Tag: call for submissions

Deadline February 20th: LensCulture 2019 Portrait Awards

LensCulture
Call for Entries: 2019 Portrait Awards

Deadline: Wednesday, February 20, 2019

“For the sixth year, the LensCulture Portrait Awards 2019 are searching the globe for photographers making the most captivating portraits.

We’re eager to see innovative new approaches as well as stunning traditional work — from quirky self-portraits to creative portrayals of family, friends, groups and ordinary people around the world. These Awards are open to all people and all interpretations of portraiture, whether made in a studio with professional lighting or a smart-phone portrait from your travels.

This is the year to share your best portrait with the world and engage with the global photography community! Submit your most compelling portraits or portrait series for the opportunity to be exhibited at Aperture Gallery in New York. Access career-launching exposure and have your work seen by industry experts. Connect with our global online community of photography lovers and thinkers.

Visit https://www.lensculture.com/photo-competitions/portrait-awards-2019 for information about additional benefits, cash prizes and our esteemed jurors. We are proud to offer a free entry option for single image submissions.”

Deadline February 15th: Penumbra Workspace Program

Penumbra Foundation
Call for Submissions: Penumbra Workspace Program
Deadline EXTENDED to: Friday, 15 February 2019 at 11:59 PM EDT
Application: FREE

“As a non-for-profit organization whose mission is to embrace the photographic community through its educational and public events Penumbra Foundation is proud to announce the development of a new program dedicated to facilitate emerging artist with time, workspace, resources and support to get them and their work closer to the public in one of the most vibrant art cities in the world.

US RESIDENTS | DESCRIPTION
The Penumbra Workspace Program will benefit two US based emerging artists* during 2019 with access to time, facilities, critical and technical support, and honoraria. The extension of the program ranges from two weeks to 1 month depending on the time requested by the selected artists. Participants have liberal access to the workspace facilities. They are expected to use their time to pursue their own projects: researching, photographing, scanning, printing, working on an exhibition or editing a book.

NEW YORK CITY RESIDENTS | DESCRIPTION
The Penumbra Workspace Program will benefit two New York City based emerging artists* during 2019 with access to time, facilities, critical and technical support, and honoraria. The extension of the program ranges from two weeks to 4 weeks depending on the time requested by the selected artists. Participants have liberal access to the workspace facilities. They are expected to use their time to pursue their own projects: researching, photographing, scanning, printing, working on an exhibition or editing a book.

INTERNATIONAL | DESCRIPTION
The Penumbra Workspace Program will benefit two International artists during 2019 with access to time, facilities, critical and technical support (note: there is no honorarium). The extension of the program ranges from two weeks to 4 weeks depending on the time requested by the selected artists. Participants have liberal access to the workspace facilities. They are expected to use their time to pursue their own projects: researching, photographing, scanning, printing, working on an exhibition or editing a book.

* An emerging artist is someone in the early stage of their career, who takes risks and embraces challenges, and who hasn’t yet
established a solid reputation as an artist amongst other artists, curators, producers, critics, and arts administrators.”

For the full prospectus and to apply visit: https://www.penumbrafoundation.org/workspace/about.

Deadline February 8th: 2019 Allegany National Photography Competition & Exhibition

Allegany County Arts Council
Call for Entries: 2019 Allegany National Photography Competition & Exhibition
Deadline: Friday, February 8, 2019

“This 5th Annual Allegany National Photography Competition & Exhibition will meld the region’s rich concentration of photographic artists with an influx of national photographers in a juried competition for over $5000 in cash prizes. In previous years, artists from more than 35 states have submitted work to be juried. Typically, between 60-70 works are selected for exhibit in the exhibition. The 2019 juror is Dan Leers, Curator of Photography, Carnegie Museum of Art in Pittsburgh, PA. The Public Opening & Awards Ceremony will take place Saturday, April 6, 2019,  from 6-8 pm. The exhibition will run from April 6 through Saturday, April 27.

Juror: Dan Leers, Curator of Photography, Carnegie Museum of Art, Pittsburgh. PA.

Application Requirements and Restrictions
Maximum 6 entries per photographer. (No maximum per category.)
All artwork must be for sale, have been created by the submitting artist within the past three (3) years, and may not have been previously exhibited at the Allegany Arts Council’s Galleries.

