Registration open NOW: Susan Burnstine Workshop “Defining the Personal Narrative” December 9 & 10 at PhotoNOLA
In conjunction with PhotoNOLA 2016 the New Orleans Festival of Photography, “Defining the Personal Narrative” a workshop by artist Susan Burnstine will occur at the International House Hotel on December 9 & 10. This class is limited to 10 students, registration is open now. Visit the PhotoNOLA website and click on EDUCATION to register.
Note: this Festival event is held concurrent with the Portfolio Reviews at PhotoNOLA, do not mistakenly register for both events.
Attendees may also register for the Education Seminar I am organizing on Thursday morning December 8th and attend the many festival events in the evenings and all day on Sunday December 11th. Join us at PhotoNOLA!
PHOTONOLA REGISTRATION (first come, first served basis): Thursday morning Sept 8, 11/EDT, 10/CDT/ 9/MDT and 8 PDT
PhotoNOLA 2016 The New Orleans Festival of Photography December 8-11, 2016
For those photographers wishing to attend PhotoNOLA 2016, the New Orleans Photo Alliance has announced that SEPTEMBER 8th beginning at 10 a.m. Central Daylight Time is when the registration will open.
Those of you who have attended, or attempted to register in the past know that the reviews typically fill to capacity in 5 minutes or less.
This year’s roster includes curators, publishers, art consultants, photo editors and more.
I will be leading an education seminar the morning of THURSDAY, December 8th from 9:00 a.m. – 1:00 p.m.
Reviews are held all day Friday & Saturday, December 9 & 10
A wide range of museum talks, gallery walks and more are held on Sunday, December 11th.
Join us! But to do so, be prepared to register at the time noted above for your time zone. Good luck!
“For over half a century, Bruce Davidson has documented the landscape of human life through the lens of his camera. He comes to LIVE in celebration of the publication of Bruce Davidson: Magnum Legacy, the authoritative text on his career, vision, and influence, written by photography critic Vicki Goldberg. Joining him on stage is actor Matt Dillon, a great admirer and collector of Davidson’s work.”
Celeste Bartos Forum, NYPL
42nd Street between 5th and 6th Avenues
New York, NY 10018
Center for Creative Photography
Saturday, April 23, 2016
“Rebecca (Becky) Senf, chief curator of the Center for Creative Photography, will give a tour of The Lives of Pictures: Forty Years of Collecting at the Center for Creative Photography, currently on view in the CCP galleries. She will give her personal take on the show, sharing the stories of some of her favorite artworks and giving attendees a behind-the-scenes look at how the exhibition was conceived and produced.”
2:00 PM – Film Screening of Louie Palu’s “Kandahar Journals”
“Louie Palu, award-winning documentary photographer and filmmaker, will be in attendance for the screening of his new film, “Kandahar Journals,” which addresses the impossibility of conveying the reality of war through photographs. This film is shown as part of the Arizona International Film Festival. Click here for trailer and details.”
Center for Creative Photography
CCP Auditorium & Gallery
1030 N. Olive Road
April 8th, San Francisco: Artist Talk by Janet Delaney with Introductory Presentation by Paccarick Orue
Artist Talk by Janey Delaney with Introductory Presentation by Paccarick Orue
Friday, April 8, 2016 at 7:30 PM
Tickets at the door or online: $10 general | $5 students with ID
“Janet Delaney is a fine art photographer who focuses her attention on the urban-scape. Most recently she has been documenting the changes taking place in the SoMa district of San Francisco.
Delaney has received three National Endowment for the Arts Grants and the Phelan Award. Her photographs are in collections of the San Francisco Museum of Art, the de Young Museum, and the Pilara Foundation among others. Her work has been shown both nationally and internationally. In late 2013 She published South of Market with Mack of London. This work, done between 1978 and 1986, was exhibited in a one-person show at the de Young Museum in San Francisco, in 2015. For fifteen years she held the position of adjunct lecturer at the University of California, Berkeley and in 2015 taught in the undergraduate and graduate programs at the San Francisco Art Institute.”
“Paccarik Orue was born and raised in Lima, Peru and resides in San Francisco, California where he earned a BFA from the Academy of Art University. His work has been shown at Blue Sky Gallery, Rayko Photo Center, SF Camerawork, Book & Job Gallery, Contemporary Art Center New Orleans, SOMArts and it has been featured in PDN, Juxtapox, The New York Times, KQED, Conscientious, Nueva Luz, Lenscratch among others. He was selected by PDN as one of the 30 Emerging Photographers to Watch in 2016 and has been awarded En Foco’s New Works Photography Fellowship Award (2013-2014.) Orue’s first monograph, There Is Nothing Beautiful Around Here, was published by Owl & Tiger Books in 2012.”
San Francisco Art Institute Lecture Hall
800 Chestnut Street (at Jones Street)
San Francisco, CA 94133 [map]
“Join an innovative community of non-profit and cause-driven organizations, documentary photographers, filmmakers, change-makers and communications professionals for two days of inspiration and education on the collaborative future of visual storytelling to affect social change.
