Excited to be teaching an intensive workshop helping photographers understand the path to completion of their projects. What do you need to complete yours? Finding like-minded people is key, whether they can provide access, cash or in-kind donations. Join me on two consecutive Saturdays in NYC, the same week as Photoville and the NY Artbook Fair. And, the Emmet Gowin exhibition “Hidden Likeness” will be in its final days at the Morgan Library.
Join us! This class is held on two consecutive Saturdays in September: 12th, and 19th, 11-6 each day; class size is limited.
“The International Meeting Place Portfolio Review for Artists, an integral part of the FotoFest 2016 Biennial, gives artists the opportunity to meet and show their work to top arts professionals from around the world. The event is truly a “meeting place” – a place where photographic artists, arts professionals, collectors, and colleagues network, collaborate, share ideas, and establish life-long connections. The Meeting Place Portfolio Review brings together over 500 photographic artists from around the world and across the United States, with over 160 professional reviewers. It is the largest portfolio review program in the world.
The Meeting Place is open to all photographic artists. There are 16 days of portfolio reviews in four, 4-day sessions. We do not pre-jury our portfolio review. Click here to see confirmed reviewers for each session.”
For more information and to register visit: http://home.fotofest.org/2016/portfolio-reviews.aspx.
This fall MVS will teach her first workshop for the Aperture Foundation at their Chelsea offices.
Mary Virginia Swanson: Securing Support for your Long-Term Project
Saturday, September 12, and Saturday, September 19, 2015
11:00 a.m.–6:00 p.m., both days
547 West 27th Street, 4th Floor
New York, N.Y.
From the event website:
“Join Mary Virginia Swanson for a two-part workshop designed for photographers who would like to learn how to secure funding for a long-term personal project through drafting a successful proposal and budget, as well as learn how to build awareness for that project. The workshop will also explore various types of funding, as well as different approaches to expanding your audience.
On the first day, Swanson will present an extensive illustrated lecture, which provides an overview of public, private, and corporate support; the role of a fiscal agent; and how to navigate funding data. In addition, participants will learn about the importance of broadening awareness for their projects via public presentations, websites, and print and social-media marketing. At the end of the first session, participants will be assigned the task of producing a statement about their project, a budget, and a short list of potential funding sources.
During the second session, the group will discuss each participant’s project documents. The websites of each participant will be projected for discussion on enhancing project presence. Lunch will be served both days.”
“Photographer Emmet Gowin talks about his creative evolution over five decades, the genesis of the exhibition Hidden Likeness, and his experience integrating his art with the Morgan’s collections.
The exhibition Hidden Likeness: Photographer Emmet Gowin at the Morgan will be open at 5:30 pm for program attendees.” The exhibition will be on view May 22 – September 20, 2015.
The Morgan Museum & Library
225 Madison Avenue at 36th Street
New York, New York 10016 [map]
The Phillips Collection
Artist Talk – Hiroshi Sugimoto: Conceptual Forms and Mathematical Models
Thursday, April 30, 2015 at 6:30 pm
“In conjunction with Hiroshi Sugimoto: Conceptual Forms and Mathematical Models (on view until May 10, 2015), Japanese artist Hiroshi Sugimoto will discuss how mathematical principles influence his work. He will also speak about the Odawara Art Foundation, his soon-to-open art and culture space in Japan.
Copies of the exhibition catalogue will be for sale. Book signing to follow.”
The Phillips Collection Auditorium
1600 21st Street NW
Washington, DC 20009
April 25th, West Palm Beach, FL: Panel Discussion on “Everglades: The Art and Science of a Global Treasure”
Norton Museum of Art
Adult Programs / Everglades: The Art and Science of a Global Treasure
Saturday, April 25, 2015 at 2:00 pm
“A panel of scientists and artists join Tim Wride, William and Sarah Ross Soter Curator of Photography, to discuss the environmental issues threatening the Everglades and the preservation of this unique habitat. Panelists include artists Lisa Elmaleh and Bryan Wilson, whose work is included in the Imaging Eden exhibition; Steven Traxler, Senior Biologist, US Fish and Wildlife Service; and Paul N. Gray, Ph.D., Science Coordinator, Audubon Florida.”
This panel is being presented in conjunction with the exhibition Imaging Eden: Photographers Discover the Everglades on view through July 12, 2015.
Philadelphia Art Book Fair
Friday, April 24 & Saturday, April 25, 2015
Free and open to the public.
“Presented by Philadelphia Photo Arts Center and The Print Center, the Philadelphia Art Book Fair is a two-day event featuring new releases from photo and art book publishers, as well as artist books, zines, and publications from art institutions.
“With 50 Exhibitors from 10 States and the Philadelphia Region, the Philadelphia Art Book Fair also features conversations and keynote lectures from experts in the field, and a party on Friday night!”
