Tag: Center for Documentary Studies

Deadline May 9th: Dorothea Lange–Paul Taylor Prize

Duke University | Center for Documentary Studies
Call for Submissions: Dorothea Lange–Paul Taylor Prize
Deadline: Monday, May 9, 2016
Fee: $65

“First announced in 1990, the Dorothea Lange–Paul Taylor Prize was created by the Center for Documentary Studies at Duke University to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.

In 2011, in recognition of the changing environment in which documentary artists conduct their work, the Center for Documentary Studies decided to reframe the prize guidelines. The re-launched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. The idea of “writing” has been expanded to allow words to be represented by audio and video or used in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.

The winner receives $10,000, features in Center for Documentary Studies’ print and digital publications, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.

Eligibility
The Lange-Taylor Prize is open to documentary artists of any age and nationality who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. Single artists as well as collaborative teams are eligible.

Submission Guidelines
Applicants upload portfolio and submit payment online to http://dukearts.slideroom.com:

  • 

Applicants may submit a portfolio of any combination of the below, for a maximum of 20 uploads:
    • Up to 19 images (photographs/graphics + text) in digital format from an ongoing project (jpg/pdf). Please label images with captions, to include title, year, format. and/or
    • Up to 15-pages of double-spaced writing (edited oral history, descriptive narrative, poetry) from an ongoing project in pdf format. Please include name, address, telephone number, and email address on the first page.
      Note: In the case of a combined pdf of writing and photographs, the document should include no more than 19 images and no more than the equivalent of 15 pages of double-spaced writing.  and/or

    • Up to 10 minutes total of time-based media (whether audio, narrated slide show, video) (mp3/mp4/mov) from an ongoing project. Please label uploads with title, year, format. SlideRoom can also accept links to YouTube/Vimeo.
  • 1-page project description (pdf). Please provide context for the material you are submitting—the nature, duration, and future of the project, where and when the submitted work was made, and your ultimate intentions for the work. How will winning the Lange-Taylor Prize further your work on this project?
  • 1-page statement (pdf) that addresses the use and relationship of words and images in your work. If your project combines audio recordings, text, photographs, and video, for instance, please submit a sample of each and address how these elements “rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation” of your work. How is this interplay advantageous in fulfilling the goals of your documentary project?
  • 1-page biography or C.V. for each project partner (pdf).”

For the full prospectus visit: http://documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize.

Deadline May 9th: 2016 Dorothea Lange–Paul Taylor Prize

Duke University | Center for Documentary Studies
Call for Entries: 2016 Dorothea Lange–Paul Taylor Prize
Deadline: Monday, May 9, 2016, midnight EST
Entry Fee: $65

“First announced in 1990, the Dorothea Lange–Paul Taylor Prize was created by the Center for Documentary Studies at Duke University to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.

Like Lange and Taylor, and all serious documentarians, the competitive applicants to this prize have a point of view derived from an in-depth understanding of place, history, and the current situation, in concert with a personal relationship to the proposed work. Ultimately, their commitment is to use documentary expression to motivate the thinking and reflection of others.

In 2011, in recognition of the changing environment in which documentary artists conduct their work, the Center for Documentary Studies decided to reframe the prize guidelines. The re-launched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. The idea of “writing” has been expanded to allow words to be represented by audio and video or used in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.

The winner receives $10,000, features in Center for Documentary Studies’ print and digital publications, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.

Eligibility
The Lange-Taylor Prize is open to documentary artists of any age and nationality who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. Single artists as well as collaborative teams are eligible.

Submission Guidelines
Applicants may submit a portfolio of any combination of the below, for a maximum of 20 uploads. The submission guidelines are designed to accommodate a wide variety of projects. Please submit your materials in a form that best represents your project via http://dukearts.slideroom.com.”

For the full prospectus and variations on media accepted for submission, visit: http://documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize/how-to-enter.

Deadline Extended to February 23rd: 2016 CDS Documentary Essay Prize in Photography

Center for Documentary Studies
Call for Entries: 2016 CDS Documentary Essay Prize in Photography
Deadline: Tuesday, February 16, 2016 Extended to: Tuesday, February 23, 2016
Submission Fee: $35

“The CDS Documentary Essay Prize honors the best in documentary photography and writing in alternating years: one year, photos; one year, writing. The focus is on current or recently completed work (within the last two years) from a long-term project—fifteen images; fifteen to twenty pages of writing.

The upcoming prize competition will be for photography. The winner of the competition will receive $3,000 and will have his or her work featured in Document, a periodical published by the Center for Documentary Studies, as well as on the Center’s website. The winner’s work will also be placed in the Archive of Documentary Arts at the Rubenstein Library, Duke University.

The 2014 prize, for photography, was given to Iveta Vaivode for “Somewhere on a Disappearing Path,” in which she explores the rural landscape and, perhaps, the last inhabitants, of Pilcene, Latvia, to create a new family album, one full of images of memories she’s imagined.