Each of the presentations will harness the power for visual storytellers, writers, funders, nonprofits, educators, corporations, and public agencies to join together to learn new strategies, tools, and ideas to leverage the power of story and impact social change. This year’s presenters:
- Louie Schwartzberg – Keynote Speaker, Moving Art 24/7 Time-Lapse Film
- Tom Kennedy – Keynote Speaker, Using Collaboration to Make Impactful Change
- Romeo Durscher – Drones for Good
- David Patton – Distribution in Social and Digital Platforms: Feeding Your Beasts
- Tim Greyhavens – Comfort the Afflicted and Afflict the Comfortable: Aligning Photography and Philanthropy to Tell Your Story
- Julia K. Parrish – Head, Heart or Gut? Making Science Matter to Coastal Communities
- Russell Sparkman – On the Horizon: What’s Changing and Why You Should Care
- Bruce Farnsworth & Nicole Donaghy – Forgotten on the Bakken: Illustrating Fracking’s Impact on Traditional Ways of Life
- Sara Terry – The Aftermath Project, War is Only Half the Story: From Project to Non-Profit
- Kristie McLean – The Power of Story: Building Bridges and Advocacy for Obstetric Fistula
- Jeff Cappella – What They See Matters: Testing the Effectiveness of Images
- Alasdair Turner – Raising Awareness: Visual Stories of Science
- Greg Constantine – Nowhere People: Fueling Long Term Projects ThroughCollaborative Approaches and Strategies
- Amy Benson & Scott Squire – A Different Ending: When Documentary Filmmaking and Nonprofit Messaging Conflict
- Benj Drummond & Sara Joy Steele – High hopes: Storytelling to Make Science More Inclusive and Relevant
- Daniel Beltra (just added!)”
For more information visit blueearth.org/conference/2016.
To register for one day or both go to http://www.eventbrite.com/e/collaborations-for-cause-innovations-in-visual-storytelling-for-impact-tickets-19952505481.
“Born and raised in El Salvador to a Palestinian/Jewish family, artist Muriel Hasbun works through an intergenerational, transnational and transcultural vision, constructing contemporary narratives and establishing a space for dialogue where individual and collective memory spark new questions about identity and place. Her talk is part of the i3: Images, Ideas, Inspiration lecture series, which features presentations by digital photographers, hardware and software developers and industry experts. Presented by MPS Digital Photography.”
SVA, Room 418F
136 West 21st Street
New York, NY [map]
ASMP Arizona Tucson
Lecture by Mary Virginia Swanson: Understanding the Value of Your Work Within Multiple Markets
One of the most exciting recent developments for photographers is the growth of new markets for their work. The value of their work is different for each buyer. In this seminar, Mary Virginia Swanson will demystify new markets within today’s diverse photography marketplace and assess the role photography plays within them. She will discuss how to identify new buyers of images and the most effective approaches when introducing oneself and considerations for which artists must be mindful when taking their artwork across multiple markets.
Free for all students with school ID
$10 for ASMP members | $20 for non-members
RSVP is required by February 20 to email@example.com.
650 N. 6th Avenue (southeast corner of 6th Ave & 4th St)
Martha Lochert Photography in the Balfour Walker / Chris Mooney Photo Studios
Parking in dirt lot SE of building or along curb, carpool when possible.
Philadelphia Art Book Fair 2016
Extended Exhibitor Registration Deadline: Wednesday, February 17, 2016
The Philadelphia Art Book Fair is a two-day event that features a range of exhibitors from photography and art book publishers, small and large, to individual artists and institutions, as well as a keynote lecture. The event will be held Friday, April 1 and Saturday, April 2.
To submit an application to be a vendor visit: http://www.phlartbookfair.com/apply/.
The Department of Photography & Imaging at New York University – Tisch School of the Arts
Black Portraiture[s] II: Imaging the Black Body and Re-staging Histories
February 19 & 20, 2016, 8:45 AM – 6:00 PM
Registration is free & required for attendance.
“This two-day event reconstructs a selection of panels from the most recent conference in the series held at Villa La Pietra in Florence, Italy here at New York University’s Washington Square campus.
Black Portraiture[s] II: Imaging the Black Body and Re-staging Histories, explored the impulses, ideas, and techniques undergirding the production of self-representation and desire, and the exchange of the gaze from the 19th century to the present day in fashion, film, art, and the archives. Thus, the seventh conference will revisit that amazing experience that attracted over 800 attendees – an occasion that brought together artists and scholars from an assortment of disciplines and practices and offered comparative perspectives on the historical and contemporary role played by photography, art, film, literature, and music in referencing the image of the black body in the West.
Discussions will focus on aesthetics, style, history, and music in describing a sense of place and identity. The conference will also invite visitors to conduct a diverse visual reading of the notion of a black portrait while challenging conventional perspectives on identity, beauty, cosmopolitanism, and community in Africa and its diaspora. We hope you will join us in New York City!”
Vanderbilt Hall – Tishman Auditorium
New York University School of Law
40 Washington Sq. South
This event is currently sold out, to be put on the waitlist, register here: https://www.eventbrite.com/e/black-portraitures-ii-revisited-tickets-19847959782.