Tag: alternative process
“The Clarence John Laughlin Award was instituted by the New Orleans Photo Alliance (NOPA) in 2010 to support the work of photographers who use the medium as a means of creative expression. It honors the life and work of Clarence John Laughlin (1905-1985), a New Orleans photographer best known for his surrealist images of the American South. The Clarence John Laughlin Award grants one $5000 prize annually to a photographer whose work exhibits sustained artistic excellence and creative vision.
Both emerging and established photographers residing in the U.S. may apply. The New Orleans Photo Alliance invites photographers working in all mediums, styles, and schools of thought to apply. Still images made from all photographic processes, both traditional and digital will be considered. There are no restrictions on subject matter or genres. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal and emotional statements are all welcome. Still photography or photographic techniques should be integral to the works submitted.
- $25 application fee, to be directed through Paypal immediately after your application has been successfully uploaded.
- A portfolio of 10 – 20 images. Images can originate in any format but must be submitted digitally through our online application process.
- Each image submitted should be in jpeg format, 12 inches on the longer side, sized at 72 pixels per inch, saved at the highest setting available (usually 10 or 12). Name your files with your last name then first name and image title using underscores to separate. Example: Doe_Jane_ImageTitle.jpg
- Each image submitted will also require a title, dimensions, materials (specifying print medium, i.e. toned silver gelatin print) and year created. Each image file and its accompanying information will be entered and uploaded one at a time. You will have the opportunity to review and rearrange the sequence of your portfolio after all files have been uploaded.
- A concise description of work, limited to 260 characters maximum, which will be visible to the juror alongside your image portfolio.
- A written statement explaining your images, process and intent, 500 words maximum. A Word document should be copied and pasted into the appropriate area at the beginning of the application form.
- Biography or resume/CV. A Word document file should be copied and pasted into the appropriate area at the beginning of the application form.”
For the full prospectus and to apply visit: http://neworleansphotoalliance.org/grants/CJL_Award/guidelines.php.
“LensCulture’s Emerging Talent Awards 2015 is our 3rd annual call to discover the world’s best emerging photographers. Our international jury will select 50 outstanding emerging photographers — from all cultures, all points of view, with no age limit.
We invite you to enter one of the best opportunities for career-changing exposure to our global audience of over 1.4 million, worldwide recognition, an exhibition in San Francisco, projections at photo festivals worldwide, $20,000 in grants, and much more.
- Jennifer Blessing, Senior Curator of Photography, Guggenheim
- Jon Jones, Director of Photography, The Sunday Times Magazine
- María García Yelo, Deputy Director, PhotoEspaña
- Ada Takahashi, Principal, Robert Koch Gallery
- Sacha Lecca, Deputy Photo Editor, Rolling Stone Magazine
- Todd Hido, Photographer
- Mary Virginia Swanson, Advisor to Artists and Arts Organizations
- Jim Casper, Editor-in-Chief, LensCulture”
For the full prospectus and to submit, visit: www.lensculture.com/emerging-talent-awards-2015.
“Art Intersection presents Light Sensitive, an annual juried exhibition of images created using traditional and alternative photographic processes. Past work has included analog c-prints, platinum, cyanotype, gelatin silver, gum bichromate, wet plate collodion tintypes, chemigrams, and other printing processes.
Juror: Robert Hirsch, artist, curator, and author.
The Art Intersection curatorial staff will select three artists from Light Sensitive to show additional work during an exhibition running from December 12, 2015 to January 9, 2016.”
For the full prospectus view the PDF document Light Sensitive 2015 Submission Guidelines.
To apply go to www.artintersection.com/event/call-for-work-light-sensitive-2015.
“In July 2014, Aperture Foundation will mount its first Aperture Summer Open, an open-submission exhibition for which all image-makers are eligible.
The theme of the first Summer Open is photography itself. New work may be entered in any genre, by any author, whether established or aspiring, professional or enthusiast, young or old. The photographs to be exhibited will be selected by Aperture’s executive director, Chris Boot.
