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Deadline July 30th: Click! Photography Festival Juried Portfolio Reviews

Click Photography Festival 

Call for Entries: Click! Juried Portfolio Reviews 

Deadline: Monday, July 30th, 2018 

Entry Fee: $55 for 10 images

The Details 

Submit 10 cohesive images from the project you’d like to be reviewed with a very brief project statement. (100 WORDS MAX). Each submission will be considered by our jury panelists chosen specifically as “rare eyes.” (Not common on the review circuit). You may submit more than one project.

First Submission: $55

Each additional submission: $25

The Review

If you are selected as one of the Click! Class of 2018, you will be notified on or before August 30th.

Review Fee: $700 – Due in-full by September 2nd

The Click! Class of 20 (18) will be announced September 5th

Alternates will be chosen and invited if review fee is not paid in full by September 2nd or if a desired artist declines, cancels, or cannot attend the review.”

For the full prospectus and to submit visit: https://clickphotofest.org/2018-reviews/reviews/

August 5th, New Orleans: Artist Talk by Binh Danh “Landscape and Memory”

©2018 Binh Danh

PhotoNOLA
Artist Talk by Binh Danh: Landscape and Memory
Sunday, August 5th, 3:00 pm
Free and open to the public, RSVP required

“In his presentation, “Landscape and Memory“, Binh Danh will show work from his community-inspired installations and discuss his photographic processes with an emphasis on his daguerrotype printing and work with indigenous botanicals. Danh is currently collaborating with Louisiana Master gardeners, creating new work in preparation for an installation at the Arsenal during PhotoNOLA 2018.

This event is co-hosted by LSM and PhotoNOLA.

Louisiana State Museum Arsenal, 3rd Floor (in the Cabildo)
701 Chartres St., New Orleans, LA 70116

Deadline Extended to June 29th: Critical Mass

Photolucida
Call for Entries: Critical Mass
Deadline Extended: Friday, June 29, 2018 at noon PST
Fee: $75

“Critical Mass began as a way to help photographers get their work into the conversation. In-person portfolio review events are a bigger expense and time commitment. We wanted to create an online platform that would make it easier and more efficient for photographers to promote their work to a wide selection of professionals in the field.

Critical Mass gets photographers’ work in front of 200 top museum curators, gallerists, publishers, editors, and media producers. That’s a lot of eyes. As an individual photographer, it’s difficult to make connections with professionals at this level – much less with 200 of them. In Critical Mass, photographers (from anywhere) submit a 10-image portfolio. The 200 finalists who proceed past the first, pre-screening round then have their work reviewed and voted on by the full panel of 200 jurors. It’s an unprecedented way to get your work in front of the right people!

We are again extending merit-based scholarships to MFA program students, after receiving suggestions from Photography program faculty. The work of these students will be in the finalist category of Critical Mass. (Deadline to send nominations June 7th!)

Critical Mass works.

The professionals chosen for the Critical Mass jury are continually looking for new work. Every year, we hear a flurry of success stories. Curators report back with lists of photographers they’ve given exhibitions to. Photographers email us about photo editors who have highlighted their work in the media. Museum professionals tell us about artists they’ve added to their collections. Career-building connections happen in Critical Mass.

Finalists’ Round
Photographers selected for the finalists round pay an additional $200. Their work is then sent on to the full panel of 200 jurors. All finalists receive a print of their choice offered through the Critical Mass Print Collecting Initiative!

Before you register, please read the Entry Guidelines to learn how to prepare your submission. Then, visit the Critical Mass registration page to submit your work!”

For the full prospectus with list of prizes, past Top 50 finalists and winners, and to apply visit: www.photolucida.org/critical-mass.

Deadline EXTENDED June 8th: The W. Eugene Smith Grant for Student Photographers

W. Eugene Smith Memorial Fund
Call for Entries: The W. Eugene Smith Grant for Student Photographers
Deadline: Thursday, May 31, 2018 Friday, June 8, 2018
Fee: $1

“In 2018 the W. Eugene Smith Memorial Fund announced a new grant, the W. Eugene Smith Grant for Student Photographers to encourage and support students whose photographic work renews the tradition of W. Eugene Smith’s humanistic and compassionate photography. Special consideration will be given to work that promotes social change and that embraces new technologies and image distribution, and that seeks to integrate the tradition of photography and social change with contemporary practice.

The annual $4,000 grant may be used to complete a work-in-progress. Recipient of the Grant will be selected by a jury appointed by the the Board of Trustees of the W. Eugene Smith Memorial Fund in Humanistic Photography.

To apply for the Grant, a fee of $1 is required. The submissions must include a scan of a current student identification card. Please enter below and select Student Photographer Grand during the registration process. The deadline for submissions is May 31, 2018.

The grant will be presented in a ceremony held in New York City on October 17, 2018.

The Jury
The Fund’s Board of Trustees will appoint a three-member jury consisting of two board members and an outside expert. The jury reviews all the photographs (submitted electronically), applications and statements of intention, and selects eight finalists on the basis of the substance and merit of their project, and the written supporting material. The finalists are then contacted by telephone for additional material. The jury reviews the materials again and proceeds to select the grant recipient and the recipient is asked to deliver a 1-3 minute video with audio describing their work which will be shown at the Smith Grant Ceremony in October.