Categories and Descriptions

  • Category 1: Color
    Two-dimensional photographic works of art printed in color on any medium/substrate (paper, canvas, metal, etc.) and using any process (wet darkroom, computer, etc), max 48” in width, professionally presented and wired for hanging.
  • Category 2: Monochrome/Black and White
    Two-dimensional photographic works of art printed in black and white or monochrome on any medium/substrate (paper, canvas, metal, etc.) and using any process (wet darkroom, computer, etc), max 48” in width, professionally presented and wired for hanging.
  • Category 3: Experimental
    Three-dimensional artwork comprised of one or more of the artist’s photographic images. Texture on the surface of a two-dimensional image is not enough to include it in this category. The artwork can combine other media, but must be fundamentally photography-based. The work must be ready for display; free-standing, placed on a pedestal, or wired for hanging. Overall size may not exceed 48 inches in any dimension and weight may not exceed 30lbs. If needed, standard electrical AC power (60Hz, 120V) is available. To best represent the work, we encourage the artist to submit a short video under 5MB or a single image incorporating multiple views of the artwork. This category is about presenting photography in a non-traditional way.

Entry Fee
(Allegany National Photographic Competition and Exhibition – Cumberland 2019 (up to two entries)): $30.00
Media Fee (per sample over minimum): $15.00″

Allegany National Photography Competition and Exhibition – Cumberland 2019
9 N. Centre St.
Cumberland, MD 21502

For the full prospectus and to apply visit: https://artist.callforentry.org/festivals_unique_info.php?ID=6079.

Deadline February 15th: CPW’s Photography Now 2019

“ELIGIBILITY
CPW’s annual Photography Now exhibition celebrates the plurality of photography. All photographic techniques and approaches are welcome, from analog to digital, fine art, directorial, narrative, documentary, political, social justice, identity, portrait, landscape, still life, mixed media incorporating photography, photographic installations, digital imaging and collage! Submissions are accepted from all over the world. Professional, amateur, and student artists are all welcome to apply. Over $2,500 in prizes will be awarded!

PHOTOGRAPHY NOW 2019 JURORS:

  • Maurice Berger is a writer, cultural historian, and curator whose work focuses on the intersection of race and visual culture. He is research professor and chief curator at the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County.
  • Marvin Heiferman, a curator and writer, has organized exhibitions, web-based projects, and publications about photography and visual culture for institutions including the Museum of Modern Art, Smithsonian Institution, International Center of Photography, Whitney Museum of American Art, P.S. 1 Museum, Carnegie Museum of Art, and the New Museum.

PRIZES

  • Director’s Choice Purchase Award: One photograph will be selected by the Executive Director and purchased for CPW’s Permanent Print Collection.
  • Jurors’ Choice Award
  • Visitors’ Choice Award
  • Honorable Mentions [x3]

SUBMISSION REQUIREMENTS
No submissions will be accepted outside of the online submission process. We have lowered our General Entry Fee this year, thereby extending to all applicants the discount that was previously given to students, seniors and members.

  • ENTRY FEE $40: Please submit 5 JPGs, 2000px on longest side.
  • Up to 10 additional images: $5 each
  • Bio (max: 200 words)
  • Artist Statement (max: 250 words)

Exhibition print sizes will not determine eligibility, however they will be considered when selecting the number of framed pieces that will be included in the exhibition. Accepted works must be framed or ready to install for gallery exhibition, and shipped or delivered to CPW by October 1; exhibition takes place November 2019 through January 2020. Round trip shipping is the responsibility of the artist.”

For the full prospectus and to apply visit: https://www.cpw.org/connect/submissions/photography-now/.

DEADLINE January 23rd: 2019 Aperture Portfolio Prize

Aperture Foundation
Call for Submissions: 2019 Aperture Portfolio Prize
Deadline: Wednesday, January 23, 2019 at 11:59 PM EST
There is no fee to enter.

About Aperture Portfolio Prize
“The purpose of the Aperture Portfolio Prize is to identify trends in contemporary photography and highlight artists whose work deserves greater recognition. When choosing the first prize winner and runners up, Aperture’s editorial and curatorial staff look for innovative bodies of work that haven’t been widely seen in major publications or exhibition venues.

The first prize winner will be published in Aperture magazine and will receive a $3,000 cash prize and exhibition in New York. The winner and up to four runners up will be featured in an online gallery on aperture.org. All finalists are announced in the foundation’s e-newsletter, which reaches fifty thousand subscribers across the globe, including curators, critics, and members of the photography community. The winner and runners up may also be presented the opportunity to participate in the Aperture Foundation limited edition print program.

