Funding the Arts
|November 11, 2016|
Interesting in knowing more about publishing a book of your photographs? MVS will be presenting “TO BE PUBLISHED, OR SELF-PUBLISH? in Dallas, Texas on Friday evening November 11th from 7-9 pm at the ATT Center’s Hamon Hall (inside the Winspear Opera House). This event is hosted by Texas Photographic Society and the Dallas Center for Photography. In conjunction with the talk, a number of Dallas-based artists will be bringing examples of their books to share with participants; book signing to follow. Register here: http://www.dallascenterforphotography.com/classes-and-workshops/dcp-speaker-series/
PDN is offering a 20% Discount to the first 100 people who register for MVS’ seminar “TO BE PUBLISHED, OR SELF PUBLISH?” using the link below.
DATE: Friday afternoon, October 21st at PhotoPlus Expo, 4:30 – 6:30 in the lower level education center (south end of the Javits Center near the Portfolio Reviews area).
Register in advance using this link:
“The 2016 Photojournalism Grant empowers photojournalists by supporting their work, mission, and career. Visura awards one winner with a $5000 cash prize. The winner will be announced at the 2016 Lucie Awards in New York City on Sunday, October 23, 2016.
The Grant has a three-tiered mission:
- recognize and support professional photojournalists worldwide;
- support an ongoing or a new project;
- get the work of photojournalists in front of key industry editors and buyers worldwide.
- Kathy Ryan, Director of Photography, The New York Times Magazine
- Lynsey Addario, Photojournalist
- Hideko Kataoka, Director of Photography, Newsweek Japan
- Nicolas Jimenez, Director of Photoraphy, Le Monde
- Maggie Steber, Photojournalist
Your application must include the items listed below. There is no entry fee during the application process.
- Who can submit: Photojournalists worldwide. All Applicants must have an active PLUS, PRIME or GUILD membership account to submit for consideration.
- How to submit: All submissions are made via a “Project” created from your Visura’s dashboard.
- What to submit: Each Entry consists of a project made up of a series of images (minimum of 15 images, maximum 35), a short synopsis and a long written reflection about the project
- Image Specs: minimum 1600px on the longest dimension (22.5 inches @ 72 dpi, JPG format)
- Text: Include a short synopsis and a long written reflection about the project, in first-person, saved as the Project Text. Ex. What is the story or project about? Where does it take place? If more than one place, please specify. If completed, when was it photographed? If ongoing, when did you begin the story/project? What is the story you want to convey?
- All submissions are made via a “Project” created from your Visura photographer’s dashboard
- Projects may be ongoing or a recently completed project
- Image size: minimum 1600px on the longest dimension (22.5 inches @ 72 dpi, JPG format)
- Include a written reflection, in first-person, as the Project text (see below for details)
- Limit one project per photographer
- Projects may be ‘published’ or ‘private’ within the Visura system
For the complete prospectus visit: http://visura.co/assignments/submit/13.
Deadline: Tuesday, May 31, 2016
“TheDocumentaryProjectFund, a 501(c)(3) dedicated to improving communities through photography, would like to announce its Fall 2015 Fall Call for Entries. Applications will be accepted from October 1, 2015 through November 15, 2015. Two awards will be given:
- A $5000 award to an established photographer
- A $3500 Emerging Vision Award will go to a photographer who is either in the beginning stages of a career or undergoing a career transition.
TheDPF is looking for talented documentary photographers proposing visually exciting, issue oriented projects within or around their communities.
For more information and to apply visit: thedocumentaryprojectfund.org.”
“Our photographic world is so dynamic and is changing almost by the minute. In a world where everyone’s a photographer and photography is so ubiquitous, the potential for utilizing photography in innovative ways is daunting, exciting and unlimited.
At PhotoWings, we work hard to explore creative and thoughtful ways to utilize photography across disciplines, cultures and generations to further deep thinking and communication. Photographs can help build 21st century skills and encourage social emotional learning (SEL).
We’ve had extraordinary success finding like-minded partners to help further our mission and would now like to engage the Ashoka, SPE, and other educator communities for your ideas. We are purposely making our Flash Grants “up to” $1000 and “up to” $5000 each based on the (depth-reach-complexity-budget) of the applications we receive. We’d like to receive your input on any scale—from a one-off idea to a full-blown project. PhotoWings has supported the creation of toolkits or curricula related to important photography projects that have demonstrated the potential to impact many people and create ripples. The idea is to not only make an impact, but to create something that can be replicated, adapted or serve as inspiration for a new project.
Up to $1000 for an idea or curriculum that utilizes content from the PhotoWings website.
Up to $5000 to fund a photography project that is cross-disciplinary, cross-cultural and/or intergenerational.”
“First announced in 1990, the Dorothea Lange–Paul Taylor Prize was created by the Center for Documentary Studies at Duke University to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.