Submission Guidelines
You must register on this website by clicking the ‘Apply for Student Grant’ link on the side navigation or at the bottom of this page. There is a $1 fee for student grant consideration. No submitted materials will be returned. The Smith Fund accepts applications only through our online portal only. No physical submissions will be accepted.

Applicants should submit:

  1. A Bio and/or CV submitted as a PDF not to exceed 2 pages. A scan of a current student ID card is required. (Please note submissions exceeding one page may not be reviewed). Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add CV. Example: John_SmithCV.jpg
  2. The Project Statement submitted as a PDF and not to exceed 2 pages. (Please note submissions exceeding two pages may not be reviewed) 1. Name the file with your first and last name and use an underscore to separate the names. At the end of the filename add PP. This Statement should address the topic and themes of the work, its motivation and aspirations—the work’s intended result. The statement should situate the work in the tradition of photography guided by social change, and address the present. The statement should be concise, and the applicant must affirm the work-in-progress project will be ongoing.
  3. IMAGES: Applicants can submit up to 40 images total. These should consist of representative images from the project being proposed to the W. Eugene Smith Fund. The applicant can include in his/her submission, past work that represents the candidate’s vision and his or her ability to execute the project being proposed to the fund. The images must conform to the following specifications: JPEG files with 2000 pixels on the long dimension saved at 72 dpi. Name the files with your first and last name and use an underscore to separate the names. At the end of the file name add a sequence number starting with: 01. Example: John_Smith01.jpg, John_Smith02.jpg, John_Smith03.jpg

In the event the applicant is the recipient of the Student Smith Grant applicant hereby agrees to donate to the W. Eugene Smith Memorial Fund, as an unrestricted gift, four (4) digital images and four (4) prints of work completed as part of the project proposed herein. Applicant agrees to deliver said images within eighteen (18) months after receiving the Grant.

The images shall become part of the W. Eugene Smith Legacy Collection at the International Center of Photography in New York. Applicant also agrees that as part of the unrestricted gift, the Smith Fund may exhibit the images and may use them to promote the activities of the Fund. These Images will be used on the Smith Fund Website and for promoting the Smith Grant Ceremony.

Applicant also understands and agrees that, if applicant is the recipient of the Grant, three thousand dollars ($3,000) will be paid upon acceptance of the Grant, and the balance of one thousand ($1,000) upon Smith Fund’s receipt of the final prints.”

To apply for the grant visit: http://smithfund.org/the-w-eugene-smith-grant-for-student-photographers.

Deadline EXTENDED June 8th: Gene Smith Grant

W. Eugene Smith Memorial Foundation
Call for Submissions: Gene Smith Grant
Deadline: Thursday, May 31, 2018  Friday, June 8, 2018
Fee: $50

“The W. Eugene Smith Grant in Humanistic Photography is presented annually to a photographer whose past work and proposed project, as judged by a panel of experts, follows the tradition of W. Eugene Smith’s concerned photography and dedicated compassion exhibited during his 45-year career as a photographic essayist.

The W. Eugene Smith Grant in Humanistic Photography was established in 1978 following the death of Gene Smith, the legendary American photo essayist. It is today the most prestigious honor in documentary photography. Every year it recognizes a photographer who has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smith’s concerned photography and dedicated compassion.

The W. Eugene Smith Memorial Fund, INC., a not-for-profit corporation qualified under Section 501(c)(3) of the Internal Revenue Code, independently administers the grant program that provides photographers with the financial freedom to carry out or complete major photographic essays. For 2018, the amount of the grant will be $35,000. An additional $5,000 in fellowship money will be dispersed, at the discretion of the jury, to one or more finalists deemed worthy of special recognition. Awards will be presented in a ceremony held in New York City on October 17, 2018.

The Jury
The Fund’s Board of Trustees appoints a three-member international jury every year. The jury meets twice. At its first session the Jury reviews the required materials: applications and proposals and photographs, all submitted electronically. It selects a small number of Finalists on the basis of the substantive and intellectual merit of their project. Finalists will be given the opportunity in a short period of time to refine their proposals and to answer specific questions from the Jury about their project. Finalists are also asked to produce and to deliver a 1-3 minute video with audio describing their proposal. These videos will be shown at the Smith Grant Ceremony in October.

At its second session, the jury reviews the new materials including the 1-3 minute video, and it proceeds to select and to notify the grant recipient and the beneficiaries of the fellowship money.

At its second session, the jury reviews the new materials and proceeds to select the grant recipient and the beneficiaries of the fellowship money.”

For the full prospectus and to apply visit: http://smithfund.org/eugene-smith-grant.