Juror information
The Aperture Portfolio Prize jury is comprised of Aperture’s experienced editors and curatorial staff. This year, the jury includes Chris Boot, executive director; Annette Booth, director of exhibitions management; Charlotte Chudy, editorial assistant of books; Brendan Embser, managing editor of Aperture magazine; Michael Famighetti, editor of Aperture magazine; Annika Klein, assistant editor of Aperture magazine; Taia Kwinter, managing editor of the book program; Amelia Lang, associate publisher of the book program; Samantha Marlow, associate editor of books; Lesley A. Martin, creative director; Kellie McLaughlin, director of the limited-edition print program; and Denise Wolff, senior editor of books.

Submission Requirements

  • 1 Project with 10 to 15 photos
  • Project description with up to 1500 characters
  • Biography and CV
  • Special Requirements:
    – Entrants must be Aperture Magazine print subscribers.
    – Work must be made within the past 5 years. Ongoing projects will be accepted.”

Visit https://contests.picter.com/aperture/portfolio-prize-2019 for the full prospectus and to apply.

Deadline: January 21st: MACK First Book Award 2019

MACK
Call for Submissions: First Book Award 2019
Deadline: Received by 21 January 2019

“The First Book Award is a photography publishing prize open to photographers who have not previously had a book published by a third party publishing house (this does not include self-published print on demand projects).

The award was established in 2012 to support emerging photographers. The call for submissions emphasises a predilection for projects conceived in book form: works that find a voice through the book.

From 2012 to 2018, the award was not an open submission; each year, a diverse array of international nominators were asked to recommend suitable projects.

Submissions for the First Book Award 2019 are not limited to nominated projects and the award is open to all emerging artists who wish to submit a coherent book project. Please see the Submission Guidelines page for further details.

Previous winners include: Anne Sophie Merryman (2012), Paul Salveson (2013), Joanna Piotrowska (2014), Ciarán Óg Arnold (2015), Sofia Borges (2016) and Emmanuelle Andrianjafy (2017).

GUIDELINES

The First Book Award is a photography prize for photographers and artists who have not previously had their work published by a third party publishing house. This does not include self-published books or print-on-demand projects.

  • Submissions must consist of coherent book projects and not portfolios of images in book form.
  • Any text within the book must be supplied with an English translation.
  • All submissions must be received as paper book dummies. Digital submissions in the form of PDFs, ebooks or apps will not be considered.
  • All submissions must either be unpublished or self-published book projects. Books that have already been published by a third party publishing house will not be considered.
  • Submissions received after January 21, 2019 will not be considered for the prize.

Please include your current email address, contact details and address as part of your submission.

Book dummies will only be returned if packaging and prepaid postage is included. Books will be returned in April 2019, after the shortlist has been announced. Neither MACK nor any of the sponsors will be held responsible for loss or damage to books submitted.

Please send submissions to: First Book Award, MACK, Studio E, Ground Floor, Emperor House, Dragonfly Place, London SE4 2FL

For all enquiries: fba@mackbooks.co.uk.

AWARD

  • A panel of judges will together assess all submitted dummies, shortlisting ten. From the shortlist, a single project will be chosen as the winner to be published by MACK.
  • The winning project will be announced at the opening of Photo London at Somerset House, London, in May 2019 and the book will be published in time for that announcement.
  • The winning artist will exhibit their work in a special display devoted to their work at Photo London 2019, in an exhibition to coincide with the award announcement.

JUDGES

  • Sarah Allen
    Sarah Allen is a photography specialist. She is Assistant Curator at Tate Modern where she curates displays and exhibitions as well as researching acquisitions for the international collection. Her most recent project was Shape of Light: 100 Years of Photography and Abstract Art. She has also curated the Deutsche Börse Photography Prize nominated presentation of Mark Ruwedel at Tate (2018) as well as Martin Parr (2018), Workers Photography (2018), Daido Moriyama (2017), Kaveh Golestan (2017) and Gyorgy Kepes (2017). She has a specialist focus on photobooks and is curator of the Martin Parr photobook collection.
  • Emma Bowkett
    Emma Bowkett is Director of Photography at the Financial Times FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine for the 2010 re-launch. Emma has curated exhibitions for the Triennale der Photographie Hamburg, Peckham 24 in London and in 2018 co-curated PhotoEast festival. She is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs and awards.
  • Stanley Wolukau-Wanambwa
    Stanley Wolukau-Wanambwa is a photographer and a writer who has contriubted essays to publications by Vanessa Winship, George Georgiou, Rosalind Fox Solomon, Marton Perlaki and Paul Graham. He has been an artist-in residence at Light Work, guest edited the Aperturn Photobook Review, and written for Aperture, FOAM, the Barbican, The Photographer’s Gallery and Rutgers University Press. His debut monograph, One Wall a Web, was published by ROMA Publications in 2018. He has lectured at Yale, Cornell, New York University and The New School.
  • Polly Fleury
    Polly Fleury is Director of Special Projects at the Wilson Centre for Photography where she works closely with museums, artists, galleries and publishers bringing historical and contemporary photography to public view.
  • Michael Mack
    Michael Mack is the publisher of MACK.”