Submission Guidelines
You will be asked to provide the following:

  • 15 film or digital photographs in original format (for example, 35mm, 4×5, or 8×10.)
    Please label scans with title, year, and format.

AND

  • 1-page statement in pdf format
    Please provide context for the photographic essay you are submitting, including the duration of your project and whether it is completed or ongoing. Describe your intentions for the work. Also, if some of your images have been published together in essay form, please include information about where and when they appeared, and how the essay as submitted for the competition is different (or not).
  • 1-page biography or C.V. in pdf format
  • $35 entry fee

Applicants upload work and submit payment online to http://dukearts.slideroom.com from November 2, 2015, to February 16, 2016. We do not accept submissions through postal services or email.

For the full prospectus, previous award recipients, and FAQs visit: http://documentarystudies.duke.edu/awards/cds-documentary-essay-prize.

Deadline May 7: Dorothea Lange–Paul Taylor Prize

Duke University | Center for Documentary Studies
Call for Entries: Dorothea Lange–Paul Taylor Prize

Deadline: Thursday, May 7, 2015
Fee: $65 USD (up to 20 uploads)

“The year 2010 marked the twentieth anniversary of the Dorothea Lange-Paul Taylor documentary prize. First announced a year after the Center for Documentary Studies’ founding at Duke University, the prize was created to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.

In 2011, in recognition of the changing environment in which documentary artists conduct their work, we decided to reframe the prize guidelines. The relaunched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work.

The updated guidelines expand on the idea of “writing” by allowing words to be represented by audio or in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.

The new guidelines require that artists have already started their fieldwork and have collected representative samples of the project’s component parts. However, please note, the guidelines no longer stipulate that a writer and a photographer collaborate on a project. Single artists or collaborative teams working with text/audio/photographs/video/graphic novel format may apply.

The winner receives $10,000, a solo exhibition at the Center for Documentary Studies, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.

For the complete overview and details on how to enter, visit: documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize/how-to-enter.

Deadline September 15th: CDS/Honickman First Book Prize in Photography

Center for Documentary Studies at Duke University | The Honickman Foundation
Call for Entries: CDS/Honickman First Book Prize in Photography

Deadline: Monday, September 15, 2014, 11:59 pm EDT
Entry Fee: $70

Center for Documentary Studies (CDS) at Duke University and The Honickman Foundation (THF), based in Philadelphia, co-sponsor this prestigious biennial prize for American photographers. The only prize of its kind, the CDS/Honickman First Book Prize in Photography competition is open to North American and Canadian photographers of any age who have never published a book-length work and who use their cameras for creative exploration, whether it be of places, people, or communities; of the natural or social world; of beauty at large or the lack of it; of objective or subjective realities. The prize honors work that is visually compelling, that bears witness, and that has integrity of purpose.

Winners of the CDS/Honickman First Book Prize in Photography receive a grant of $3,000, publication of a book of photography, and inclusion in a website devoted to presenting the work of the prizewinners. The winner will also be given a solo exhibit at the Center for Documentary Studies and the photographs will then be placed in the Archive of Documentary Arts in Duke University’s Rubenstein Library.

Judges
Sandra S. Phillips
, senior curator of photography at SFMOMA, will judge the seventh biennial CDS/Honickman First Book Prize in Photography competition in 2014.

Joshua Chuang, Chief Curator of the Center for Creative Photography at the University of Arizona, will serve as panel judge for the selection committee that chooses the semifinalists and finalists for the prize.

Eligibility
The CDS/Honickman First Book Prize in Photography is open to North American citizens of any age who have yet to publish a book-length work, defined as a publication that focuses on the photographer’s work, contains more than 30 of the photographer’s images, and is sold through conventional book distribution channels.

The prize’s focus is on creating an opportunity for photographers who are engaged in the creation of a continued, active, and vital body of work to publish a first book. To this end, photographers who have a self-published, print-on-demand, or limited-edition book (with a print run of 100 copies or more) that is currently being promoted and sold on the Internet are not eligible for the award.

If you have self-published or been published in a limited edition, we require that you disclose this information in your artist’s statement and biography and send a copy of the publication. We additionally request that you submit an entirely new body of work for consideration or that no more than 5 images from the originally published body of work are included in the 40 images you submit.

Submission Guidelines
Submit applications and payment online to fbp.slideroom.com:

  • 40 photographs drawn from an ongoing or recently completed project, which represent a coherent body of work suitable for publication. At least twenty-five of these images must have been made within the last three years (from 2010 on). Those who have submitted work in a previous competition should be sure to include at least twenty new images in their application.
  • 1-page document with all 40 captions. Please include a separate caption list for all 40 images that provides information on where and when the picture was made.
  • 1-page artist’s statement. Provide context for the forty images, describe the larger body of work, including how long the project has been in progress, and how the photographs constitute a potential book.
  • 1-page biography or CV.”

For the full prospectus and to learn more about the prize visit: firstbookprizephoto.com.

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