The Annex on Filbert
830 Filbert Street
Philadelphia, Pennsylvania [map]
“A former professor of photography at the University of Texas at Austin, native Australian Kate Breakey now lives and works in Tucson, Arizona. She first received international recognition for her large-scale, hand-colored photographs then adds layers of transparent oil paint and pencil.
Small Deaths, on view at the Michener Art Museum from March 14 – July 12, 2015 in the Fred Beans Gallery, features thirty extraordinary, hand-colored, oversized images of the birds, flowers, and insects that photographer Kate Breakey has memorialized through her work. The brilliance of her palette draws viewers to a close-up and unexpected confrontation with mortality. The images are life-size silver gelatin contact prints toned by hand with a golden wash. Breakey’s work has appeared in over 30 one-woman exhibitions and numerous group exhibitions in the U.S. and abroad. She received the Photographer of the Year Award in 2004 from the Houston Center for Photography.
Online registration is closed. Please call 215-340-9800 for ticket availability.”
The James A. Michener Art Museum
138 South Pine Street
April 25th, Los Angeles: ASPP Presents “Understanding Copyright & Building a Copyright Centered Workflow”
American Society of Picture Professionals
Understanding Copyright & Building a Copyright Centered Workflow
Saturday, April 25, 2015, 11:00-1:00
“Should you register your copyrights? What is a copyright anyway? Should you really be worried about people stealing your images on the Internet? How has the legal landscape for photographers changed with the emergence of Internet photo sharing? How do you protect your images while still “getting your work out there?”
In this information-packed seminar, photographer and copyright lawyer Chris Reed will answer these questions and more, helping you build best practices for copyright registration and management into your existing image processing workflows. Part legal tutorial, part software tutorial, this seminar will help you understand essential copyright concepts that apply to you and your business, and teach you how to maximize your rights without sacrificing exposure.
Speaker – Christopher S. Reed
Chris is a lawyer and a photographer based in Los Angeles. On the legal front, Chris specializes in copyright and entertainment law; photographically, he focuses largely on landscape and travel photography.”
General: $18.00 | ASPP Members: Free | ASMP / APA Members: $10.00
For further details and to register click here.
529 S. Broadway, 4th Floor
Los Angeles, CA 90013 [map]
Tuesday, February 17, 2015
4:00-5:00 pm: Guest Lecture with April Watson
5:30-8:00 pm: Opening Reception
“Established in 2001 and organized by the graduate photography students at Texas Woman’s University and the Photographic Artists’ Coalition (a student-run photography organization), the annual Joyce Elaine Grant Photography Exhibition provides a national venue for the exhibition of artistic expression as seen through the eye of the camera. Photographers from throughout the United States are invited to submit entries for the exhibition. The exhibition and endowment was established by Christine Shank and a small group of graduate students and named in memory of the mother of Professor Susan kae Grant. Exhibition proceeds fund the Joyce Elaine Grant Photography Exhibition Endowment, which supports photography scholarships for future graduate students in the Department of Visual Arts.
About the 2015 Juried Exhibition
April Watson, Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, MO, served as juror for the 14th Annual Joyce Elaine Grant Photography Exhibition. Twenty- eight artists from throughout the United States and China were selected to exhibit their work. Artists include, Beverly Ahern, Ben Altman, Linda Alterwitz, Bennie Flores Ansell, Sarah Austin, Christine Carr, Bryon Darby, Marcus DeSieno, Garrett Hansen, Sharon Lee Hart, Abbey Hepner, John Holmgren, Paul Hooven, Allison Jarek, Priya Kambli, Janna Langholz, Holly Lay, Andy Mattern, Katie Newton, Ashley Raasch, Heather Ross, Jiehao Su, Jennifer Tremblay, Marydorsey Wanless, Angela Franks Wells, Linda Wilson, and Christine Zuercher.
2015 JEG Solo Exhibition Award
Selected by Elizabeth Siegel, Associate Curator of Photography, Art Institute of Chicago
Clare Benson, The Shepherd’s Daughter
My work is deeply rooted in my family history. After the death of my mother when I was eleven years old, I became increasingly curious about notions of family, memory, and mortality. I was raised by my father: an avid hunter, archery champion, and former hunting guide in the Alaskan wilderness. Growing up amidst the hunting culture of northern Michigan, I learned to see hunting as a tradition that ties humans to the natural world; a ritual that speaks to notions of mortality and the interconnectedness of life within a larger system. Before my father, my grandmother was a hunter and before that my great-grandmother, and long before that the stars made up constellations that told stories of the greatest hunts. In my work, the nuances of hunting and the rugged northern landscape of my childhood are woven with narratives of genealogy and gender, memory and mythology, time and space.”