Tag: call for submissions

Deadline: January 21st: MACK First Book Award 2019

MACK
Call for Submissions: First Book Award 2019
Deadline: Received by 21 January 2019

“The First Book Award is a photography publishing prize open to photographers who have not previously had a book published by a third party publishing house (this does not include self-published print on demand projects).

The award was established in 2012 to support emerging photographers. The call for submissions emphasises a predilection for projects conceived in book form: works that find a voice through the book.

From 2012 to 2018, the award was not an open submission; each year, a diverse array of international nominators were asked to recommend suitable projects.

Submissions for the First Book Award 2019 are not limited to nominated projects and the award is open to all emerging artists who wish to submit a coherent book project. Please see the Submission Guidelines page for further details.

Previous winners include: Anne Sophie Merryman (2012), Paul Salveson (2013), Joanna Piotrowska (2014), Ciarán Óg Arnold (2015), Sofia Borges (2016) and Emmanuelle Andrianjafy (2017).

GUIDELINES

The First Book Award is a photography prize for photographers and artists who have not previously had their work published by a third party publishing house. This does not include self-published books or print-on-demand projects.

  • Submissions must consist of coherent book projects and not portfolios of images in book form.
  • Any text within the book must be supplied with an English translation.
  • All submissions must be received as paper book dummies. Digital submissions in the form of PDFs, ebooks or apps will not be considered.
  • All submissions must either be unpublished or self-published book projects. Books that have already been published by a third party publishing house will not be considered.
  • Submissions received after January 21, 2019 will not be considered for the prize.

Please include your current email address, contact details and address as part of your submission.

Book dummies will only be returned if packaging and prepaid postage is included. Books will be returned in April 2019, after the shortlist has been announced. Neither MACK nor any of the sponsors will be held responsible for loss or damage to books submitted.

Please send submissions to: First Book Award, MACK, Studio E, Ground Floor, Emperor House, Dragonfly Place, London SE4 2FL

For all enquiries: fba@mackbooks.co.uk.

AWARD

  • A panel of judges will together assess all submitted dummies, shortlisting ten. From the shortlist, a single project will be chosen as the winner to be published by MACK.
  • The winning project will be announced at the opening of Photo London at Somerset House, London, in May 2019 and the book will be published in time for that announcement.
  • The winning artist will exhibit their work in a special display devoted to their work at Photo London 2019, in an exhibition to coincide with the award announcement.

JUDGES

  • Sarah Allen
    Sarah Allen is a photography specialist. She is Assistant Curator at Tate Modern where she curates displays and exhibitions as well as researching acquisitions for the international collection. Her most recent project was Shape of Light: 100 Years of Photography and Abstract Art. She has also curated the Deutsche Börse Photography Prize nominated presentation of Mark Ruwedel at Tate (2018) as well as Martin Parr (2018), Workers Photography (2018), Daido Moriyama (2017), Kaveh Golestan (2017) and Gyorgy Kepes (2017). She has a specialist focus on photobooks and is curator of the Martin Parr photobook collection.
  • Emma Bowkett
    Emma Bowkett is Director of Photography at the Financial Times FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine for the 2010 re-launch. Emma has curated exhibitions for the Triennale der Photographie Hamburg, Peckham 24 in London and in 2018 co-curated PhotoEast festival. She is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs and awards.
  • Stanley Wolukau-Wanambwa
    Stanley Wolukau-Wanambwa is a photographer and a writer who has contriubted essays to publications by Vanessa Winship, George Georgiou, Rosalind Fox Solomon, Marton Perlaki and Paul Graham. He has been an artist-in residence at Light Work, guest edited the Aperturn Photobook Review, and written for Aperture, FOAM, the Barbican, The Photographer’s Gallery and Rutgers University Press. His debut monograph, One Wall a Web, was published by ROMA Publications in 2018. He has lectured at Yale, Cornell, New York University and The New School.
  • Polly Fleury
    Polly Fleury is Director of Special Projects at the Wilson Centre for Photography where she works closely with museums, artists, galleries and publishers bringing historical and contemporary photography to public view.
  • Michael Mack
    Michael Mack is the publisher of MACK.”