In 2011, in recognition of the changing environment in which documentary artists conduct their work, the Center for Documentary Studies decided to reframe the prize guidelines. The re-launched Lange-Taylor Prize supports artists, working alone or in teams, who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. The idea of “writing” has been expanded to allow words to be represented by audio and video or used in graphic novel format. As in the past, edited oral histories, creative narratives, and poetry (that is both personal and social) are also encouraged.
The winner receives $10,000, features in Center for Documentary Studies’ print and digital publications, and inclusion in the Archive of Documentary Arts at Rubenstein Library, Duke University.
The Lange-Taylor Prize is open to documentary artists of any age and nationality who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. Single artists as well as collaborative teams are eligible.
Applicants upload portfolio and submit payment online to http://dukearts.slideroom.com:
Applicants may submit a portfolio of any combination of the below, for a maximum of 20 uploads:
- Up to 19 images (photographs/graphics + text) in digital format from an ongoing project (jpg/pdf). Please label images with captions, to include title, year, format. and/or
- Up to 15-pages of double-spaced writing (edited oral history, descriptive narrative, poetry) from an ongoing project in pdf format. Please include name, address, telephone number, and email address on the first page.
Note: In the case of a combined pdf of writing and photographs, the document should include no more than 19 images and no more than the equivalent of 15 pages of double-spaced writing. and/or
Up to 10 minutes total of time-based media (whether audio, narrated slide show, video) (mp3/mp4/mov) from an ongoing project. Please label uploads with title, year, format. SlideRoom can also accept links to YouTube/Vimeo.
1-page project description (pdf). Please provide context for the material you are submitting—the nature, duration, and future of the project, where and when the submitted work was made, and your ultimate intentions for the work. How will winning the Lange-Taylor Prize further your work on this project?
1-page statement (pdf) that addresses the use and relationship of words and images in your work. If your project combines audio recordings, text, photographs, and video, for instance, please submit a sample of each and address how these elements “rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation” of your work. How is this interplay advantageous in fulfilling the goals of your documentary project?
1-page biography or C.V. for each project partner (pdf).”
For the full prospectus visit: http://documentarystudies.duke.edu/awards/dorothea-lange-paul-taylor-prize.
Prix VIRGINIA International Photography Prize for Women
Deadline: Friday, May 6, 2016
“The Prix VIRGINIA is organized by the Association SYLVIA S. It recognizes the work of a woman photographer.
It is awarded in accordance with the following rules:
The Prix VIRGINIA, awarded every other year, beginning in 2012, is open to all living professional women photographers, regardless of age or nationality, with the exception of photojournalisms and advertising. Photographs submitted for the Prix VIRGINIA must not have been exhibited in France. Requests for assistance with projects, reporting, or exhibitions will not be considered.
The Jury is composed of eight key cultural figures who deliberate and designate the Winner. Members serve one two-year term, with the exception of the President and a representative of M, the magazine of le Monde.
- 10,000€ from the Association SYLVIA S.
- Publication of the winner’s work in M, the magazine of Le Monde.
- Be-pôles, which publishes the collection Portraits de Villes will offer the winner carte blanche to photography the city of her choice.
- Exhibition in L’Espace photographique de l’Hôtel de Sauroy in Paris, supported by the generous partnership of he lab Central Dupon Images.
- L’Odéon-Théâtre de l’Europe publishes in its season program the work of one of the 11 photographers selected by the Jury.
- Editions Filigranes publishes a box-book with the winner’s and the Jury’s choice photographies.
All informational and promotional materials used during these exhibitions and publications must include the mention “© Prix VIRGINIA 2016”.
The Winner will be announced during a formal, public ceremony by the President of the Jury at a date announced after the deliberations in Paris, in the presence of the Winner, the Jury, and the media.”
For the complete prospectus and to apply visit: http://www.prixvirginia.com.
“The Magnum Foundation and the Inge Morath Foundation announce the 15th annual Inge Morath Award. The annual award of $5,000 is given to a female photographer under the age of 30, to support the completion of a long-term documentary project. One award winner and up to two finalists are selected by a jury composed of Magnum photographers and the director of the Inge Morath Foundation.
- Your submission must be delivered as a PDF file. (How do I create a PDF with a Mac? How do I create a PDF with a PC?)
- The first page of your PDF should show your name and the title of your project. Each subsequent page should present a single photograph (unless groups of images are required) with caption (if relevant), using the full frame of the PDF page.
- Please do NOT format your PDF as a slideshow. Also, please do not password-protect your file.
- Your image submission must include 40 – 60 photographs (1200 pixels on the longest side @ 150 DPI saved as a JPEG compression at 8 minimum).
- Create a folder containing your individual images. Please use numbered filenames indicating the image sequence, with the number coming first in the file name and then last name; for example: 01_Smith, 02_Smith, 03_Smith etc. (use only two digit numbers; 01, 02, 03, etc.).
Required Support Material
- Project description. This should describe the project and how the Award will be used to complete work on the project.
- Curriculum Vitae (maximum three pages) including name, email address, telephone number, and mailing address.
- Scan of ID clearly showing date of birth. All applicants must be under the age of 30 on April 30th, 2016 (in other words, if April 30th is your birthday, and you’re turning 30, then you’re no longer eligible to submit a proposal).”