For the full prospectus and to view past winners visit: www.firstbookaward.com

Deadline January 28th: Art+Science

A Smith Gallery
Call for Entries: Art+Science
Deadline: Monday, January 28, 2019
Entry Fee: $38 for the first 5 images, $7 per each additional image.

“Has photography ever really been disconnected from Science? From the invention of the pinhole camera about one thousand and twenty years ago by the Arab mathematician, physicist, and Astronomer, Ibn al-Haytham, up to today’s use of radiology to produce works of art, science and art have been inseparable. Photography is the perfect intersection of Art and Science.

JUROR: Linda Alterwitz
Alterwitz is an interdisciplinary artist with diverse interests in the fields of medical research and the natural environment. Her work encourages an awakening of the senses toward a subtle shift of consciousness, offering people a connection with the unseen.

“The Art and Science movement is not new, yet its reach is currently building momentum. More than producing aesthetic images derived from scientific data, science-inspired artists find connections that reflect a common purpose – one that integrates the authenticity of science and the communicative power of art. The sci-art movement promotes dialogue and offers a platform in hopes of improving the world in which we live.

I am the writer and editor for the Art + Science column on Lenscratch Magazine in which I showcase work by photographers who address a genre of photography that lives at the intersection of art and science.  Up to 33 of the final selections to this call will be featured in a Lenscratch post highlighting this Art + Science exhibition.”  —Linda Alterwitz

Awards
Juror’s Selection – $325.00
Director’s Selection – $250.00
Visitors’ Award – $100.00
Discretionary Honorable Mentions – each receiving an exhibition catalogue
Up to 33 of the final selections will be featured in a LenScratch Art+Science post.

Eligibility
Submissions are open to all photographers both professional and amateur. International entries are welcomed.   Work previously exhibited in the gallery or featured on the blog are not eligible.

Submission Guidelines
Digital images should be:

  • 1000 pixels on the longest side saved in JPEG format at 72 ppi.
  • Each image should be labeled with consecutive numbers followed by your name, i.e. 1FirstName_LastName.jpg. The number should correspond with the number on the application form
  • Each entry should have both diptych images included.  If you are not able to put them in the same digital file, please contact amanda@asmithgallery.com for assistance. 
  • Please do not watermark your images. 
  • If you need help sizing your images, please follow this link https://convert.town/image-dpi
  • Online: Fill out our online application to apply, send images, and make payment with Paypal.
  • You will receive an email confirmation upon receiving the entry and payment. You can also fill and submit the online application, print out your confirmation email, and mail it with a check for your fees to the address below. 

Submission by mail: Please prepare a submission form with your name, address, email address and phone number along with a list of the titles and printing process of each entry.  The number of each title should correspond to the image number on the CD.  CD’s and submission form should be mailed to:

A Smith Gallery
P O Box 175
Johnson City, TX 78636

The gallery will send an email confirmation upon receiving the entry and payment.

For the full prospectus and to apply visit: https://asmithgallery.com/salon-call-for-entry.

Deadline December 10th: 2019 New York Portfolio Review

New York Times Lens Blog
Applications Now Open for the 2019 New York Portfolio Review
Deadline: Monday, December 10, 2018, 11:59 PM EST

“It takes time, passion and obsession to make great work. But you also need the opportunity to have your work seen in the first place. And since we at Lens believe only the quality of work should matter — not your connections or bank account — we are again bringing together 160 talented photographers with 75 top photo editors, publishers, curators, gallery owners and video producers, for the 7th annual New York Portfolio Review on March 30 and 31 in New York City.

Applications are now open for the free (as always) review, which is produced by The New York Times Lens column, the Craig Newmark Graduate School of Journalism at the City University of New York and United Photo Industries. Participation is open to anyone over 18 years old, and all types of photography will be considered. But remember, the deadline is Dec. 10 at 11:59 p.m. Eastern Time.

Now a mainstay of photo events in the United States, the review convenes the photographic community to meet, trade ideas, help each other — and have fun.

The first session, on Saturday, March 30, will be for photographers 21 and older. Each participant will receive six private critiques. The second session, on Sunday, March 31, will be solely for photographers 18 to 27 and will consist of at least four private critiques for each participant, as well as free workshops on how to best present, promote and publish photographs. We will screen all applicants and choose 100 participants for Saturday and 60 for Sunday.”