For the full prospectus and to view past winners visit: www.firstbookaward.com

Deadline January 28th: Art+Science

A Smith Gallery
Call for Entries: Art+Science
Deadline: Monday, January 28, 2019
Entry Fee: $38 for the first 5 images, $7 per each additional image.

“Has photography ever really been disconnected from Science? From the invention of the pinhole camera about one thousand and twenty years ago by the Arab mathematician, physicist, and Astronomer, Ibn al-Haytham, up to today’s use of radiology to produce works of art, science and art have been inseparable. Photography is the perfect intersection of Art and Science.

JUROR: Linda Alterwitz
Alterwitz is an interdisciplinary artist with diverse interests in the fields of medical research and the natural environment. Her work encourages an awakening of the senses toward a subtle shift of consciousness, offering people a connection with the unseen.

“The Art and Science movement is not new, yet its reach is currently building momentum. More than producing aesthetic images derived from scientific data, science-inspired artists find connections that reflect a common purpose – one that integrates the authenticity of science and the communicative power of art. The sci-art movement promotes dialogue and offers a platform in hopes of improving the world in which we live.

I am the writer and editor for the Art + Science column on Lenscratch Magazine in which I showcase work by photographers who address a genre of photography that lives at the intersection of art and science.  Up to 33 of the final selections to this call will be featured in a Lenscratch post highlighting this Art + Science exhibition.”  —Linda Alterwitz

Awards
Juror’s Selection – $325.00
Director’s Selection – $250.00
Visitors’ Award – $100.00
Discretionary Honorable Mentions – each receiving an exhibition catalogue
Up to 33 of the final selections will be featured in a LenScratch Art+Science post.

Eligibility
Submissions are open to all photographers both professional and amateur. International entries are welcomed.   Work previously exhibited in the gallery or featured on the blog are not eligible.

Submission Guidelines
Digital images should be:

  • 1000 pixels on the longest side saved in JPEG format at 72 ppi.
  • Each image should be labeled with consecutive numbers followed by your name, i.e. 1FirstName_LastName.jpg. The number should correspond with the number on the application form
  • Each entry should have both diptych images included.  If you are not able to put them in the same digital file, please contact amanda@asmithgallery.com for assistance. 
  • Please do not watermark your images. 
  • If you need help sizing your images, please follow this link https://convert.town/image-dpi
  • Online: Fill out our online application to apply, send images, and make payment with Paypal.
  • You will receive an email confirmation upon receiving the entry and payment. You can also fill and submit the online application, print out your confirmation email, and mail it with a check for your fees to the address below. 

Submission by mail: Please prepare a submission form with your name, address, email address and phone number along with a list of the titles and printing process of each entry.  The number of each title should correspond to the image number on the CD.  CD’s and submission form should be mailed to:

A Smith Gallery
P O Box 175
Johnson City, TX 78636

The gallery will send an email confirmation upon receiving the entry and payment.

For the full prospectus and to apply visit: https://asmithgallery.com/salon-call-for-entry.

Deadline December 10th: 2019 New York Portfolio Review

New York Times Lens Blog
Applications Now Open for the 2019 New York Portfolio Review
Deadline: Monday, December 10, 2018, 11:59 PM EST

“It takes time, passion and obsession to make great work. But you also need the opportunity to have your work seen in the first place. And since we at Lens believe only the quality of work should matter — not your connections or bank account — we are again bringing together 160 talented photographers with 75 top photo editors, publishers, curators, gallery owners and video producers, for the 7th annual New York Portfolio Review on March 30 and 31 in New York City.

Applications are now open for the free (as always) review, which is produced by The New York Times Lens column, the Craig Newmark Graduate School of Journalism at the City University of New York and United Photo Industries. Participation is open to anyone over 18 years old, and all types of photography will be considered. But remember, the deadline is Dec. 10 at 11:59 p.m. Eastern Time.