Deadline TODAY, June 5th: The Michael P. Smith Fund for Documentary Photography

New Orleans Photo Alliance
Call for Entries: The Michael P. Smith Fund for Documentary Photography
Deadline: Tuesday, June 5, 2018

2018 GRANT GUIDELINES
The Michael P. Smith Fund for Documentary Photography (MPS Fund) was created by the New Orleans Photo Alliance (NOPA) to honor the life and work of Michael P. Smith, one of New Orleans’ most legendary and beloved documentary photographers. The MPS Fund awards cash prizes and exhibition opportunities to Gulf Coast photographers whose work combines artistic excellence and a sustained commitment to a cultural documentary project.

JUROR: Gregory Harris, Assistant Curator of Photography, High Museum of Art

MPS 2018 Award Details: $5,000 cash award | Featured exhibition in the NOPA Gallery | online exhibition permanently archived on the NOPA website.

ELIGIBILITY
Both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida are eligible to apply for the MPS Fund’s annual grants. The subject matter for the proposed project is not limited to the Gulf Coast geographic region but the photographers main residence must be within these 5 states.”

For the full prospectus and to see previous MPS winners visit: http://neworleansphotoalliance.org/photography-grants-new-orleans/.

Deadline June 12th: The Print Center 93rd Annual International Competition

The Print Center
Call for Entries: 93rd Annual International Competition
Deadline: Tuesday, June 12, 2018
Entry Fee: $45 for 5 images

“The Print Center is very pleased to announce the 93rd ANNUAL International Competition juried by José Diaz and Lisa Sutcliffe. Diaz is the Chief Curator at The Andy Warhol Museum, Pittsburgh. Lisa Sutcliffe is the Curator of Photography and Media Arts, Milwaukee Art Museum.

The ANNUAL is one of the oldest and most prestigious competitions in the United States. The Print Center is particularly interested in highlighting local, national and international artists who utilize photography and printmaking in new and intriguing ways, both in content and process.

Any artist using Photography and/or Printmaking as critical components in their work can enter. Artists whose work pushes the boundaries of traditional photographic and printmaking practices are encouraged to enter.

Jurors:

  • José Diaz is the Chief Curator at The Andy Warhol Museum, Pittsburgh.
  • Lisa Sutcliffe is Curator of Photography and Media Arts at the Milwaukee Art Museum.”

To view the full prospectus or submit visit: http://printcenter.org/100/93rd-competition.

Deadline June 1st: Philadelphia Photo Arts Center Contemporary Photography Competition

Philadelphia Photo Arts Center
Call for Entries: Contemporary Photography Competition
Deadline: Friday, June 1, 2018
Entry Fee: $30 for a maximum of 10 images

“Two artists will win $5,000 each and concurrent solo exhibitions from April 11, 2019 – May 25, 2019. PPAC understands that contemporary photography takes many forms, and we are open to all photography, digital imaging, film/video, and lens-based installation work.

Juror: Lucy Gallun, Assistant Curator, Department of Photography, The Museum of Modern Art”

For the full prospectus and to submit visit: philadelphiaphotoartscenter.submittable.com/submit.

Deadline May 31st: The Photo Review 34th Annual International Photography Competition

The Photo Review
Call for Entries: 34th Annual International Photography Competition
Deadline: Thursday, May 31, 2018

“This year’s Photo Review International Photography Competition will be juried by Sarah Meister, Photography Curator, Museum of Modern Art, New York. The Photo Review Competition enables thousands of people across the country to see the accepted work in our 2018 competition issue and on our website. Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. And Forrest Old, director of the Red Filter Gallery, will select a photographer for a one-person show at the online gallery.

Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines, and have sold their work to collectors throughout the country.

An entry fee of $35 for up to three images and $8 for each additional image, entitles all entrants to a copy of the full-color catalogue. In addition, all entrants will be able to subscribe to The Photo Review for $36, a 20% discount. (Higher rates apply for non-US subscribers.)”

For the full prospectus and to apply visit: www.photoreview.org/wordpressindex/2018-competition.

SOLD OUT! May 19-20 in NYC: Beyond Print: The Life of Your Photobook Beyond Publication

BEYOND PRINT: THE LIFE OF YOUR PHOTOBOOK BEYOND PUBLICATION

Hosted by APERTURE FOUNDATION
May 19–20, 2018, 11:00 AM – 6:00 PM

Who should attend: Photographers who hope to publish their projects, or have recently done so.

As personal photographic projects come to completion, producing a publication can be an invaluable means to share the work with a broader audience.

Whether your book is published by a trade publisher, a small press, or you elect to publish your work yourself your publication date is just the beginning of the journey for your book and much of the market efforts will likely will fall to you. There are avenues for exposure within national press read by the photobook community and the broader public, based on the subject of your project. If you wish for your book to function as an path to new audiences via additional platforms, targeted research and presentation formats must be championed such as exhibitions with related educational programing can extend awareness and attention to the book throughout the tour of the show. From examining existing and desired audiences to the possibility of exhibitions this workshop will broaden perspectives and methods that aid in securing exposure for your book and your work.

Tuition for this two-day workshop is $500 and includes lunch and light refreshments for both days.D
Discount available for currently enrolled students and Aperture members at the $250+ level.

To get on the waiting list for this course visit: aperture.org/workshops-classes/swanson-2018.

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