Funding the Arts
“The Clarence John Laughlin Award was instituted by the New Orleans Photo Alliance (NOPA) in 2010 to support the work of photographers who use the medium as a means of creative expression. It honors the life and work of Clarence John Laughlin (1905-1985), a New Orleans photographer best known for his surrealist images of the American South. The Clarence John Laughlin Award grants one $5000 prize annually to a photographer whose work exhibits sustained artistic excellence and creative vision.
Both emerging and established photographers residing in the U.S. may apply. The New Orleans Photo Alliance invites photographers working in all mediums, styles, and schools of thought to apply. Still images made from all photographic processes, both traditional and digital will be considered. There are no restrictions on subject matter or genres. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal and emotional statements are all welcome. Still photography or photographic techniques should be integral to the works submitted.
- $25 application fee, to be directed through Paypal immediately after your application has been successfully uploaded.
- A portfolio of 10 – 20 images. Images can originate in any format but must be submitted digitally through our online application process.
- Each image submitted should be in jpeg format, 12 inches on the longer side, sized at 72 pixels per inch, saved at the highest setting available (usually 10 or 12). Name your files with your last name then first name and image title using underscores to separate. Example: Doe_Jane_ImageTitle.jpg
- Each image submitted will also require a title, dimensions, materials (specifying print medium, i.e. toned silver gelatin print) and year created. Each image file and its accompanying information will be entered and uploaded one at a time. You will have the opportunity to review and rearrange the sequence of your portfolio after all files have been uploaded.
- A concise description of work, limited to 260 characters maximum, which will be visible to the juror alongside your image portfolio.
- A written statement explaining your images, process and intent, 500 words maximum. A Word document should be copied and pasted into the appropriate area at the beginning of the application form.
- Biography or resume/CV. A Word document file should be copied and pasted into the appropriate area at the beginning of the application form.”
For the full prospectus and to apply visit: http://neworleansphotoalliance.org/grants/CJL_Award/guidelines.php.
“The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s concerned photography and dedicated compassion exhibited during his 45-year career as a photographic essayist.
The Smith Grant was established in 1978 following the death of Gene Smith, the legendary American photo essayist. It is today the most prestigious honor in documentary photography. Every year it recognizes a photographer who has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smith’s concerned photography and dedicated compassion.
The W. Eugene Smith Memorial Fund, INC., a not-for-profit corporation qualified under Section 501(c)(3) of the Internal Revenue Code, independently administers the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays. For 2013, the amount of the grant will be $30,000. An additional $5,000 in fellowship money will be dispersed, at the discretion of the jury, to one or more finalists deemed worthy of special recognition. Awards will be presented in a ceremony held in New York City in early October 2015.
The Fund’s Board of Trustees appoints a three-member international jury every year. The jury meets twice. At its first session it reviews all the applications and proposals, and selects finalists primarily on the basis of the substantive (and intellectual) merit of their project. The finalists are only then asked to submit a comprehensive photographic print portfolio, to write (if necessary) a more detailed and focused proposal, and to answer questions about their project.
At its second session, the jury reviews the new materials and proceeds to select the grant recipient and the beneficiaries of the fellowship money.
You must register on this website by clicking the ‘Apply for Grant’ link on the side navigation. There is a $50 fee for grant consideration. No preliminary materials will be returned. Applicants should submit:
- A Bio and/or CV submitted as a PDF not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add CV.
- The Project Proposal submitted as a PDF and not to exceed 2 pages. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add PP. This proposal should be titled and lead with a one paragraph executive summary of the project. The proposal following should be concise, journalistically realizable, visually translatable, and humanistically driven. The applicant must affirm that the proposed project is ongoing.
- IMAGES: Applicants can submit up to 40 images total. These should consist of representative images from the project being proposed to the W. Eugene Smith Fund. The applicant can include in his/her submission, past work that represents the candidate’s vision and his or her ability to execute the project being proposed to the fund. The images must conform to the following specifications: JPEG files with 1500 pixels on the long dimension saved at 72 dpi. Name the files with your first and last name and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg.”
For the full prospectus, grant requirements, and to apply visit: http://smithfund.org/eugene-smith-grant.
“The year 2010 marked the twentieth anniversary of the Dorothea Lange-Paul Taylor documentary prize. First announced a year after the Center for Documentary Studies’ founding at Duke University, the prize was created to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.
In 2011, in recognition of the changing environment in which documentary artists conduct their work, we decided to reframe the prize guidelines. The relaunched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work.
The updated guidelines expand on the idea of “writing” by allowing words to be represented by audio or in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.