Now a mainstay of photo events in the United States, the review convenes the photographic community to meet, trade ideas, help each other — and have fun.

The first session, on Saturday, March 30, will be for photographers 21 and older. Each participant will receive six private critiques. The second session, on Sunday, March 31, will be solely for photographers 18 to 27 and will consist of at least four private critiques for each participant, as well as free workshops on how to best present, promote and publish photographs. We will screen all applicants and choose 100 participants for Saturday and 60 for Sunday.”

For the full prospectus and to apply visit: https://www.nytimes.com/2018/11/12/lens/applications-open-for-the-2019-new-york-portfolio-review.html.

Deadline November 5th: Clarence John Laughlin Award

New Orleans Photo Alliance
Call for Submissions: Clarence John Laughlin Award
Deadline: Monday, November 5, 2018
Application fee: $25

“The Clarence John Laughlin Award was created to support the work of photographers who use the medium as a means of creative expression. It honors the life and work of Clarence John Laughlin (1905-1985), a New Orleans photographer best known for his surrealist images of the American South. The Clarence John Laughlin Award grants one $5000 prize annually to a photographer whose work exhibits sustained artistic excellence and creative vision.

The Clarence John Laughlin Award annually grants one $5000 prize and an exhibition in the NOPA gallery to a photographer whose work exhibits sustained artistic excellence and creative vision.

Both emerging and established photographers residing in the U.S. may apply. There are no restrictions on subject matter or genres.

2018 Juror: Marcela Correa, Independent Curator, New Orleans, LA.

Eligibility
Both emerging and established photographers residing in the U.S. may apply. The New Orleans Photo Alliance invites photographers working in all mediums, styles, and schools of thought to apply. Still images made from all photographic processes, both traditional and digital will be considered. There are no restrictions on subject matter or genres. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal and emotional statements are all welcome. Still photography or photographic techniques should be integral to the works submitted.

Work Samples
Applicants must submit a portfolio of 10-20 image files representing a cohesive body of work. Applicants should demonstrate the ability to build a strong series of images. If your work is best communicated visually by showing its physical nature, you may use one or more of the required images for installation or detail views.

Written Statements
Applicants must submit a written statement explaining their images, process and intent. The purpose of the statement is to give the juror a better understanding of your work while they are viewing it. Your statement should be clear, concise and relate to the work samples you submit. Applicants will also be required to submit a bio or resume and a brief “description of work” summary.

Judging Criteria
The main criteria for selection will be the strength of the applicant’s portfolio and written statement.”

For the full prospectus visit: https://neworleansphotoalliance.org/2018-clarence-john-laughlin-award-application-guidelines.

CLICK! Upcoming opportunities in Durham NC during Click!120

CLICK!120 Photography Festival
October 3-7, 2018

Click!120 in Durham, NC is quickly approaching.  There are some great opportunities to sign up for before the festival begins on October 3rd.

Visit their website for other lectures, exhibitions and more during Click!120. https://clickphotofest.org


Click!’s Last Call for Entries:  Photo Book Exhibition 
Deadlines: Online entry due September 28th | Book Delivery due October 1st
Entry fee: $35 per book entered

“The Click! Photography Festival is pleased to announce our first Click! Photo Book Exhibition. Winners will be exhibited at Horse & Buggy Press during the Click! Photography Festival on October 6th between 11 and 1. Entries will be eligible for one of three purchase awards given by the Joseph C. Sloane Art Library at the University of North Carolina at Chapel Hill.

Books should be self-published or hand made and primarily photographic in nature, though other mediums are allowed. Submissions should be books of your own work or a collaboration.

Online entry forms with payment should be completed by September 26th. Please indicate the sales price of the book, or if it is not for sale. 20% of book sales will go to Horse & Buggy Press. Books should be shipped to Horse & Buggy press in order to arrive by October 1.”