For the full prospectus and to submit visit https://ingemorath.submittable.com/submit.
Calls for Entries: Project Launch Grant and Review Santa Fe
Deadline for both: Friday, March 25, 2016
PROJECT LAUNCH GRANT
“The Project Launch is granted to an outstanding photographer working in fine art series or documentary project. The grant includes a cash award to help complete or disseminate the works, as well as providing a platform for exposure and professional development opportunities.
This grant is awarded to complete or nearly completed projects that would benefit from the grant award package. It requires signature of a contract to participate in an exhibition during Review Santa Fe.
- Frank Kalero, Photoquai Biennale Art Director, 2013 & 2015 (Paris), Founder of magazine Ojodepez (Madrid) and Punctum (New Delhi), Co-Founder Goaphoto festival, (Goa, India)
- Alison Nordström, PhD, Independent Curator; Artistic Director, Fotofestiwal Lodz (Poland)
- Ingo Taubhorn, Curator, House of Photography Hamburg
- FIRST PLACE
– $5,000 Cash Award (some restrictions apply)
– Exhibition during Review Santa Fe
– Complimentary participation in Review Santa Fe Photo Festival
– Preparing for Reviews Workshop
– Special invitation to participate in the Art Photo Index
– Lenscratch publication
– Online exhibition at VisitCenter.org
- JUROR’S CHOICE (3)
– $1,000 cash award
– Complimentary participation in Review Santa Fe
– Special Invitation to participate in the Art Photo Index (API)
– Lenscratch publication
– Online exhibition at VisitCenter.org
Work derived from all photographic processes are accepted, as well as mixed media work that is photo-based (only still images are accepted, no multimedia components). Work can have been made at any time and work that has been submitted previously may be re-submitted.
- Please submit 15 – 20 images from a body of work
- A project statement (325 words maximum length)
- Application $35 members / $45 non-members.”
For the full prospectus visit http://visitcenter.org/project-launch/.
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REVIEW SANTA FE
“The Review Santa Fe Photo Festival, November 3-6, 2016, is the premier juried portfolio review event in the world. Considered one of the most important events for photographers who seek career advancement, this conference and exhibition series is designed to facilitate relationships between photographers and leading industry professionals looking for new work.
Nestled in the foothills of the Sangre de Cristo Mountains, up to 100 photographers meet with up to 45 of today’s most relevant and esteemed reviewers comprised of curators, editors, publishers, gallerists and others who can offer professional development advice and opportunities. These leading photo professionals come to Santa Fe seeking out new talent, including professionals from The New Yorker, MSNBC, TIME Magazine, The Museum of Contemporary Photography, and The Library of Congress.
- Please submit 15 – 20 images from a body of work
- A project statement (325 words maximum length)
- Application $45 members / $55 non-members.”
For the full prospectus visit http://visitcenter.org/overview.
“Join an innovative community of non-profit and cause-driven organizations, documentary photographers, filmmakers, change-makers and communications professionals for two days of inspiration and education on the collaborative future of visual storytelling to affect social change.
Each of the presentations will harness the power for visual storytellers, writers, funders, nonprofits, educators, corporations, and public agencies to join together to learn new strategies, tools, and ideas to leverage the power of story and impact social change. This year’s presenters:
- Louie Schwartzberg – Keynote Speaker, Moving Art 24/7 Time-Lapse Film
- Tom Kennedy – Keynote Speaker, Using Collaboration to Make Impactful Change
- Romeo Durscher – Drones for Good
- David Patton – Distribution in Social and Digital Platforms: Feeding Your Beasts
- Tim Greyhavens – Comfort the Afflicted and Afflict the Comfortable: Aligning Photography and Philanthropy to Tell Your Story
- Julia K. Parrish – Head, Heart or Gut? Making Science Matter to Coastal Communities
- Russell Sparkman – On the Horizon: What’s Changing and Why You Should Care
- Bruce Farnsworth & Nicole Donaghy – Forgotten on the Bakken: Illustrating Fracking’s Impact on Traditional Ways of Life
- Sara Terry – The Aftermath Project, War is Only Half the Story: From Project to Non-Profit
- Kristie McLean – The Power of Story: Building Bridges and Advocacy for Obstetric Fistula
- Jeff Cappella – What They See Matters: Testing the Effectiveness of Images
- Alasdair Turner – Raising Awareness: Visual Stories of Science
- Greg Constantine – Nowhere People: Fueling Long Term Projects ThroughCollaborative Approaches and Strategies
- Amy Benson & Scott Squire – A Different Ending: When Documentary Filmmaking and Nonprofit Messaging Conflict
- Benj Drummond & Sara Joy Steele – High hopes: Storytelling to Make Science More Inclusive and Relevant
- Daniel Beltra (just added!)”
For more information visit blueearth.org/conference/2016.
To register for one day or both go to http://www.eventbrite.com/e/collaborations-for-cause-innovations-in-visual-storytelling-for-impact-tickets-19952505481.