The new guidelines require that artists have already started their fieldwork and have collected representative samples of the project’s component parts. However, please note, the guidelines no longer stipulate that a writer and a photographer collaborate on a project. Single artists or collaborative teams working with text/audio/photographs/video/graphic novel format may apply.
The winner receives $10,000, a solo exhibition at the Center for Documentary Studies, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.”
For the complete overview and details on how to enter, visit: documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize/how-to-enter.
Deadline: Thursday, February 19, 2015
“The Choice Awards recognize outstanding photographers working in all processes and subject matter. The Awards are divided into three categories: Curator’s Choice, Editor’s Choice, and Gallerist’s Choice. Winners receive recognition via exhibition, publication, portfolio reviews and more.
The Choice Award winners are invited to participate in an exhibition at the Center for Contemporary Arts in Santa Fe, New Mexico during Review Santa Fe.
Curator – Phillip Prodger, Curator, National Portrait Gallery, London
Director – Enrico Stefanelli, President & Director, Photolux Festival, Italy
Editor – Alice Gabriner, International Photo Editor, TIME magazine
Entry fee: $30 members / $40 non-members”
For the full prospectus and to apply visit: www.visitcenter.org/choice-awards.
“The Project Development Grant offers financial support to fine art, documentary, or photojournalist works-in-progress. The grant includes a cash award to help complete a project as well as platforms for feedback and professional development opportunities for the work’s final stages.
This grant is awarded to projects that are still in progress and have not been exhibited or published. It requires signing of a contract to participate in an exhibition at the Center for Contemporary Arts during Review Santa Fe.
Sarah Greenough – Senior Curator & Head of the Department of Photographs, National Gallery of Art Washington, D.C.
Entry fee: $35 members / $4 non-members”
For the full prospectus and to apply visit: www.visitcenter.org/project-development.
Deadlines: Thursday, January 22, 2015
“$45 members/$55 non-members
Review Santa Fe is the premier juried portfolio review event in the world happening JUNE 11-14, 2015. Considered one of the most important events for photographers who seek career advancement, Review Santa Fe is designed to facilitate relationships between photographers and leading industry professionals looking for new work.
Nestled in the foothills of the Sangre de Cristo Mountain, up to 100 photographers meet with up to 45 of today’s most relevant and esteemed reviewers comprised of curators, editors, publishers, gallerists and others who can offer professional development advice and opportunities.”
For the full prospectus and to apply visit: www.visitcenter.org/overview.
“Fee: $35 members/$45 non-members
The Project Launch is granted to an outstanding photographer working in fine art series or documentary project. The grant includes a $5,000 cash award to help complete or disseminate the works, as well as providing a platform for exposure and professional development opportunities.
This grant is awarded to complete or nearly completed projects that would benefit from the grant award package. It requires signature of a contract to participate in an exhibition at the Center for Contemporary Arts, during Review Santa Fe.
CURATOR: Anne M. Lyden, International Photography Curator, National Galleries of Scotland
EDITOR: Bernadette Tuazon, Senior Photo Editor, CNN Digital
PUBLISHER: Jack Woody, Publisher, Twin Palms Publishers”
For the full prospectus and to apply visit: www.visitcenter.org/project-launch.
Deadline: Friday, March 20, 2015
“TheDocumentaryProjectFund is now accepting applications for Project Support Awards. The Call will run through March 20, 2015. This extended time period allows us to offer early feedback, if photographers desire.
Visit the website for application requirements. Remember that we fund projects in artist’s communities. We believe you shouldn’t have to travel around the world to find important stories that can challenge our assumptions, awe us with beauty and change the way people look at their world.
- Established Artist Award: $5000
- Emerging Vision Award: $3500
For more information and to apply visit: thedocumentaryprojectfund.org.
“The Open Society Documentary Photography Project is soliciting proposals for our next exhibition, Moving Walls 23, opening in June 2015 at Open Society Foundations–New York.
We are seeking photo-based documentary projects that address a social justice or human rights issue in any region where the Open Society Foundations are active.
Since 1998, Moving Walls has showcased over 200 photographers in 22 group exhibitions—at our offices in New York, Washington, D.C., and London—that align with the Open Society Foundations’ mission to advance human rights and social justice.
- Any emerging or veteran photographer who is working long-term to document a human rights or social justice issue may apply for Moving Walls.
- We welcome all applicants, and especially encourage those from underrepresented groups (e.g., applicants from Asia, Africa, Eastern Europe, Latin America and the Caribbean, and the Middle East; people representing marginalized groups; and women). All submissions will be considered. The Open Society Foundations does not discriminate based on any status that may be protected by applicable law.