Full prospectus: https://clickphotofest.org/call-for-entries/photo-book-exhibition/


Click! Academy – Few spaces remain:

Projects in Progress: A Group Session with Mary Virginia Swanson
October 4, 9:30 – 11:45 am
Registration Fee: $65

“10 photographers in succession will share their project-in-progress in print form (not digital) during a 10 – minute open discussion with MVS.

In this group format, each photographer will tell MVS briefly and succinctly:

  • What the project is about.
  • Who the target audience is.
  • What the status of production is – early phase? in progress? Nearing completion?
  • What your preferred final format is for the project (i.e. exhibition, publication, dedicated website etc.).
  • MVS will share her response to the work and ideas for moving your project forward.
  • When not presenting their work all participants are invited to observe the discussions she has with each of the with other participants.
  • All 10 accepted participants will receive an email from MVS on how to best prepare for their session.
  • Register here.

Note: This session limited to a total of 10 participants is a companion to the public seminar: From Concept to Audience: THE LIFE OF A PHOTOGRAPHIC PROJECT also at the Durham Arts Council from 12:30pm – 2:30pm on Oct. 3rd. RSVP required for From Concept to Audience.

Deadline October 1st: Photography and Social Justice – Magnum Foundation

Magnum Foundation – Photography and Social Justice 

Magnum Foundation Application Form 

Deadline: Monday, October 1st, 2018 

“Magnum Foundation’s Photography and Social Justice Program expands diversity and creativity in the field of documentary photography through capacity-building and critical explorations of photography and social change.

Each year, the program supports a diverse, international group of Photography and Social Justice Fellows who are passionate about challenging injustice, pursuing social equality, and advancing human rights through photography. With New York City as a cultural resource, the program provides space for interdisciplinary experimentation, mentored project development, and cross-cultural, critical discourse at the intersection of photography and social justice. During the program, Fellows work on projects in their home communities* with support from Magnum Foundation’s mentors.

CRITERIA:

• Early-career documentary photographers, artists, and photojournalists

• Activists who use photography in their change-making practice

• Journalists who would like to deepen their engagement with photography

• Scholars who incorporate images and image-making in their research and scholarship

• Preference is given to those who have not had previous opportunity to do a formal course of study in photography at the university level.

• Applicants must be proficient in spoken and written English. All instruction will be in English and there will be no simultaneous translation for instruction or discussion during the course sessions.

• We are especially seeking applications from people of color, women, individuals who are part of social, political, or cultural groups who are currently or historically oppressed or excluded, and individuals who are LGBTQ or non-binary. Refugees are welcome to apply.”

For the full prospectus and to submit visit: https://www.magnumfoundation.org/news/2018/8/1/open-call-photography-and-social-justice-fellowship

Deadline September 14th: Open Walls ARLES

Open Walls ARLES: Home & Away

Open Walls ARLES Entry Form

Deadline: Friday, September 14th, 4pm BST 2018 

Entry Fee: $15 for one image, $35 for 10 images

“1854 Media & British Journal of Photography are inviting both emerging & established photographers, from all over the world, to submit work to OpenWalls Arles, an exhibition responding to the theme ‘HOME & AWAY’.

We want you to interpret this theme freely; show us images that capture your sense of belonging, escapism or identity. Submissions will be judged as a single image.

We are opening up the walls of Galerie Huit Arles, to exhibit 50 shortlisted images for a month in July 2019 alongside Les Rencontres d’Arles. Three finalists will also be invited to join us in Arles, where one overall winner will then be chosen by a group of key industry leaders at the show’s opening event.

Enter today and you could have your work exhibited in Arles, to coincide with one of the world’s most established photographic festivals. This is your opportunity to show your work to thousands of industry experts, peers and visitors from across the world.”