- Membership with Aperture Foundation is the sole requirement for entry into the Summer Open. It also covers entrance into the 2015 Portfolio Prize. (Please note that subscription to Aperture magazine does not constitute membership with Aperture Foundation).
- To purchase your membership, please visit aperture.org/join. Upon purchase, you will receive a unique entry code that will allow you to enter the Summer Open.
- If you are already an Aperture Foundation Member, you will receive an e-mail containing a unique entry code that will allow you to enter. If you do not receive this code or are unsure of your current Member status, please contact email@example.com.
- Photographs entered should be contemporary (made within the last five years). They may be part of a series (some photo series may be selected for exhibition), or stand-alone photographs.
To complete your entry, you will need the following:
- Your name, address, and phone number
- The name your work should be credited to, if different from above
- Between 1 and 10 images. The image-preparation specifications can be found here.
- Date of photographs, plus (if relevant) caption or title
- Final exhibition print sizes (paper sizes and image sizes)
- Statement of up to 150 words about the work submitted (optional, but if photographs from a series are being submitted, series details will be helpful).”
For the full prospectus and to apply visit: www.callforentry.org
“Binh Danh, Assistant Professor of Photography at Arizona State University, has emerged as an artist of national importance with work that investigates his Vietnamese heritage and our collective memory of war, both in Viet Nam and Cambodia. He is also the inventor of the chlorophyll printing process, in which photographic images appear embedded in leaves through the action of photosynthesis.”
This lecture is presented by INFOCUS.
Phoenix Art Museum, Singer Auditorium
NE corner of McDowell Road & Central Avenue
Phoenix, Arizona 85004
October 27th, Dayton, OH: Opening Reception & Gallery Talk for “The Fixed Shadow: A Juried Photography Exhibition of Camera-less Images”
Wright State University | Robert & Elaine Stein Galleries
The Fixed Shadow: A Juried Photography Exhibition of Camera-less Images
Opening Reception & Gallery Talk with Carol Panaro-Smith & James Hajicek
Sunday, October 27, 2013, 3:00-5:30 pm
Free and open to the public.
“From October 27 – December 8, 2013 the Robert and Elaine Stein Galleries will present selected works by artists from across the United States. The works use camera-less photographic processes. Among the processes used are photograms, scanograms, lumen prints, chemigrams, and photogenic drawings: all of which describe methods where light is used to capture an image directly onto a surface.
Exhibition jurors and featured artists Carol Panaro-Smith and James Hajicek have been working with camera-less photographic processes throughout their careers. Their collaborative photogenic drawings of organic materials beautifully engage themes of serendipity and impermanence.
On Sunday October 27, 2013 jurors Carol Panaro-Smith and James Hajicek will be presenting a gallery talk from 3:00-4:00 in the Robert & Elaine Stein Galleries. An opening reception will follow from 4:00 P.M. until 5:30 P.M.”
The galleries are ocated in A132 Creative Arts Center on the main campus of Wright State University.
“All Black and White imagery is eligible for submission. This includes alternative process, traditional, digital, and toned black and white images. All subjects are welcome.
Elizabeth Corden and Jan Potts of Corden|Potts Gallery. The Corden|Potts Gallery is dedicated to exhibiting the work of outstanding contemporary photographers.
With selection for this exhibition, featured artist’ s work will be seen by an international audience of collectors, curators, art consultants and other advocates of fine art photography. Each participant will be included in the Center ’s Main Gallery exhibition and Online Gallery exhibition. In order to be included in the online gallery or to receive and award, you must participate in the gallery exhibition.
Juror’s Selection | $500
Director’s Selection | $250
2 liveBooks Website Awards | Valued at $399 from liveBooks.com
Honorable Mention Awards | 2 year membership and a three image submission to a call for entry at the Center.”
Click here submission guidelines and to apply online.
