either in the beginning stages of a career or undergoing a career transition.
We are looking for talented documentary photographers proposing visually exciting, issue oriented projects within or around their communities.
For more information and to apply visit: thedocumentaryprojectfund.org.”
“The Clarence John Laughlin Award was instituted by the New Orleans Photo Alliance (NOPA) in 2010 to support the work of photographers who use the medium as a means of creative expression. It honors the life and work of Clarence John Laughlin (1905-1985), a New Orleans photographer best known for his surrealist images of the American South. The Clarence John Laughlin Award grants one $5000 prize annually to a photographer whose work exhibits sustained artistic excellence and creative vision.
Both emerging and established photographers residing in the U.S. may apply. The New Orleans Photo Alliance invites photographers working in all mediums, styles, and schools of thought to apply. Still images made from all photographic processes, both traditional and digital will be considered. There are no restrictions on subject matter or genres. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal and emotional statements are all welcome. Still photography or photographic techniques should be integral to the works submitted.
- $25 application fee, to be directed through Paypal immediately after your application has been successfully uploaded.
- A portfolio of 10 – 20 images. Images can originate in any format but must be submitted digitally through our online application process.
- Each image submitted should be in jpeg format, 12 inches on the longer side, sized at 72 pixels per inch, saved at the highest setting available (usually 10 or 12). Name your files with your last name then first name and image title using underscores to separate. Example: Doe_Jane_ImageTitle.jpg
- Each image submitted will also require a title, dimensions, materials (specifying print medium, i.e. toned silver gelatin print) and year created. Each image file and its accompanying information will be entered and uploaded one at a time. You will have the opportunity to review and rearrange the sequence of your portfolio after all files have been uploaded.
- A concise description of work, limited to 260 characters maximum, which will be visible to the juror alongside your image portfolio.
- A written statement explaining your images, process and intent, 500 words maximum. A Word document should be copied and pasted into the appropriate area at the beginning of the application form.
- Biography or resume/CV. A Word document file should be copied and pasted into the appropriate area at the beginning of the application form.”
For the full prospectus and to apply visit: http://neworleansphotoalliance.org/grants/CJL_Award/guidelines.php.
“LensCulture’s Emerging Talent Awards 2015 is our 3rd annual call to discover the world’s best emerging photographers. Our international jury will select 50 outstanding emerging photographers — from all cultures, all points of view, with no age limit.
We invite you to enter one of the best opportunities for career-changing exposure to our global audience of over 1.4 million, worldwide recognition, an exhibition in San Francisco, projections at photo festivals worldwide, $20,000 in grants, and much more.
- Jennifer Blessing, Senior Curator of Photography, Guggenheim
- Jon Jones, Director of Photography, The Sunday Times Magazine
- María García Yelo, Deputy Director, PhotoEspaña
- Ada Takahashi, Principal, Robert Koch Gallery
- Sacha Lecca, Deputy Photo Editor, Rolling Stone Magazine
- Todd Hido, Photographer
- Mary Virginia Swanson, Advisor to Artists and Arts Organizations
- Jim Casper, Editor-in-Chief, LensCulture”
For the full prospectus and to submit, visit: www.lensculture.com/emerging-talent-awards-2015.
“The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s concerned photography and dedicated compassion exhibited during his 45-year career as a photographic essayist.
The Smith Grant was established in 1978 following the death of Gene Smith, the legendary American photo essayist. It is today the most prestigious honor in documentary photography. Every year it recognizes a photographer who has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smith’s concerned photography and dedicated compassion.
The W. Eugene Smith Memorial Fund, INC., a not-for-profit corporation qualified under Section 501(c)(3) of the Internal Revenue Code, independently administers the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays. For 2013, the amount of the grant will be $30,000. An additional $5,000 in fellowship money will be dispersed, at the discretion of the jury, to one or more finalists deemed worthy of special recognition. Awards will be presented in a ceremony held in New York City in early October 2015.
The Fund’s Board of Trustees appoints a three-member international jury every year. The jury meets twice. At its first session it reviews all the applications and proposals, and selects finalists primarily on the basis of the substantive (and intellectual) merit of their project. The finalists are only then asked to submit a comprehensive photographic print portfolio, to write (if necessary) a more detailed and focused proposal, and to answer questions about their project.
At its second session, the jury reviews the new materials and proceeds to select the grant recipient and the beneficiaries of the fellowship money.
You must register on this website by clicking the ‘Apply for Grant’ link on the side navigation. There is a $50 fee for grant consideration. No preliminary materials will be returned. Applicants should submit:
- A Bio and/or CV submitted as a PDF not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add CV.
- The Project Proposal submitted as a PDF and not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add PP. This proposal should be titled and lead with a one paragraph executive summary of the project. The proposal following should be concise, journalistically realizable, visually translatable, and humanistically driven. The applicant must affirm that the proposed project is ongoing.
- IMAGES: Applicants can submit up to 40 images total. These should consist of representative images from the project being proposed to the W. Eugene Smith Fund. The applicant can include in his/her submission, past work that represents the candidate’s vision and his or her ability to execute the project being proposed to the fund. The images must conform to the following specifications: JPEG files with 1500 pixels on the long dimension saved at 72 dpi. Name the files with your first and last name and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg.”