 

For the full prospectus and to submit visit: http://www.openwalls.co

Deadline September 5th: John Chervinsky Emerging Photographer Scholarship

John Chervinsky Emerging Photographer Scholarship

Griffin Museum of Photography Scholarship Submission 

Deadline: Wednesday, September 5th, 2018 

About the scholarship 

The John Chervinsky Emerging Photographer Scholarship seeks to recognize, encourage and reward photographers with the potential to create a body of work and sustain solo exhibitions. Awarded annually, the Scholarship provides recipients with a monetary award of $3,000, exhibition of their work at the Griffin Museum of Photography, and a volume from John’s personal library of photography books. The Scholarship seeks to provide a watershed moment in the professional lives of emerging photographers, providing them with the support and encouragement necessary to develop, articulate and grow their own vision for photography.

Submissions 

Submissions may be made directly to the Griffin Museum gateway only (See below). You will be asked for a brief biography and artistic cv (a single pdf that includes both bio and cv); a statement of artistic purpose/intent; a statement on the work supplied, and flattened rgb jpgs (1200 pixels on the longest side) of your photographs (minimum of 10/maximum of 14 photographs). Naming convention is firstname-lastname-title.jpg.”

For the full prospectus and to submit visit: http://griffinmuseumo.wpengine.com/john-chervinsky-emerging-photographer-scholarship/

Deadline July 30th: Click! Photography Festival Juried Portfolio Reviews

Click Photography Festival 

Call for Entries: Click! Juried Portfolio Reviews 

Deadline: Monday, July 30th, 2018 

Entry Fee: $55 for 10 images

The Details 

Submit 10 cohesive images from the project you’d like to be reviewed with a very brief project statement. (100 WORDS MAX). Each submission will be considered by our jury panelists chosen specifically as “rare eyes.” (Not common on the review circuit). You may submit more than one project.

First Submission: $55

Each additional submission: $25

The Review

If you are selected as one of the Click! Class of 2018, you will be notified on or before August 30th.

Review Fee: $700 – Due in-full by September 2nd

The Click! Class of 20 (18) will be announced September 5th

Alternates will be chosen and invited if review fee is not paid in full by September 2nd or if a desired artist declines, cancels, or cannot attend the review.”

For the full prospectus and to submit visit: https://clickphotofest.org/2018-reviews/reviews/

Deadline Extended to June 29th: Critical Mass

Photolucida
Call for Entries: Critical Mass
Deadline Extended: Friday, June 29, 2018 at noon PST
Fee: $75

“Critical Mass began as a way to help photographers get their work into the conversation. In-person portfolio review events are a bigger expense and time commitment. We wanted to create an online platform that would make it easier and more efficient for photographers to promote their work to a wide selection of professionals in the field.

Critical Mass gets photographers’ work in front of 200 top museum curators, gallerists, publishers, editors, and media producers. That’s a lot of eyes. As an individual photographer, it’s difficult to make connections with professionals at this level – much less with 200 of them. In Critical Mass, photographers (from anywhere) submit a 10-image portfolio. The 200 finalists who proceed past the first, pre-screening round then have their work reviewed and voted on by the full panel of 200 jurors. It’s an unprecedented way to get your work in front of the right people!

We are again extending merit-based scholarships to MFA program students, after receiving suggestions from Photography program faculty. The work of these students will be in the finalist category of Critical Mass. (Deadline to send nominations June 7th!)

Critical Mass works.

The professionals chosen for the Critical Mass jury are continually looking for new work. Every year, we hear a flurry of success stories. Curators report back with lists of photographers they’ve given exhibitions to. Photographers email us about photo editors who have highlighted their work in the media. Museum professionals tell us about artists they’ve added to their collections. Career-building connections happen in Critical Mass.

Finalists’ Round
Photographers selected for the finalists round pay an additional $200. Their work is then sent on to the full panel of 200 jurors. All finalists receive a print of their choice offered through the Critical Mass Print Collecting Initiative!

Before you register, please read the Entry Guidelines to learn how to prepare your submission. Then, visit the Critical Mass registration page to submit your work!”

For the full prospectus with list of prizes, past Top 50 finalists and winners, and to apply visit: www.photolucida.org/critical-mass.

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