We are particularly interested in work that provides a fresh perspective and expands the visual language of documentary photography. Therefore, we invite photographers and artists to submit documentary-based work that uses new or creative visual strategies, investigative/storytelling approaches, or technologies. We seek applicants who reflect a diversity of global perspectives, especially those that are under-represented in mainstream narratives and media. Five to six projects will be selected.
We will cover the cost of: printing/framing; $2,500 participation fee; travel cost reimbursement/coverage to attend the opening reception and related events (attendance required); and return shipment of photographs.”
For the full prospectus visit: www.opensocietyfoundations.org/grants/moving-walls.
“PhotoPhilanthropy believes in the power of photography to inspire hope and understanding and to connect people around the world. The Activist Awards have been established to emphasize the important role of high quality documentary photography and visual storytelling as a vehicle to create meaningful impact and social change.
Photo essays must be entered into one of two categories:
- Professional Photographer – $15,000 Grand Prize: Any individual who earns the majority of their living from photography.
- Emerging Photographer – $5,000 Grand Prize: Any individual who does not earn the majority of their income from photography.
In order to reflect current issues, photographs in the essay must have been taken within the last three years. Long-term projects will be accepted as long as the majority of the photographs were taken within the last three years.
Each photographer may enter up to two essays, and although they can be completed in collaboration with the same nonprofit, the subject matter must be different. Essays entered in previous years may not be resubmitted.”
For the full prospectus and to apply visit photophilanthropy.org/award/submission-guidelines.
“Two fellowship recipients will be awarded $3,000 each and a solo exhibition at HCP in the summer of 2015. One Houston-based artist (residing within a 100 mile radius of Houston including the Beaumont, Galveston, and College Station areas) will receive the Carol Crow Memorial Fellowship and another artist from anywhere in the world, outside the Houston area, will receive the HCP Fellowship.
Paul Kopeikin, Owner, Kopeikin Gallery (Los Angeles, CA).
All Entrants must be, or become, HCP members at the time of submission.To become an HCP member, click here.
- Carefully edit a group of no more than 10 images or videos that describe your current lens-based work
- an artist statement
- a resume, c/v, or bio
- specific information for each piece:
o Title (for identification purposes)
o Year of exposure
o Size (height X width)
o Medium of finished work (inkjet print, chromogenic print, etc.)
o Pricing (estimate of final print value)
- Upload all submission materials to callforentry.org.”
For the full prospectus and to apply visit: www.hcponline.org/exhibitions/fellowships.
“Since 1980, The Center for Photography at Woodstock has provided regional photographers with significant recognition and support through the Photographers’ Fellowship Fund award. As of 2009, one $2,500 grant is awarded annually to a regional artist working in photography and related media.
To date, CPW has awarded over $74,500 in Photographers’ Fund Fellowships to 86 artists. Past recipients include Kenro Izu, Andrea Modica, Lucinda Devlin, Craig J. Barber, Tanya Marcuse, Isaac Diggs, among others.
Sasha Wolf, Founder & Director of Sasha Wolf Gallery, NYC.
Only artists working in photography who live in the following New York State Counties are eligible to apply to the Photographers’ Fellowship Fund: Albany, Clinton, Columbia, Delaware, Dutchess, Essex, Franklin, Fulton, Greene, Hamilton, Montgomery, Orange, Otsego, Putnam, Rensselaer, Saratoga, Schenectady, Schoharie, Sullivan, Ulster, Warren, and Washington. Proof of residency is required.
Artists working in photography, digital imagery, mixed media and or artwork which incorporate photography are welcome to apply.
To enter, please send:
- a portfolio of 10 prints OR a CD-ROM formatted with ten JPEGs*
- the application form (click here to download)
- image list detailing titles, medium, year, and size (page 2 of the application form)
- an artist statement and bio
- proof of residency (i.e. drivers license, mail, utility bill)
- a self-addressed stamped envelope (SASE) for the return of your work**
- Submission must be received by September 20th. Send to:
attn: Photographers’ Fellowship Fund
Center for Photography at Woodstock
59 Tinker Street
Woodstock, NY 12498
*For print portfolio entries, please do not submit print portfolios larger than 20×30”. If your work is larger than 20×30 you may submit a smaller portfolio along with one sample print and the intended exhibition/display size.
For entries submitted on a CD-ROM, please send JPEGS with a maximum pixel dimension of 2400 pixels wide and/or 1800 pixels high. All work samples must be labeled with your name, phone #, image title, date, size, and media. You may submit one sample print at intended exhibition/display size.”
For the full prospectus visit: www.cpw.org/create/photo-fellowship/how-to-apply.