Photographic Resource Center
France Scully Osterman: The Light at Lacock
Thursday, March 7, 2013 at 6:30 pm
Admission: $10 General | $5 members & students | Free for BU community & PRC member institutions
“France Scully Osterman will discuss her first collaboration with her husband, Mark Osterman, The Light at Lacock: Sun Sketches at the Twilight of Photography, currently on display at the PRC in The Doors of Perception. The couple created a collection of paper negatives using William Henry Fox Talbot’s original process of photogenic drawing and his earliest camera designs. They trod the same ground as the inventor in the village of Lacock, England, and revisited the miracle of the first chemical sketches made by nature alone. Along the way the couple made some discoveries of their own. Limitations of the early process and an inclement climate eventually guided the Ostermans to concentrate on photographing the effect of light that surrounds a subject rather than that which illuminates it. The results are painterly but also fugitive. As in Talbot’s time, the same light that created these images also destroys them. And so, it is only by the ironic marriage with the digital pigment print that now displaces photography that these colorful sun sketches can be exhibited for the first time.”
BU Photonics Center, Room 206
8 St. Mary’s Street,
Boston, Massachusetts [map]
Deadline January 23rd: CENTER Choice Awards, Project Grant, Project Launch Grant, Santa Fe Prize and Teaching Award
The Choice Awards recognize outstanding photographers working in all processes and subject matter. The Awards are divided into three categories: Curator’s Choice, Editor’s Choice, and Gallerist’s Choice. The winners receive recognition via exhibition, publication, portfolio reviews and more.
Curator’s Choice: Tina Schelhom, Curator, Kolga Tbilisi Photo, Georgia & Founding Director, Galerie Lichtblick, Cologne, Germany
Editor’s Choice: Susan White, Photography Director, Vanity Fair
Gallerist’s Choice: Lauren Panzo, Director, Pace/MacGill Gallery
Project Development Grant
The Project Development Grant offers financial support to fine art, documentary or photojournalist works-in-progress. The grant includes a $5,000 cash award to help complete a project as well as platforms for feedback and professional development opportunities for the works final stages.
This grant is awarded to fine art or documentary projects that are still in progress and have not been exhibited or published. It requires signing of a contract to participate in an exhibition at the Center for Contemporary Arts, during Review Santa Fe.
Juror: Denise Wolff, Senior Editor, Book Program, Aperture
Project Launch Grant
The Project Launch grant is presented to an outstanding photographer working in fine art series or documentary project. The grant includes a $10,000 cash award to help complete or disseminate the works as well as providing a platform for exposure and professional development opportunities.
This grant is awarded to completed projects that would benefit from the grant award package. It requires signature of a contract to participate in an exhibition at the Center for Contemporary Arts, during Review Santa Fe.
Santa Fe Prize
The biennial Santa Fe Prize for Photography recognizes and supports a gifted and committed photographer who has completed, or is near completion of, a meaningful body of work. Cash prize of $10,000 and participation in Review Santa Fe.
Juror: Maggie Blanchard, Director, Twin Palms Publishing
The Excellence in Teaching Award honors a high school, college or postgraduate teacher’s dedication with a $3,000 award. Educators in all areas of photographic teaching are eligible, including fine art, documentary, history and criticism.
Juror: Stephan Hillerbrand, University of Houston, Houston, TX”
Visit CENTER’s website for submission details, www.visitcenter.org/competitions.
“It’s the Center for Photography at Woodstock’s annual PHOTOGRAPHY NOW call for entries where winners will be exhibited in CPW’s main gallery from April 13 – June 15, 2013.
Juror: Kira Pollack, Director of Photography at TIME Magazine.
From traditional to digital, all photographic techniques and approaches are welcome. Straight photography, fine art, narrative, documentary, landscape,social issues, still life, mixed media incorporating photography, photographic installations, and digital images & collages – all will be considered! CPW staff and ADV/Board members are not eligible to apply.
Click here for the full prospectus.