Book & Job Gallery
Exhibition & Book Signing for McNair Evans, Confessions
Thursday, December 4, 2014, 5:00-10:00 pm
“Heralded as a feminist and denounced as misogynist, Robert Heinecken is a complex figure whose art raises urgent questions about the representation of women in a media saturated world. His use of found pornographic materials and images of female bodies taken from magazines, newspapers, and other found sources was, and still is, hotly debated among artists, scholars, and curators. This panel, held in conjunction with the exhibition Robert Heinecken: Object Matter, will explore the various ways in which Heinecken’s work has been read, and continues to be relevant, in the dialogue about representations of women and gender in art.
Eva Respini, curator, Department of Photography, MoMA, moderates the panel discussion with A. L. Steiner, artist and visiting assistant professor and MFA program director at USC; Luke Batten, director, Robert Heinecken Trust; Richard Meyer, Robert and Ruth Halperin Professor in Art History, Stanford University; and Rebecca Morse, associate curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art.”
This event is being presented in conjunction with the exhibition Robert Heinecken: Object Matter, on view until January 18, 2015.
10899 Wilshire Blvd.
Los Angeles, California
“This event brings together top photography editors, publishers,curators, gallerists, and educators representing small, mid-sized, and major venues from around the U.S., to meet with engaged photographers, review their portfolios and encourage their careers and exchange opportunities.
To guarantee a high quality experience, the event will be pre-juried, with a limit of 60 participants. During the weekend of March 14-16, 2014, the selected photographers will each have ten, twenty-minute sessions with different reviewers over the course of two days, with ample opportunity for further networking. The weekend’s activities include a Friday evening lecture and reception, March 14th, open to the general public.
Entry Fee and Procedure: A non-refundable entry fee of $45 for each 20 images. Click Here for APPLICATION TICKET. The fee must be submitted online along with the completed forms.
Digital Submission Requirements
After receiving your entry fee, we will email you a link to where to upload your image submission via Dropbox.com. All two-dimensional works, using any photographic processes including digital and/or analog, are eligible for review. Digital image files need to be:
– No larger than 2MB per or Horizontal – 8 inches Vertical – 8 inches. Resolution 150 pixels/inch.
– Saved as JPEG
– Name each file in this format: Lastname_Firstname_imagenumber.jpg
– Please submit an accompanying pdf or word doc with a list of name, title, date, medium, and dimension of each piece.
Selection: A panel of jurors will be pre-screening the entries. 60 photographers will be selected for the weekend portfolio review. An additional fee of $595.00 is then required with confirmation, payable through the website or by check.”
For the full prospectus visit www.photoalliance.org.
“George Tice (b. 1938) is drawn to vestiges of American culture on the verge of extinction: people in rural or small town communities to suburban buildings and neighborhoods that are often in decline. Although he has photographed throughout the Northwestern United States, he is best known for pictures of his native New Jersey, and his impeccable black and white prints His work is shown internationally and collected by institutions like the Museum of Modern Art, the Metropolitan Museum of Art, & the Art Institute of Chicago. Tice received fellowships from both the Guggenheim Foundation and the National Endowment for the Arts. He has eighteen books.”
U.C. Berkeley Graduate School of Journalism
North Gate Hall, Room 105
An exhibition of George Tice’s work is on view in San Francisco at the Scott Nichols Gallery from September 5 – November 16, 2013.
“Over the past four decades, John Divola has evolved a wide-ranging and rigorous body of work merging photography, painting, sculpture, performance, and conceptual art. Beginning in the late 1970s, as a student of artist and photographer Robert Heinecken at the University of California, Los Angeles, Divola was part of a reinvention of the photographic medium. Pushing its documentary and expressive capacities into new conceptual territory, he began using photography as a tool to record creative interventions into the landscape, the built environment, the studio, and the archive.”
This talk is being presented in conjunction with the exhibition John Divola: As Far As I Could Get on view until December 22, 2013.