For the full prospectus and to apply visit: https://www.nytimes.com/2018/11/12/lens/applications-open-for-the-2019-new-york-portfolio-review.html.

Deadline November 5th: Clarence John Laughlin Award

New Orleans Photo Alliance
Call for Submissions: Clarence John Laughlin Award
Deadline: Monday, November 5, 2018
Application fee: $25

“The Clarence John Laughlin Award was created to support the work of photographers who use the medium as a means of creative expression. It honors the life and work of Clarence John Laughlin (1905-1985), a New Orleans photographer best known for his surrealist images of the American South. The Clarence John Laughlin Award grants one $5000 prize annually to a photographer whose work exhibits sustained artistic excellence and creative vision.

The Clarence John Laughlin Award annually grants one $5000 prize and an exhibition in the NOPA gallery to a photographer whose work exhibits sustained artistic excellence and creative vision.

Both emerging and established photographers residing in the U.S. may apply. There are no restrictions on subject matter or genres.

2018 Juror: Marcela Correa, Independent Curator, New Orleans, LA.

Eligibility
Both emerging and established photographers residing in the U.S. may apply. The New Orleans Photo Alliance invites photographers working in all mediums, styles, and schools of thought to apply. Still images made from all photographic processes, both traditional and digital will be considered. There are no restrictions on subject matter or genres. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal and emotional statements are all welcome. Still photography or photographic techniques should be integral to the works submitted.

Work Samples
Applicants must submit a portfolio of 10-20 image files representing a cohesive body of work. Applicants should demonstrate the ability to build a strong series of images. If your work is best communicated visually by showing its physical nature, you may use one or more of the required images for installation or detail views.

Written Statements
Applicants must submit a written statement explaining their images, process and intent. The purpose of the statement is to give the juror a better understanding of your work while they are viewing it. Your statement should be clear, concise and relate to the work samples you submit. Applicants will also be required to submit a bio or resume and a brief “description of work” summary.

Judging Criteria
The main criteria for selection will be the strength of the applicant’s portfolio and written statement.”

For the full prospectus visit: https://neworleansphotoalliance.org/2018-clarence-john-laughlin-award-application-guidelines.

CLICK! Upcoming opportunities in Durham NC during Click!120

CLICK!120 Photography Festival
October 3-7, 2018

Click!120 in Durham, NC is quickly approaching.  There are some great opportunities to sign up for before the festival begins on October 3rd.

Visit their website for other lectures, exhibitions and more during Click!120. https://clickphotofest.org


Click!’s Last Call for Entries:  Photo Book Exhibition 
Deadlines: Online entry due September 28th | Book Delivery due October 1st
Entry fee: $35 per book entered

“The Click! Photography Festival is pleased to announce our first Click! Photo Book Exhibition. Winners will be exhibited at Horse & Buggy Press during the Click! Photography Festival on October 6th between 11 and 1. Entries will be eligible for one of three purchase awards given by the Joseph C. Sloane Art Library at the University of North Carolina at Chapel Hill.

Books should be self-published or hand made and primarily photographic in nature, though other mediums are allowed. Submissions should be books of your own work or a collaboration.

Online entry forms with payment should be completed by September 26th. Please indicate the sales price of the book, or if it is not for sale. 20% of book sales will go to Horse & Buggy Press. Books should be shipped to Horse & Buggy press in order to arrive by October 1.”

Full prospectus: https://clickphotofest.org/call-for-entries/photo-book-exhibition/


Click! Academy – Few spaces remain:

Projects in Progress: A Group Session with Mary Virginia Swanson
October 4, 9:30 – 11:45 am
Registration Fee: $65

“10 photographers in succession will share their project-in-progress in print form (not digital) during a 10 – minute open discussion with MVS.

In this group format, each photographer will tell MVS briefly and succinctly:

  • What the project is about.
  • Who the target audience is.
  • What the status of production is – early phase? in progress? Nearing completion?
  • What your preferred final format is for the project (i.e. exhibition, publication, dedicated website etc.).
  • MVS will share her response to the work and ideas for moving your project forward.
  • When not presenting their work all participants are invited to observe the discussions she has with each of the with other participants.
  • All 10 accepted participants will receive an email from MVS on how to best prepare for their session.
  • Register here.

Note: This session limited to a total of 10 participants is a companion to the public seminar: From Concept to Audience: THE LIFE OF A PHOTOGRAPHIC PROJECT also at the Durham Arts Council from 12:30pm – 2:30pm on Oct. 3rd. RSVP required for From Concept to Audience.

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