For the full prospectus, grant requirements, and to apply visit: http://smithfund.org/eugene-smith-grant.
“LensCulture Earth Awards 2015 is a worldwide call for photography focused on nature, the environment, wildlife, landscape, conservation, sustainability, and how we live on the planet. We are awarding $25,000 in cash grants as well as many video projections at international photo festivals, visibility with LensCulture Insiders, a Printed Annual and more. These awards are open to a wide range of interpretations and approaches — from fine art celebrations of the beauty and wonders of nature, to hard-hitting in-depth documentary issues-based stories. Photography is a rich visual language that can express diverse perspectives in powerful, memorable ways. What is YOUR view of life on Earth today?
- $25,000 in cash awards plus opportunities for entrants to earn global recognition amongst today’s top photographers working on the subject of Earth.
- Video projections for Winners and Finalists at international photo festivals around the world.
- Direct visibility to our distinguished group of over 500 LensCulture Insiders from the photo industry: curators, gallerists, editors, creative directors and publishers.
- Opportunities for inclusion in the Earth Awards Competition Gallery, curated daily by our editors
Eligibility & Fees
The 2015 LensCulture Earth Awards invites all photographers whose work has a thematic focus on images inspired by our planet. 9 Top Winners plus 25 Finalists will receive significant opportunities to broaden their exposure in the global photography community.
Submit your best series or single images of all genres inspired by the planet — fine art, nature, landscape, documentary, environmental, wildlife, travel or conceptual.
- related series, up to 10 images: $60 USD
- Single image, 2-3 images: $45 USD
- Single image: $20 USD”
To read the full prospectus, see the list of judges and to apply visit: www.lensculture.com/earth-awards-2015.
“The year 2010 marked the twentieth anniversary of the Dorothea Lange-Paul Taylor documentary prize. First announced a year after the Center for Documentary Studies’ founding at Duke University, the prize was created to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.
In 2011, in recognition of the changing environment in which documentary artists conduct their work, we decided to reframe the prize guidelines. The relaunched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work.
The updated guidelines expand on the idea of “writing” by allowing words to be represented by audio or in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.
The new guidelines require that artists have already started their fieldwork and have collected representative samples of the project’s component parts. However, please note, the guidelines no longer stipulate that a writer and a photographer collaborate on a project. Single artists or collaborative teams working with text/audio/photographs/video/graphic novel format may apply.
The winner receives $10,000, a solo exhibition at the Center for Documentary Studies, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.”
For the complete overview and details on how to enter, visit: documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize/how-to-enter.
“The Michael P. Smith Fund for Documentary Photography (MPS Fund) was created by the New Orleans Photo Alliance (NOPA) to honor the life and work of Michael P. Smith, one of New Orleans’ most legendary and beloved documentary photographers. The MPS Fund awards one $5,000.00 grant annually to a Gulf Coast photographer whose work combines artistic excellence and a sustained commitment to a long-term cultural documentary project.
Both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida are eligible to apply for the MPS Fund’s annual $5,000.00 grant. The subject matter for the proposed project is not limited to the Gulf Coast geographic region.
Emma Reynes, Director of Programs at the Magnum Foundation.
The main criteria for selection will be the strength of the applicant’s portfolio and a written project statement (maximum of 530 words). The portfolio and statement should demonstrate the applicant’s commitment to a cultural documentary project.”
For the full prospectus and past award recipients visit: www.neworleansphotoalliance.org/grants/MPS_Fund/index.php.
For a PDF of the Submission Guidelines click here.
“We know how hard it is to be a photographer today and that every break counts. That’s why we are again putting together 150 photographers and 75 of the most influential editors, curators, gallerists and book publishers for two days of private photo critiques on April 11 and 12.
And … wait for it … it’s free.
Applications are now open for the Third Annual New York Portfolio review, sponsored by the New York Times Lens blog and the City University of New York’s Graduate School of Journalism. This will be an opportunity for people in the photographic community to meet, trade ideas, help each other — and have fun.
Saturday, April 11 will be for all photographers 21 and older, each of whom will receive six private critiques. Sunday, April 12 will be solely for photographers 18 to 27 and will consist of four private critiques for each participant, as well as talks by Santiago Lyon, director of photography for The Associated Press, on building an editorial portfolio, and by the photographer Phil Toledano on the creative process, as well as a panel on working with galleries. You can find a list of this year’s reviewers at the bottom of this page.
We will screen all applicants and choose 100 participants for Saturday and 60 for Sunday. All kinds of photographic work — from fine art to photojournalism — are encouraged.
Please note: Photographers who attended last year’s review will not be eligible to apply this year. Photographers who attended two years ago can apply for this year’s review, but they must submit new work and expectations will be higher.
To enter, send us no more than 20 photos total, from one or two projects, using the form here. The files should be jpegs, 1200 pixels across and 72 D.P.I. The deadline is Feb. 11 at 11:59 p.m. Eastern time. We will inform those who are accepted by March 4, 2015.”
View the full prospectus and apply at: http://lens.blogs.nytimes.com/2015/01/20/third-annual-new-york-portfolio-review/?_r=1.