Pomona College Museum of Art, South Gallery
333 N. College Avenue
“Creative Consultant Debra Weiss and Intellectual Property Attorney James Silverberg will take you through an informative and entertaining evening that will inspire and empower by discussing key topics that include:
- Why copyright registration matters.
- Putting copyright to work for you – We pay cash for gold!
- What to do when your image has been infringed.
- Fair Use – When is it really fair?
- Social Media – Risk vs reward.
Understanding how to put copyright to work for you is crucial to your success as a photographer. Predatory image rights demands and widespread image theft can leave a photographer’s business in jeopardy. Knowing the facts about copyright protection and how to effectively exercise and monetize your rights is paramount. Lack of information, misinformation or carelessness can leave a photographer defenseless and unable to take action against infringers. Don’t let this happen to you.”
1702 Lincoln Blvd
Venice, California [map]
Mitch Epstein in Conversation with James Welling Regarding New York Arbor
Saturday, June 15, 2013, 1:00-3:00 pm
“Mitch Epstein‘s new work is a series of photographs of the idiosyncratic trees that inhabit New York City. These pictures underscore the importance of trees to urban life and their complex relationship to their human counterparts. Rooted in New York’s sidewalks, parks, and cemeteries, some trees grow wild, some are contortionists adapting to constrictive surroundings, while others are pruned into prize specimens. As urban development closes in on them, surprisingly, New York’s trees continue to thrive.
From 2011 to 2012, Epstein explored New York’s five boroughs in search of remarkable trees, often returning to photograph the same trees through the changing seasons and light. Many of these trees, Epstein learned, were planted in one context—a farm or nursery, for instance—and had survived to be part of another, a city street or public garden; and most will likely outlive us to find their habitat continue to change. The cumulative effect of these photographs is to invert people’s usual view of their city: trees no longer function as background, but instead dominate the human life and architecture around them.
In addition to our usual refreshments and a booksigning, we’ll be hosting a discussion between Mr. Epstein and his friend and esteemed colleague James Welling.”
ARCANA: BOOKS ON THE ARTS
@ The Historic Helms Bakery
8675 Washington Boulevard
Culver City, California 90232
Annenberg Space for Photography, Iris Nights Lecture Series
Artist Talk by Nina Berman, Evidence and Fantasy: The War at Home
Thursday, May 30, 2013, 6:30-8:00 pm
Free and open to the public. Tickets are required and will be available May 22 at noon PDT and May 23 at 9:30 PDT here.
“Photographer, author and educator Nina Berman is known for her work photographing wounded American veterans including her 2006 “Marine Wedding” image. Presenting selections from work made since 9/11, she will explain her motivations and approaches to photographing war on the domestic front.”
“Sharon Harper’s work jettisons this idea of the photograph as a seamless window to reality and replaces it with a magic mirror, a transformative surface that is capable of making the invisible visible and the intangible tactile. Her photographs, which often involve the sky as a test bed of human perception, have less to do with what we see than what we don’t see or, perhaps more accurately, what we want to see or try to see, but can’t.”
—Stephen Pinson, Curator of Photography at the New York Public Library
Christina Seely is a photographer and educator based in the San Francisco Bay area. She currently teaches at California College of the Arts in the photography, interdisciplinary and graduate programs.
San Francisco Art Institute Lecture Hall
800 Chestnut Street (at Jones Street)
San Francisco, California [map]
CODEX International Book Fair 2013
Sunday – Wednesday, February 10-13, 2013
“The first biennial CODEX International Book Fair took place in February of 2007 on the campus of the University of California, Berkeley. Since that time this biennial book fair has grown into the most significant book event of its kind. This year, over 175 of the world’s most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their art and craft.
Student(with ID): $10 (multi-day)
The Codex Foundation exists to preserve and promote the hand-made book as a work of art in the broadest possible context and to bring to public recognition the artists, the craftsmanship, and the rich history of the civilization of the book.
Book Fair Location
The Craneway Pavilion
1414 Harbour Way South
Richmond, California [map]